Sentences with phrase «relationship with the other artists»

I began to realize that my relationship with the material and my relationship with the other artists was exactly the same kind of relationship that I would have with another actor when directing them.

Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.

Andre's relationships with other artists had a reciprocal effect on the theoretical and practical developments across their work.

I'm curious also about your relationship with other artists.

Here's what she said: «Getting started in the commercial gallery world is best facilitated by engagement with the arts community; participating in public events, residencies, group shows, etc. and building relationships with other artists is one of the better ways to get your work seen while making connections to other curators and gallerists.

[1] To fully understand the work of Carl Andre, a closer look at his relationships with other artists is necessary.

It was all about Sonic Youth, their relationships with other artists and with art.

Not exact matches

Unlike other known pickup artists, Lance offers instruction on building a healthy relationship, coping with break ups, and social dynamics in the dating scene.

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Con artists scam victims on online dating websites out of thousands.

Gathering for an event commemorating their artist father, three adult siblings navigate their difficult relationships with him and each other.

In the five issue miniseries «Avengers Prime,» Bendis and artist Alan Davis thrust Steve Rogers, Iron Man and Thor into an adventure that will force them to reexamine their relationships with each other.

In order to get a good book cover you needed a good artistic director (usually working on salary for a publisher but not always) and a good cover artist (usually freelance but not always) with a good relationship going on between each other and with higher - ups.

Inspired by the more than 700 letters the Van Gogh brothers wrote to each other, Heiligman uncovers fresh insights into Vincent's development as an artist and his relationship with the brother who supported him emotionally and financially throughout his life

Many visual artists, like myself have a tendency toward introversion which can make live social engagement in the flesh very challenging; one advantage to social media engagement is that it allows shy or socially awkward people to have some comfort space between themselves and other people while remaining in active relationship with «strangers».

But I DO know that it takes multiple «touches» for a client to buy an artist's work, and nurturing an ongoing relationship with a collector over time is hands down the BEST way to have a patron for life — somebody who will not only snatch up your work still wet, but happily tell others about it, too.

With the aid of film and photographic records, correspondence, invitation cards, as well as posters and other ephemera, light will be shed on Joan Mitchell's colorful personality and her multifaceted relationships to visual artists, writers, and other cultural figures.

It is a celebration of Stella's collaborative relationship with Tyler and his team over five decades, a collaboration that Tyler describes as standing out from all other artists: «A close look at his printmaking reveals a slow and timid start in the early 60s that culminated into an explosion of scale, colour, texture and bold imagery of The Fountain work.

With film recordings and photographs as well as correspondence, invitations, posters, and other ephemera, Joan Mitchell's vibrant personality and her various relationships to artists, authors, and other figures from the cultural world of her time are illuminated.

In the case of Alex Katz, This Is Now, In Focus will include, among other activities, a program of tours by artists whose work reflects a special relationship with nature: Juana García - Pozuelo, Lucía Onzain, and Juan Pérez Agirregoikoa will offer their reflections on the work of Alex Katz.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

More recently, Katz expanded his relationship with Colby, as well as several other Maine museums, with regular gifts of paintings and other works of art by contemporary artists through his own foundation.

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

Printmaking was an integral part of Finlay's career as a philosopher, sculptor and poet, and his lifelong creative relationship with language, politics, philosophy and mythology is highlighted in his printed works, which were often made in collaboration with other artists.

It's not entirely clear what the American artist's relationship with Indonesian culture is other than that of appropriation, though the press release does mention that Kuffner did create this installation in partnership with (unnamed) Balinese master craftsmen.

The gallery maintains an ongoing close creative relationship with its own roster as well as a strong collaborative relationship with other galleries and artists.

While participating in programs within the contemporary art world at large, Studio Society Members build meaningful relationships with fellow Members, as well as artists, curators and other leaders in our community and beyond.

This thematic exhibition pursues a free exploration of the sun, understood as a metaphor interrogating the artists» respective relationships on the one hand with the Mediterranean region, home to experimentation, and on the other with Modernism and Postmodernism.

Our collection is all emerging and mid-career artists, and we discover new artists through relationships with galleries and other collectors, at art fairs, and through research.

Suddenly the viewer is able to understand Ramsden's intentions beyond the mere aesthetic level of her other works; charged painting processes lead to obscured and fragmented heart symbols, fostering mutual relationships between artist, subject and viewer which linger as decoratively appealing with an added punch.

