Sentences with phrase «relationship with an audience in»

«This is an exciting opportunity to expand our relationship with our audience in what we think is going to be a really lively and exciting night.

While the exhibition considers the art historical background of the relationship between artwork and viewer, and its growing status over time, it asks, how do these works engage and forge relationships with audiences in distinctively different ways from any other works of art?

Stories has proven to be an effective tool for individuals to leverage their direct relationship with an audience in brand partnerships.

Not exact matches

As the study put it, «publishers must understand that these relationships begin through friends» referrals and social media,» and that in order for younger audiences to be willing to pay a subscription for their news, «they must bond with your mission and purpose.»

«Part of the reason to focus on brands and content platforms first is because there is a built - in audience that they are trying to deepen their relationship with,» says Patterson.

Patton Gleason, president of Richmond, Va. - based NaturalRunningStore.com, says social media helps him build relationships with existing customers; they in turn promote his online store to new audiences when they share the information they've received on their own networks.

From label execs to music bloggers to managers and beyond, there's a long list of people who an artist must build relationships with in order to reach larger audiences and expand their brand.

Obviously, this is a great way to build your audience by creating a relationship and establishing yourself as somebody who's credible with in the beauty industry.

Build a relationship with your audience at least three months in advance so they can learn your tone and rhythms.

Time Inc. offers marketers a differentiated proposition in the marketplace by combining its powerful brands, trusted content, audience scale, direct relationships with consumers and unique first - party data.

But it's because of all these changes that the fundamentals — building real relationships, engaging with authenticity, and serving your audience in a meaningful way — are more important than ever.

Once you build a loyal relationship with your audience, you can start to measure how that audience generates revenue for the organization (or saves you money in some way).

Target influencers in your niche that have already developed a relationship and trust with their audience.

In public speaking, the speaker must visibly connect with the audience to establish an authentic relationship.

It's keeping your spirit open and existing in this relationship with Him that allows us to pour forth the creativity that He has designed for His audience to listen to.

They thus came naturally to him to be used as metaphors in his parables proclaiming the Kingdom of God, to an audience predominantly consisting of peasants and others who belonged to the deprived and alienated social groups.40 The images from nature, therefore, become meaningful to an audience who were in constant relationship with nature in their daily activities on the farm, with its experience of pathos and joy.

Theologically, such television organizations, in their relationship with their audiences, are deficient in two characteristics that have traditionally been seen as essential to identifying a body as a church: they have no sacramental dimension to their worship and there is no meaningful sense of their audiences being a particular community in Christ.

With first - hand research and content developed based on in - depth reader relationships, Foodservice Equipment & Supplies delivers digital, print, custom and face - to - face information that meets the needs of its audience — the $ 8.3 billion equipment and supplies marketplace.

With this podcast I hope to reach a wide audience helping couples create loving secure relationships in their lives.

In classic social media fashion, a successful online community tends to strengthen your relationship with your audience.

Peter Morgan's on - stage success, The Audience, played out the relationship of prime ministers past and present with the Queen, via imagining their weekly conversations in Buckingham Palace.

The fellowship trains 15 mid-career scientists each year to lead high - impact science communication and engagement, increase confidence in their skills, develop relationships with policymakers and other audiences, and build capacity for more scientists to engage with public audiences.

While front - runner candidates were found in the study to be given more speaking time than second - tier candidates, speaking time displayed a negative relationship with audience laughter.

- Experience in research, scientific reports, publications; - Good verbal and written communication skills in English, to contribute to reports and peer - reviewed scientific publications, deliver presentations, and translate scientific concepts for diverse audiences; - Strong interpersonal skills to build and maintain strong relationships with academic, NGO and government partners and to work effectively as part of a highly collaborative research team; - Willingness to travel internationally, proved with international mobility and / or secondments or similar

BASIC SYLLABUS SESSION 1 Yin Yoga Teacher Certification Learning the foundation of Yin yoga principles and postures Alchemy fundamentals Group discussion on practice Birthing and yielding cycles Basics of teaching philosophy Student practice teaching Primary Yin yoga postures SESSION 2 Yin Yoga Teacher Certification Review Teaching techniques Flow and transition movement Reading assignment discussion Adapting teaching philosophy for specific audiences and student needs Taoist philosophy Power yoga Student practice teaching Yin yoga posture variations SESSION 3 Yin Yoga Teacher Certification ADVANCED TRAINING - open only to students who have completed session 1 or 2 How to become attuned with your own flow How to create flow sequences of postures for students Practice teaching with specific evaluation and guidance Yin yoga postures - Participants must demonstrate proficiency in content from sessions 1 and 2 Advanced alchemy using birthing and yielding cycles with accompanying postures Medical chi kung, standing forms of exercises (Aura Palm) Alchemical meditations for cultivating elemental energetic properties Relationship of the organs, emotions, and the five elements

Published in 2005, «Think & Date Like a Man» instructs a female audience on how to attract and keep a relationship with a quality man.

