Sentences with phrase «relation to an exhibition about»

Not exact matches

Newflesh exhibition is written about in relation to the aftermath of the Orlando Massacre and Queer Art.

When we research artwork or other objects and we find information about you in sources such as newspaper articles, exhibition catalogues, public auction results, or one of our contacts gives us feedback in relation to objects or persons they have been told about.

From the beginning of his career, his poems have functioned as entries into catalogues about his work, appeared alongside his sculpture in exhibitions, formed exhibitions in their own right, been published in strictly limited editions, made appearances in scholarly writings about the artist, been repeatedly cited in relation to the development of avant - garde poetry.

Newark Museum's public relations department provides information about the Museum in addition to upcoming exhibitions, gallery openings, special events and festivals, and facilitates special media requests for interviews and exclusive articles.

Join us for a Sunday Salon with Co-Director of the Bowdoin College Museum of Art Anne Goodyear as she speaks about contemporary portraiture in relation to the current exhibition Portrait of an Artist KJ Shows.

Valerie Green speaks about her work in relation to the exhibition SECOND WAVE: Aesthetics of the 80s in Today's Contemporary Art.

Tell me about reanimation in relation to the Tate exhibition.

The exhibition also considers his work in relation to contemporary aesthetic debates about politically engaged culture.

For further information about this exhibition, images, or to arrange interviews, please contact: Elizabeth Reina - Longoria or Deirdre Maher Blue Medium T: [phone] Ally Hughes Senior Public Relations Manager Savannah College of Art and Design T: [phone]

Not only does the exhibition offer a breathtaking leap back into the invigorating aesthetic atmosphere of the 70s, inspired by the ideas of the modernist avant garde, but it also invites us to think about ourselves in relation to the world: how much of it is really «outside» and how much is a product of our thoughts and actions.»

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

This time, within a group exhibition, artists Sean Edwards, Lynn Fulton, Adrian Schindler & Eulàlia Rovira and Lucy Vann present work that when seen in relation to one another, speak about the body's relationship to architecture.

Stephen Snoddy will talk about the influence of the paintings of Henri Matisse «The Piano Lesson», «Studio interior paintings», «Conversation» and «Collioure» in relation to his monotypes currently on exhibition.

Before the opening of Wave Hill's fall exhibitions this weekend — with a reception in Glyndor Gallery at 2PM on Saturday afternoon — Danni Shen, Curatorial Fellow in Visual Arts, interviewed artist Michelle Stuart about her practice in relation to Wave Hill's new group...

Related programming includes «Sexuality, Sanctity, and Censorship: A Conversation with Artist Ron Athey,» a discussion about sexuality, gender identity, and censorship in relation to the exhibition and, «Anti-Semitism and Islamophobia in the Middle Ages and Today» a panel discussion featuring Sara Lipton, Hussein Fancy, and Jihad Turk.

Gazelli Art House presents I, Cyborg, curated by Will Corwin, a group exhibition featuring UK and US based artists who are cognisant of the position of the human in relation to its new place as an increasingly hybridised and unified entity and creating artwork about this transition.

Visitors to the gallery will be able to talk with the artist and ask questions about her technique and style in relation to Stump's current solo exhibition Nudes on display at Sparks Gallery through May 13, 2018.

In this issue of Stedelijk Studies, the preference for the «riff» is clear, both in the contribution of Francesco Spampianato (on the reenactment of The Times Square Show in 2014) and that of Jennifer McComas, (on the reenactment of Advancing American Art in 2012).14 The added value of remembering exhibitions, as well as the appreciation for them, is not so much concerned with their celebrating function, but relates to the way in which they contribute to our knowledge about the past in relation to the present.

To further explore the presence of Asger Jorn in this exhibition, Hilde de Bruijn (Senior Curator, Cobra Museum of Modern Art, Amstelveen) talks about her research on Jorn's work and writing, with particular focus on his relation to folk art and vandalisTo further explore the presence of Asger Jorn in this exhibition, Hilde de Bruijn (Senior Curator, Cobra Museum of Modern Art, Amstelveen) talks about her research on Jorn's work and writing, with particular focus on his relation to folk art and vandalisto folk art and vandalism.

About the show, according to the curator: The challenge in organising an exhibition with this scale, to discuss comteporary themes and their relations, is set through the group of works from the museum, another institutions and guest artists from three different fields.

Possibly the most basic common denominator that brings these countries together is their shared cultural space and historical relations: the focal points that I tried to investigate in the two exhibitions that I would like to speak about.

The exhibition title can be understood as «Some schools are cages and some schools are wings», and is part of a project dedicated to thinking about the role of art in otherness and social relations.