Sentences with phrase «relationship wit»

Now the two have rekindled the relationship wit...

Just want to date and relationship wit...

I am in this site looking for a relationship wit a cougar because I am in love with older women.

I'm 22 straight male looking for friends and possibly a relationship wit people who can understand what I'm going threw!

im here on this site searching for whom to be my love for the rest my life, dats we have a longterm relationship wit... for more conservation or the other you can me to ur messenger thr my yahoo id is, [email protected]

looking for someone whose interested in a relationship wit me...

Our children are born to us so we can learn more about ourselves and our relationship wit the world around us.

These older women are more established in their career and past relationships wit...

Maintaining effective working relationships wit...

Professional Summary Supervisor, driven to exceed sales goals and build long term relationships wit...

Not exact matches

Male and female are participants in a relationship that is often referred to as the war between the sexes although, as one wit observed, the war has not gone well because of too much fraternization between them.

Here he is introducing Fathers and Sons: The Autobiography of a Family by Evelyn Waugh's grandson, Alexander: Here is the story of four generations of Waughs, told with wit and brio... [it] reveals aspects of the novelist's poisonous relationship with his father, Arthur, that have never been given adequate attention... The book opens with a portrait of Arthur's father, Alexander, otherwise known as «the Brute» who... with his booming voice... and mad, piercing eyes... terrified family and associates alike.

But Week 2 offers a handful of fresh, extreme relationship makeovers, a few tests of wits and camaraderie in fiercely competitive tangles that will produce the best and the worst of all involved.

Make sure you nurture these relationships so you have a sounding board (and can return the favor) when you are at your wits end.

Try to keep your wits about you, especially in the early stages of the relationship.

Julie will do WIT «Whatever It Takes» to make that person have a relationship.

A chance encounter brings them together, and the story zigzags back and forth in time — from a meteor shower in LA, to an encounter in a Paris hotel room, to a fateful phone call — resulting in a portrait of the relationship between the cynical Dell (Long) and the quick - witted Kimberly (Rossum).

Hank and Karen's quick - witted offspring has seen it all — watching her parents» complicated relationship, as well as her father's roller - coaster lifestyle.

The movie, directed by Rob Bowman, plays more to the show's chief strengths: its macabre wit, its creepy - crawlie scares, and especially the tense, complex relationship at its center.

«Full of charm and wit, with a little mystery thrown in for good measure, APPLESAUCE is a rare and very original take on the relationship drama and mystery genres, excelling quite well in both... It's a film that keeps its viewer wondering what will happen next, from the very opening of the film, to the moment the credits roll, and is by far Tukel's best work yet.»

Noah Baumbach and Greta Gerwig's latest collaboration applies wit and fleet - footed technique to its lopsided relationships

Like a 20 - years - later sequel to Before Midnight, this sharply observant comedy - drama follows a couple through a soul - searching weekend in which they evaluate their relationship with real wit and emotion.

Those incredibly profound relationships are explored in A Quiet Passion where her sharp wit and observation give us a unique insight into her life and obsessions: love and mortality.

Told in close - ups viewed through the grainy filter of Super 16 film stock, Alex Ross Perry's third feature takes its influences from the best of Seventies cinema, marrying the wit and navel - gazing of Woody Allen with the laid - back cool of Robert Altman (circa The Long Goodbye), while the film evokes John Cassavetes in its intimate portrayal of a relationship in tatters.

Naturally, the frustrations mount and the cracks show, but from the looks of this, it's a nicely toned piece on relationships with plenty of Stoller and Segel's trademark wit and love of the odd physical gag.

I'm hoping the new season settles down and focuses back on the Holmes - Watson (Martin Freeman) relationship and just solving some good old - fashioned crimes with wit, style, and (from Watson at least) heart.

Throws so much charm and wit at you that you get lost in its relationships and utterly lovable characters.

As great as that film and its beautifully inflected father - son relationship are, Wallace Beery as the slow - witted but lovable lead doesn't achieve the complex characterization Takeshi Sakamoto does in the equivalent role of a day laborer, and Jackie Cooper as Beery's son isn't any more expressive than Tokkan Kozo is as Sakamoto's son.

