Sentences with phrase «relationship from dancing»

Not exact matches

After a great deal of intense research I concludedI that the break - down in societal relationships was first evidenced in discos, where people danced six feet from one aanother and never touched..

You'll revel in every season of relationships, from the courtship dance to planning the wedding (obsessed!)

I want you to read my profile until the end Am Tracy, am a decent girl from a decent home, i like dancing, hiking, making friends and sometime camping, i need a relationship that will turn into long life commitment... I'm looking for someone to share my experiences with.

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Read about fads from the past: hula hoops, disco dancing, pet rocks, goldfish swallowing, flagpole sitting, streaking, Rubik's Cubes, 3D movies, and more.

The story of the movie is echoed in the way the dances are put together, from the makeup of the town (which is more diverse and real - looking than in the original Footloose) to the relationship between characters.

Rather than a pathetic attempt at reclaiming her youth on the part of Gloria, or star - struck ambition on the part of Peter, their relationship is clearly revealed as a meeting of the minds, whether they're dancing to pop songs or rehearsing lines from the play she's doing on the outskirts of London.

Dancing for Dollars, the latest book from relationship columnist, racehorse trainer, beauty queen, host, and self - published author Victoria M. Howard, has been collecting great reviews and accolades, with a possible film adaptation in the works!

The dance is an accumulation of gestures derived specifically from D'Angelo and Diaz's individual relationships to movement — in response to conversation, direction, and memory.

She has curated the Robin Rhode exhibition Who Saw Who at the Hayward Gallery for autumn 2008, Walking in my mind (summer 2009), which explored the inner workings of the artist's imagination through the medium of large - scale installation art; Move: Choreographing you a show about the relationship between visual art and dance (2010); Pipilotti Rist: Eyeball Massage (2011); and Art of Change: New Directions from China (2012).

ORGANIC RELATIONSHIPS — DANCE PARTY JUE AND ANOA» Organic Relationships» x YOSHIMIO with DRUMS (Tatekawa Yo2ro, Yoshimi from BOREDOMS) September 30th, 2011 18:00 - 19:00 (site open 17:00) admission free KYOTO SEIKA UNIVERSITY GALLERY FLEUR 137 Kino - cho, Iwakura, Sakyo - ku, Kyoto About Organization Cosmic Wonder / About Center for COSMIC WONDER Cosmic Wonder than in 1997, is the organization started by artists YUKINORI MAEDA.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's work is characterized by experiments in kinetic technologies, as well as research into archaic visual morphologies, pleasure wrested from suppressive taboos and the body of the artist depicted in dynamic relationship with the social body.

The work is sourced from the deep well that is their relationship, which is made up of intimate conversations — drunk and sober, dancing, grooming, and of course from time to time working side by side.

The exhibition explores the historical and current relationship between visual arts and dance by presenting seminal works and new commissions by leading artists from the last 50 years.

An artist with 14 works in the Museum's collection, Atlas worked with the Merce Cunningham Dance Company from the early 1970s to 1983 as stage manager, lighting designer, and in - house filmmaker, and maintained a close working relationship with Cunningham until his death in 2009.

Sometimes, this dance doesn't last at all and sadly, the sense of repeated failure can lead both partners toward separation and possible resolve to move away from relationships.

Sue writes that «he has changed the music in the relationship from a polka to a tango, a dance of intense connection.»

In her work, she draws from mindfulness - based techniques, systems - based approach, cognitive - behavioral therapy, relationship - based therapies such as person - centered therapy, and dance / movement therapy (in which a focus is placed the body - mind connection and the role of the body as a key informant in supporting clients» emotional awareness).

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If we pick up on a negative emotion in our partner's message that implies something bad about us or about our relationship, then our next dance move is likely going to come from a place of self - protection.

I honestly believe that it is the dance, or negative cycle, that couples create over the length of relationships that prevents them from coming together.