In either case, they consist of an elite audience that doesn't mind shelling out a few bucks in order to get into a mutually fulfilling relationship with a young and attractive womaIn either case, they consist of an elite audience that doesn't mind shelling out a few bucks in order to get into a mutually fulfilling relationship with a young and attractive womain order to get into a mutually fulfilling relationship with a young and attractive woman.

Niall Leonard's screenplay, coupled with the problematic source material, trick the audience into thinking they've seen a strong shift in the couple's power dynamic — yet it can never escape being an abusive relationship dressed up as fantasy.

An in - depth look at a chapter of his career that is rarely examined, Michael Jackson's Journey from Motown to Off the Wall allows audiences to travel with Michael as he gets his start at Motown, strikes a new path with CBS records, and forges a relationship with legendary producer Quincy Jones.

While most adults in the audience will wonder why Mia would ever seriously consider a relationship with a guy who is so self - centered to get mad at her for desiring to relocate 3,000 miles away to go to the most prestigious music school in the country, the film seems to make the false presumption that younger girls will find it more romantic for the boyfriend to be upset that they will be apart and have to Skype to keep in touch (something he seems to think is the worst possible case scenario, even though he already spends several weeks a year on the road performing gigs).

In a film where Ramsay was pushing the boundaries of the viewer's relationship with her protagonist, she admits the first Cannes audience was the most nerve wracking moment of her career.

Judge Reinhold has been in over seventy - five motion picture and television roles and enjoys a 25 - year relationship with an international audience of all ages.

Example: In an amusingly awkward restaurant sequence, bringing together Deanna with her best friend (Rudolph), the college boy Deanna met at a frat party (Luke Benward, sweetly smitten) and various other characters, there's an outrageous relationship reveal that works like crazy with an audience.

If one had to guess why critics and audiences have responded to this movie, while Mackenzie's earlier films — which have similarly dealt with difficult interpersonal relationships and discomfiting power dynamics — were indifferently received, the answer probably lies in its subject matter.

Undoubtedly acclaimed filmmaker Thomas Vinterberg has had a somewhat fractured relationship with directing films in the English language, his previous two attempts, It's All About Love (2003) and Dear Wendy (2005), mercilessly panned by critics and audiences.

Also announced in January and continuing is a relationship with Facebook ®, which offers Institute alumni advice, educational materials and best - practices tips on how to build and engage audiences via the service.

But make no mistake about it, once she descends into the realm of vanity and self - absorption, she transforms into the cookie cutter model, who the audience struggles with empathizing with in a brutal love - hate relationship.

Once those characters were developed and relationships created, they didn't advance much further, and in «Maze Runner: The Scorch Trials,» audiences were left with the mystery of WCKD itself.

There can be difficulty in identifying the relationships between the characters, and as these people are supposed to be banding together to fight this evil, the relationship isn't there for the audience to identify with.

The film is so playful with its own relationship to sound, and its place within the artform — I must stress that it's not a wholly silent film, with both sound and score used to judicious thematic effect — that the audience winds up participating in the discussion.

The lacking picture quality, however, is sure to disappoint any fan with high home theater standards, a class that's admittedly quite small in relationship to the somewhat successfully targeted tween audience.

It's clear from the start that an abusive relationship is in the works, and the audience can't help but side with Wilma who, after her own curbside run - in with Claire's sociopathic beau, warns her friend to cut and run as fast as she possibly can.

There will also be a talk series, giving audiences a deeper look at Wilson's plays, the themes he explored in his works and the historic relationships he formed with his artistic collaborators.

The metaphorical silence of Woody, and Krasinski's austere presentation of it, provides a vivid attention about what is not being spoken, and allows the audience to connect with the notion of not communicating in a relationship to the point of being silent (before Crowe later adds subtitles, at least).

(For example, even the incredibly wise Sarah Polley, who made this weekend's wonderful; Stories We Tell, conceded at a Q&A for the film that she hadn't even noticed her lead female characters are defined by their relationships with their male partners, as pointed out by an older woman in her audience.)

Speaking of his role on The Crown, and Churchill's relationship with the young Queen Elizabeth (Claire Foy), which viewers see evolve beautifully during the show's first season, Lithgow says, «That work was done by [creator] Peter Morgan, and all of the inspiration for the series came from one scene between Elizabeth and Churchill in his play The Audience.

But those performances are what put him in this race — the relationship he has been building in the industry and with audiences for three decades has propelled him to an «It's time» coronation.

Qualifications: • Bachelor's degree, and five to seven years of experience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptability to change

The Institute ended with students presenting their ideas about how to improve police / community relationships in front of an audience of close to 50 with guest judges being Georgetown's VP of Government Relations and Community Affairs, Christopher Murphy and MPD Community Relations Coordinator Julia Irving.

I've worked in the book publishing industry my whole career and there's one thing where we all (agents, publishers and publicists) can agree: the time to start building a relationship with your readers and listening to your audience is long before your book is published.