The dialogue's wit completely evaporates when actual drama befalls the characters» relationships, with some groan - inducing lines and contrived resolutions to many of their arcs.

Dashiell Hammett's sharp - witted society sleuths Nick and Nora Charles (William Powell and Myrna Loy)-- who were said to be based by Hammett on his own relationship with playwright Lillian Hellman — solve another one, this time at a racetrack.

Fresh: Fans of The Twilight Zone and The Outer Limits will particularly appreciate this blend of clever mystery, offbeat wit and a deeper - than - usual observational analysis of relationships and marital ennui.

Much of the movie takes place in drab hotels, Wallace's dingy dorm - room-esque house, or in vehicles — but the way Ponsoldt orchestrates the ups and downs of their relationship within these environments, with tenderness and wit, is sublime.

The original series (which will run on BBC America, beginning Oct. 8) required all of six episodes; if all goes as it is supposed to in American broadcast TV, its domestic counterpart will need to spin its not - a-relationship relationship over 22 episodes a year, and even reckoning his compensatory dry wit, Azaria's character's teary neediness is wearing even after half an hour.

For a brief, exhilarating time, he captures all the dim - witted exuberance, all the pathological pride, all the explosive machismo of long - haired, tight - leathered cock - rock bands and the symbiotic relationship they have with fans, who revere them as greasy, gyrating lizard kings.

But unlike in his finer relationship - based dramas, there's a shortage of insight, wit or much else to distinguish it from the pack.

Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco - Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows wit h natural delights.

With echoes of Blindness and The Handmaid's Tale amplified by a biting satiric wit, The Blondes is at once an examination of the complex relationships between women, and a merciless but giddily enjoyable portrait of what happens in a world where beauty is — literally — deadly.

His gentle wit would charm generations after his death, obscuring the pronounced aloofness of his family and personal relationships.

The relationship between each family pair crackles with wit, humor, and enormous love, revealing the vulnerabilities of all four teens with heartrending honesty.

In this historical novel of exceptional sensitivity, mordant wit, and simmering outrage over sexual discrimination, Bloom illuminates the long - camouflaged relationship between First Lady Eleanor Roosevelt and trailblazing journalist Lorena Hickok.

Tyler hasn't lost her knowing eye — she explores the inner workings of this family with sensitivity and wit, providing a tender portrayal of what it means to age and the dynamics among children and the distinct relationships they each have with their parents.

LaRose is the fifteenth novel in Erdrich's magnificent North Dakota cycle about the painful and proud legacy and intricately entangled relationships among Native Americans, whites, and people of mixed heritage, a brilliantly imagined and constructed saga of empathy, elegy, spirituality, resilience, wit, wonder, and hope that will stand as a defining master work of American literature for generations to come.

Boasting a drawing made especially for the cover, Raymond Pettibon: To Wit includes an essay by Lucas Zwirner titled «A Month with Raymond» that describes the show's making and offers fresh observations on the relationship between word and image, and reading and writing, in Pettibon's art.

Titled To Wit, evoking the Middle English expression that has come to express a certain formality today and is defined as «namely,» or «that is to say,» the exhibition gave new meaning to the term «site specific,» featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that space and time.

The scenes portrayed with wit and cleverly concise absurdity are less the result of a voyeuristic perspective than an attention to self - representations, roles, fantasies, and desires in everyday life, and which naturally includes the (visual) relationship between man and woman.

With lyricism and wit, Watts conjures imaginative worlds and magical visions, both urban and ancestral, to contemplate the metaphysical relationship between the individual and his environment.

De Wit utilizes found images, scanned and reprinted, in combination with raw, glazed, or photo - printed ceramic pieces, to explore ideas of our relationship with nature and the built environment.

Presenting artifacts from Minoan Crete and archival materials from the Sir Arthur Evans Archive together wit h Elizabeth Price's installation, this exhibition explores the relationship between restoration and art.

Conventional histories and display techniques will be overturned with an engaging wit, yet always with a sense of empathy and a strong desire to prompt new narratives and relationships.

Titled To Wit, the exhibition gave new meaning to the term «site specific,» featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that space and time.