SK In terms of other artists who jumped into the flow with you, such as Frank Stella, how did you see yourself in relationship to him, for example?

At other times the artist forsakes answers in leu of creating an intimate relationship with meaninglessness, making material Baudrillard's observation that «consumer objects are like hysterical symptoms; they are best understood not as a response to a specific need or problem but as a network of floating signifiers that are inexhaustible in their ability to incite desire.»

On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings together more than 40 prints, drawings, paintings, and sculptures from the BMA and other public and private collections to show Marguerite over the course of 45 years and provide a fascinating glimpse of the artist's relationship with his only daughter.

It examines not only the complex aesthetics and personal styles of Golub and his compatriots — including Cosmo Campoli, June Leaf, Dominick Di Meo, Seymour Rosofsky, and Nancy Spero, among others — but also uncovers the Monster Roster's relationships with preceding generations of Chicago artists and differences from the well - known Chicago Imagists who followed.

Through conversation with artists from a variety of geographic locations we will consider a variety of questions, including: the relationship between animation and other media; contemporary artists» engagement with the histories of art and film; the role of music; the differences among various forms of animation; and animation's treatment of history, time, and place.

Though there is a long tradition of geometric abstraction abroad that dates back to Russian Constructivism (Kasimir Malevich) and Dutch Neoplasticism (Piet Mondrian), the European artists were concerned with a balanced relationship of parts within a whole, whereas Reinhardt, Newman and Rothko stressed the unity of the painting over all other surface incidents.

A central aspect of his artistic practice has been deep collaborative relationships, particularly with performing artists such as Leigh Bowery, Michael Clark, Douglas Dunn, Yvonne Rainer, Mika Tajima and the New Humans, and many others.

The series stems from Providence College Galleries» interest in cultivating relationships with artists, scholars and arts communities from around the world in order to draw connections between the city of Providence and other American and international urban contexts.

The series stems from Providence College — Galleries» and the Providence College Art & Art History Department's interest in cultivating relationships with artists, scholars and arts communities from around the world in order to draw connections between the city of Providence and other international urban contexts.

In this interview with the artist, Philippe Parreno talks about his relationship to Basel (where he showed Zidane in the city's football stadium), how he got the idea to the film Marilyn, how the different works in the exhibition are connected with each other, and about future projects.

In a public conversation held within his solo exhibition in Hunt - Cavanagh Gallery, Robert Andrade discusses the trajectory of his studio practice in sculpture and installation, among other media, with Chris Mansour, an artist, curator and writer who has a longterm scholarly relationship with Andrade's work.

Exhibited here with a further 27 artworks by leading international artists, including installation, sculpture and photography, this new display explores how people shape a sense of self through their relationship with others and through the material world.

In addition to connecting residents to the diverse range of resources, archives, libraries, artists and other practitioners in Chicago, the program builds relationships with like - minded arts organizations and resident programs around the world to expand our understanding of contemporary practice and create transformative opportunities for artists.

The series stems from an avid interest in cultivating relationships with artists, scholars and arts communities from around the world in order to draw connections between the city of Providence and other international urban contexts, and to provide Providence audiences idiosyncratic glimpses of innovative contemporary artists working in cities around the world.

The above communication from Ad Reinhardt to Thomas Hess encapsulates some of the cross-currents that characterized the working relationship between a leading New York School artist who was also a prolific, polemical writer, and satirical cartoonist for ARTnews, and ARTnews's influential executive editor who was also a critic supportive of Reinhardt's art along with that of the other New York School artists.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

The Mitchell Center fosters not only relationships between artists but also with other local, national, and international arts organizations.

The EFA Community (EFA Project Space artists and curators; EFA Studio Program and EFA RBPMW members) is invited to submit proposals for public programs including performances, talks, workshops and screenings that offer new contexts for dialogue and engagement with the nuanced, and / or complex relationships artists have to each other, and to our society.

The fully illustrated catalogue does them more justice, featuring essays by seven writers, including Philippe Cézanne, the painter's great - grandson, which discuss in full detail Fiquet's relationship with her husband, the procedures used by her husband to make these pictures, and the influence of these paintings on Juan Gris, Henri Matisse, and a host of other later artists.

My relationship to Guston feels more personal, and hence more difficult to objectively write about, than with other artists.

In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.