Sentences with phrase «relation to his art practice»

Wednesday, November 16 6 pm 101 Spring Street New York, NY The conversation will explore Donald Judd's writings on ethics and philosophy in relation to his art practice, as well as his values, beliefs, and actions as an active citizen.

The conversation will explore Donald Judd's writings on ethics and philosophy in relation to his art practice, as well as his values, beliefs, and actions as an active citizen.

Not exact matches

I turn now to the relation of the arts to the practice of freedom.

Mr. Lally's past practice has included successfully representing President George W. Bush before the Miami - Dade and Orange County Boards of Election at the 2000 Florida Recounts; handling numerous complex corporate reorganizations involving multi-jurisdictional assets; recovering priceless stolen art from an international auction house; restructuring of clients» business affairs to reduce their tax and liability exposure; successfully litigating major elections cases and appeals; representing media groups in domestic and international litigation; handling complex domestic relations, divorce, and custody matters; serving as general counsel to numerous corporations in the health care, media, manufacturing, and hospitality industries; and representing parties in multi-national litigation.

Latin America is an incredibly diverse region within which to practice the arts of public relations and public affairs.

Instead rock art can best be understood as a religious art, reflecting the / Xam peoples relations with the spirit world and to ritual practices.

Higher Level students have an extra requirement for The Comparative Study... criterion F, which gives context to their own work in relation to the artwork studied, by making meaningful connections.You can reference the full CS Assessment Criteria here Criterion F. Making Connections to Own Art Making Practice (HL only): 12 points possibleHL students reflect on how the work chosen for consideration...

The Relationship Between Fine art Practice and Space Assignment Sample: Space is one of the most important things to consider in relation to art.

The exhibition also brings forth the importance of these modes of practice in relation to contemporary art.

The pair will discuss the trajectory of Sala's art practice, his commitment to working with sound in relation to architecture and history, and his work for the exhibition «Anri Sala: Answer Me,» which includes multichannel audio and video installations that unfold across the Second, Third, and Fourth Floor galleries and create a symphonic experience specific to the New Museum.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

He will discuss the connection between art and psychedelic imagery, concepts and practices in relation to his recent curatorial projects B / W Sensorium, as part of Dexter Bang Sinister at Charlottenborg Exhibition Hall, Copenhagen (2012), and Reflections from Damaged Life, Raven Row, London (2013).

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

The aim is to question issues that are relevant to contemporary art practices and the recent history and politics of Lebanon, such as the relation between art and public spaces, the critical reception of works, and censorship.

Of course talking about «work» shares a root problem with «practice» in its relation to economics — it makes art your «job».

Seen as a whole, his practice raises fundamental and evergreen questions about the value of images and art, the nature and possibilities of painting and film, the intertwined relation of our subjectivity to cultural identity, and the ways we address what we experience in life in parallel to the mediated world of images.

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

Through her work, Chicago - based artist Lindsey Dorr - Niro aims to make art a practice of critical consciousness, calling viewers deeper into themselves and relation with the world.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

SOLO SHOW is at the same time a solo show and its own deconstruction, which analyses the real meaning of this exhibition format within the context of the contemporary artistic practices and their contradictory relation to the institutional framework as well to the art market strategies.

In arts, we can mark the exact moment in 1970s when Judy Chicago coined the term Feminist Art, and begun the practice of re-writing the dominant art history, to include the women along with the body of works dealing with women rights, emancipation from the patriarchy, changing the phallocentric values or switch power relations and reach gender equality in order to challenge any form of oppression and discriminatiArt, and begun the practice of re-writing the dominant art history, to include the women along with the body of works dealing with women rights, emancipation from the patriarchy, changing the phallocentric values or switch power relations and reach gender equality in order to challenge any form of oppression and discriminatiart history, to include the women along with the body of works dealing with women rights, emancipation from the patriarchy, changing the phallocentric values or switch power relations and reach gender equality in order to challenge any form of oppression and discrimination.

In her artistic practice, she addresses interpretations and identifications encouraged by language and image in relation to different temporalities, employing translation and transformation and playing with formats and rituals of fabricating and perceiving art and in a broader sense meaning.

An illuminating essay by Ekow Eshun, the artistic director at the Institute of Contemporary Arts, London, discusses Mutu's practice in relation to popular culture, femininity, race, anthropology and botanical texts.

Athey has been a crucial figure in the development of performance art and body art; club performance; intersections between punk, queer and alternative cultures; sexual politics, specifically in relation to queer practices and the politics of HIV / AIDS; and the representation of religion and ritual.

