Sentences with phrase «relationship to art»

Since surrealism was an entire art ethos — addressing form, content, and just as importantly, an artist's entire relationship to art — New York was crucial not just for Baziotes's style but also his approach to creating images.

She spoke about her relationship to art practice as a female artist and also her desire to change practice, form, and process.

Anna Lovatt explores the role of drawing throughout; Jo Melvin introduces pivotal exhibitions during the 1960s and 70s; Anthony Bond provides an overview of the work and its relationship to art history and David Batchelor revisits his 1999 essay which describes visual and conceptual themes throughout Law's work.

All of the artists were chosen for approaching painting as a way to draw attention to and reimagine digitally produced images, slowing them down to examine their meaning and impact, both in relationship to art history and our daily consumption of them.

DOWNLOAD VIA ITUNES SUBSCRIBE VIA RSS EXCLUSIVE: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.

EXCLUSIVE: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.

He defines his relationship to art as:

The two artists, who started collaborating while studying together in Manchester, focus in on their own relationship to art production and consumption with The Weekend Supplement.

His studio practice investigates pop culture, craft, ritual, beauty and its relationship to art history, subculture, appropriation and the institution.

Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.

The participatory elements of these works also reflect my changing relationship to art, objects, and audience — this interest in access and contact signifies my desire to re-examine attitudes and assumptions of art - proper, as well as my motivations for viewing and making art.

While he previously began with reproduced iconic paintings as a way to engage with the history of abstract art, these new works demonstrate Otero's relationship with the medium of painting more generally, rather than his relationship to art history or one specific artist.

In exploring subjective questions of quality and their relationship to the art - historical canon, one finds that a «good» AbEx work is one that is determined to be so by both the viewer and the critics and experts, as well as being the result of societal biases (more on that last part later).

The Conversation opens a dialogue between Rome's past and its present relationship to art, and focuses on the creation of contemporary art.

Miller's gewgaws can be seen as modern equivalents to Warhol's dollar - sign paintings and Daniel Buren's stripes — fetishes that have no inherent value in themselves but that externalize unconsciousness, destabilize our relationship to art, and are vivid symbols for their own status as placeholders for the rich.

Organized by theme, and including 100 images of artworks in addition to writings by Will Self, David Means, Ralph Rugoff and Laura Hoptman, this volume explores Condo's relationship to art history, popular culture and contemporary society.

At that time, he had no relationship to the art world.

At the same time, she rediscovers Pollock's relationship to his art.

With no barrier between the audience and the artwork, viewers were forced to reconsider their relationship to the art object.

What was your family's relationship to art?

He continued his friendship with painter / collagist Paul Horiuchi, whom he had first met in the mid-1950s when Horiuchi was still working as an auto body repairman («The first part of Paul I saw were his feet, as he was working under a car,» Okada later recalled), [1] and he had long discussions about Zen Buddhism and its relationship to art with Mark Tobey and Tomatsu Takizaki, an antique merchant, poet, and Zen practitioner he'd met through Horiuchi.

Though he insists philosophy has no direct relationship to his art, he retains an enthusiasm for a number of philosophers, both eastern and western, among them the Taoist sage, Lao Tzu, and the pre-Socratic Greek thinker, Heraclitus.

Mexican - born José León Carrillo developed in New York (he received his MFA from Columbia University and his BFA from the School of Visual Arts), which may help explain his academic and theory - heavy relationship to art.

The resulting double narrative becomes an allegory of the creative process: Glen as Art's (Ted's) prostitute, and Glen and his relationship to his art practice.

In exquisitely rendered paintings, works on paper, wall and floor works, sculptures, site - specific installations and public projects, the Mysore - based artist examines structures, borders and barriers as a series of ever - shifting concepts, alluding to an interconnectedness that compels the viewer to consider their relationship to the art work as part of a wider conversation about systems of knowledge, belief and power.

The piece initially reads as a witty readymade, yet as the story unfolds, the narrative of Glen's relationship to Art reveals serious dimensions, fraught with complexity and contradictions.

Rooks arrived at the High in January 2010 with a mandate to repair the museum's frayed relationship to the art community.

The Judd / CCS Bard partnership will begin in Fall 2014, and continue through the Spring of 2015, with a series of public events and discussions focusing on the legacy of Donald Judd's work and particularly the importance of writing in relationship to art and curatorial practice.

And this was the crux of the consideration she'd put into the notion of care in art: how to establishing a caring relationship to art, to your community, to yourself, while not shying away from what your artistic practice and output demands of you.

Judd Foundation and The Center for Curatorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorial practice.

She has edited a series of books for which she invited other artists and writers to write short stories involving constraints and a relationship to the art world.

Grounded in dialogue, their images, objects, and essays elucidate a new relationship to art, one in which information merges into matter, the biological merges with the cultural, and local specificity blends into the planetary.

By comparison, I sense that your depictions of nature transcend your relationship to art history and convey something more personal as well.

Leading up to the exhibition, FLAG invited fourth grade students from Harlem Children's Zone, a pioneering nonprofit organization in Central Harlem, to explore their relationship to art and creativity through a participatory Q&A.

BAL: What is your relationship to the art historical tradition of Land Art?

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

The clothes «all represent different biographies, like different stages in my relationship to art,» he explains.

At the same time his poet friends, Ginsberg, Peter Orlovsky, and Gregory Corso, hang around quizzing the bishop about the meaning of life and its everyday relationship to art and poetry.

Collins: It's funny because I have such a weird relationship to the art world.

While his initial investigation with the materiality of photography associates him with the Pictures Generation, his move to Los Angeles in 1995 to head UCLA's photography department significantly shifted his relationship to the art form.

It pokes, provokes, and makes us reconsider our physical and psychological relationship to art.

While the text pieces are clearly addressed to an art world audience, these works express an almost innocent relationship to art - making.

Discuss her mindset in these scenes, how her relationship to art changes throughout her life, and what this reveals about her as a character.

It's a mercenary bit of manipulation undertaken by a hired gun that bears no relationship to art, no interest in depth — it's aberrant, derivative, and in its conclusion's startling resemblance to a Kiwanis Club haunted house, surprisingly dull: the one thing it wasn't supposed to be anymore.

Where Rhinoceros Eyes is about dreaming, The Dreamers is about waking up, and while the conversation about our multifoliate relationship to our art is endlessly fruitful, it's both dispiriting and hopeful that when one of film's brightest lights begins to dim, searching the streets for an angry fix as it were, others are hungry to howl in his place.

However, his ambiguous relationship to the art was not merely personal and idiosyncratic; it is endemic to the very nature of «Christian» art itself.

And classical music has been driven out by rock music, whose explicit sexual themes lead to rebellion against parental authority and to ruin of the youthful imagination, making «it very difficult for them to have a passionate relationship to the art and thought that are the substance of liberal education» (p. 79).

While both of these factors — an inherited distrust of physical form, and a current focus on monetary economies — clearly shape our feelings and actions in relation to art, the equivocal nature of the Protestant relationship to the arts becomes ever clearer if we look at what lies behind the question of iconoclasm.

Originally named the Hayden Gallery, MIT established this center for the visual arts in 1950 to provide a dedicated structure upon which to build the university's existing relationship to the arts.

Beta - Local's relationship to arts institutions on the US mainland made it uniquely situated to help local artists.