Sentences with phrase «relation to the exhibition space»

The exhibition, which will take place in the gallery's enlarged and renovated premises, will centre around a group of important works reflecting the artist's most recent output and designed in relation to the exhibition space.

Not exact matches

Bayer has also launched the Inspiration Space, a high - tech interactive exhibition; through the latest motion sensor, touch technology, and body scanners, students will understand what constitutes sustainable food and provide informative insight into the complexity of the human body in relation to maintaining a healthy heart, skin and wound care.

For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaiser.

Installation view Octoder 9, 2010 — May 22, 2011 The exhibition by Daniel Buren in the Grand Hall of Mudam is the fruit of a joint invitation to the artist from Mudam and Centre Pompidou - Metz to create a specific installation in relation to their respective spaces.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Thus, rather unexpectedly, the exhibition will address concerns with form, specifically in relation to light and space.

The Hunter and the Factory, curated by Magalí Arriola and Juan Gaitán, «is an exhibition comprising a selection of artworks from La Colección Jumex that combined with other artistic proposals generates an allegorical environment pertaining to the relations that arise between urban spaces and nature, as well as the problems that these generate.

The upcoming exhibition will be an homage to a leading figure in the landscape of post-war Italian art who wrote important chapters of contemporary art history by re-evaluating sculptural form and its relation to space.

Additional works in the exhibition include Thirty - eight works by Andy Warhol, four bronze sculptures depicting figures who are part human, animal and machine by William Kentridge illustrating social and political life in South Africa; and Olafur Eliasson's Fivefold Sphere Projection Lamp which compels us to view ourselves in relation to space as well as time.

Through a presentation within the Smart Museum and new commissions in public spaces, the exhibition will introduce new artists and contextualize their work in relation to other influential artists, from the Italian Futurists and Gordon Matta - Clark to Marina Abramović and Rirkrit Tiravanija.

Performing the Body is a new exhibition taking place at Galerie Ivokamm in Zurich where Alexa Meade and Sheila Vand have collaborated on a body of work that explores the fluidity of form in relation to time and space.

Interestingly, while turning the viewer's attention to what one would normally dismiss — and certainly not warrant close inspection — the work takes various forms and affects, not only in relation to the space it is exhibited in and in terms of scale, but also in accordance to its designated context, be it a solo or a group exhibition (in the latter case shaping the viewing experience of other artists» works on display).

He develops his work in relation to space (understood as extended territory), using simple objects associated with everyday life to create installations that expand until they become imposing and complex structures, capable of enveloping the entire exhibition space.

Since the 1990s his work has explored the relationship between language and space, temporality and a critique of the «phenomenology of perception» characterized by a formal precision and clarity often developed in relation to the context of a particular exhibition site.

In conjunction with the opening reception of the exhibition «Time Tunnel: Bruce Nauman's Corridor Installation with Mirror - San Jose Installation» the curatorial team will discuss the corridor originally constructed in the same space back in 1970 in relation to Bruce Nauman's artistic career and the context of the work's presence in Silicon Valley now that it is re-installed in 2018.

The exhibition consists of new and recent audio and video works, re-assembled and displayed site - specifically in relation to the architectural features of the gallery space.

The works of the exhibition act as a collaborative installation between the artists where the agency of each artist at times is blurred, at times visible, in an attempt to question the relation of object and agency in the gallery space as well as in a broader context of history writing.

1976 A Proposition + Some Questions as to Moved Picture, Artists Space, New York, US An Exhibition on the Work of Lawrence Weiner, Van Abbemuseum, Eindhoven, NL Five Works One Book One Videotape, Institute of Contemporary Arts (ICA), London, UK A Work of Lawrence Weiner Presented at 17 Queens Lane, Robert Self Gallery, Newcastle Upon Tyne, UK With Relation to the Various Manners of Use, The Kitchen, New York, US

Florian Hecker's 2010 Chisenhale Gallery exhibition continued his investigation of sound in relation to the body and space, employing idiosyncratic psychoacoustic propositions in order to examine and disrupt spacial perception.

A longer time frame would have possibly revealed a more comprehensive conclusion at the AGNS, as one considers declining visitation data in relation to the emphasis on unaffordable blockbusters and and a NSCAD monopoly on exhibition floor space.

The title of the show relates to the volume of the museum space occupied by the exhibition in relation to the volume of the artist's body.

This exhibition opens with a series of abstract watercolours which bear a relation to the work of Vassili Kandinsky and Paul Klee, before leading on to a broad selection of gouaches made in Paris — geometric works with understated lines and a high sensibility in terms of light and space — along with a selection of luminous reliefs he embarked upon in 1955.

To present, today, an exhibition from 1969 just as it was, maintaining its original visual and formal relations and links between the works, has posed a series of questions on the complexity and very meaning of the project, which has developed through a profound debate from various perspectives: the artistic, the architectural and the curatorial.This was the challenge: how could we find and communicate a limit to a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at BerTo present, today, an exhibition from 1969 just as it was, maintaining its original visual and formal relations and links between the works, has posed a series of questions on the complexity and very meaning of the project, which has developed through a profound debate from various perspectives: the artistic, the architectural and the curatorial.This was the challenge: how could we find and communicate a limit to a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at Berto a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at Berto our time and imbued with an energy and tension equivalent to that felt at Berto that felt at Bern?

The exhibition was conceived in relation to the architecture and interior spaces of the Fondation Louis Vuitton building, allowing a compelling historical narrative across its four floors.

A meditation on the flexible richness of writing, the fluid resonances of collage practices, the mobile symbolic relations between art and poetry, and the open channel between representation and the natural world that Vicuna's practice seeks to keep alive and breathing, the film does not signal a climax or closure to the exhibition, but an aperture into space and time, and an encounter with our own place within them.

Her work questions the relation to architectural and historical spaces, and challenges conventional notions around the exhibition space.

Possibly the most basic common denominator that brings these countries together is their shared cultural space and historical relations: the focal points that I tried to investigate in the two exhibitions that I would like to speak about.

The hint of these two spaces establishes what appears to be the main discourse of the exhibition: that between the individual or the social unit in relation to a governing body.

Stephen Walter's solo exhibition Anthropocene opened at the Londonewcastle Project Space on Tuesday night with a fantastic response to his infinitely detailed works encompassing cartography, landscape and human's relation to both.

From the tiny aluminium tablets which were shown throughout the Christchurch Art Gallery in 2006 as a part of the Out of Erewhon exhibition, to the bi-chromatic square panels exhibited recently at le Pavé d'Orsay in Paris, the «reasons» consistently underline the comprehension that, above all, a painting is an object to be appreciated in relation to others, and in the context of the physical space of the showroom.

Artists and curators selected for the program receive project grants up to $ 5,000, exhibition space in the SOMArts Main Gallery, installation, technical and event production support, and community engagement and public relations support from SOMArts» experienced staff.