Since the beginning of the 1970s Deacon has written extensively on his own practice and in relation to contemporary art in general.

It also references the artist's own performative practice in relation to situated, embodied histories, the intermingling of the local and the global, art both as possibility for insight and mass industry and ways to complicate its future.

His practice takes elements from fields in the proximities of urbanism, architecture and art in relation to politics, history, geography and economy.

Where do you think institutional critique lies in relation to the somewhat newer modes of relational aesthetics and social practice art?

Artist and curator Gretta Louw, will discuss postcolonial digital arts practice in relation to the exhibition and event series that brings together concepts and experiences of remoteness and marginalised cultures, with art - making in contemporary society.

Before the opening of Wave Hill's fall exhibitions this weekend — with a reception in Glyndor Gallery at 2PM on Saturday afternoon — Danni Shen, Curatorial Fellow in Visual Arts, interviewed artist Michelle Stuart about her practice in relation to Wave Hill's new group...

Assaël — who became intrigued by mathematics, physics, and their relation to art while in high school in Rome in the mid -»90s; who, still a teenager, knocked on arte povera artist Jannis Kounellis's door to discuss tragedy and the notion of necessity; who later studied the philosophies of Kant, Hegel, and Heidegger at university; and who now, an artist in her own right, has particular enthusiasm for the work of Bruce Nauman, Gordon Matta - Clark, and Richard Serra — creates inspiring artworks that re-place the body and authentic experience at the center of artistic practice after

In his extremely diverse artistic practice, he examines the relation of contemporary art to art history and the role of the artist, authorship, and spectatorship.

Artist Bio: Throughout her work, transdisciplinary visual artist Lindsey Dorr Niro aims to make art a practice of critical consciousness, calling viewers deeper into themselves and relation with the world.

Throughout her work, transdisciplinary visual artist Lindsey Dorr - Niro aims to make art a practice of critical consciousness, calling viewers deeper into themselves and relation with the world.

But they find in those paintings proof that his relations with women have an importance for understanding his art almost equal to his long training and studio practice.

In this work, he used his own artistic practice to examine his relation to the language of power used in the art world while deconstructing its authority and influence at the same time.

In this exhibition José Parlá pays homage to several artists such as Mimmo Rotella, Isidore Isou, Tristan Tzara, and Burhan Dogançay, and art movements that are close in relation to his practice: New Realism and Lettrism.

The article talks about her background as a violinist, specializing in graphic design and her degree at Cranbrook where she diversified her practice even further, exploring architecture and 3 - D processes in relation to graphic art.

She has also been writing on black British art practices in relation to questions of communication and communicative ethics.

Joe Bradley will discuss his art and practice in relation to his mid-career retrospective, on view until January 28.

Bridget's book, The Sensible Stage: Staging and the Moving Image (Picture This / Cornerhouse, 2012) explores concepts of staging, theatricality and the image in relation to contemporary art practice.

Currently, Bridget's research focuses on the status of the image in contemporary culture in a twofold manner — exploring the spaces for the projection of images and our interface with images through curatorial projects such as The Cinemas Project (2011 - 14, and ongoing), which explores the spectral spaces of cinema in regional Australia; and through a growing body of writing and research that seeks to understand the changing technologies of the image, and the convergences of the body and image in relation to political philosophy as well as art practice.

Can you talk about his statement in relation to your own art practices?

Artists, curators and academics were asked to explore where experimental animation practice sits in relation to independent animation, visual art, histories and institutions.

The project received a mandate from November 2004 until December 2008 from the Swiss Cultural Programme in South East Europe and Ukraine to undertake a critical examination and evaluation of the questions raised by contemporary artists, curators, architects and theorists in Macedonia, the Balkan region and beyond, in relation to contemporary society and the practice of art.

IMA art conservator Richard McCoy talks with artist Theaster Gates about Thornton Dial in relations to Gate's art practice in

Tuesday, 8 June, 7PM @ Mercer Union [FREE] Xandra Eden will discuss her recent projects in relation to accepted conceptions of art history, mutations in popular culture, and the question of reciprocity between artistic and curatorial practice in exhibitions.

Accompanying Self's insightful and engaging text is an in - depth interview between Hirst and Hans Ulrich Obrist, Co-Director of London's Serpentine Gallery, and also an essay by art historian andcurator Rudi Fuchs that considers and explores the significance of «For the Love of God» in relation to Hirst's oeuvre: «After all, Damien Hirst's art is concerned with love and fear, with death, malady, physical decay, medical practice and pharmaceutical illusion... The inevitable proximity of death is the most real thing in human life.