Sentences with phrase «relatively small gallery»

History The result of a unique US - German joint venture between Deutsche Bank and the Solomon R Guggenheim Foundation, the Deutsche Guggenheim Berlin is a relatively small gallery of avant - garde art in Berlin's Unter den Linden area, which opened to the public in 1997.

Aaron Curry has created an allover environmental installation for the relatively small gallery space at Michael Werner.

Why, exactly, are they set together in one relatively small gallery — and how are we to understand the baffling title of the show, Naked at the Edge?

Not exact matches

We began thinking about the task with a museum metaphor: a relatively large number of works would be collected and stored in the basement, with a small subset of them selected for public exhibit in various galleries, by various curators, organized by grade level, core content, media type, etc..

After the excitement of breaking the 200mph barrier in the Skoda Octavia vRS, it's been a (relatively) quiet day in Bonneville - but here's a small gallery of pictures from Tuesday at Speed Week.

In the somewhat smaller works of «Safe House,» at the Mary Boone Gallery, Ms. Abney messes with language more, riving relatively normal images of black life.

«The Mexican gallery scene is relatively small but incredibly vibrant,» Ms. McClure said, «and Kurimanzutto is at the heart of that scene and deeply entrenched in the cultural identity of the city.

And while the exhibition may be relatively small, especially given Diebenkorn's prodigious output, it is undeniably huge in impact: there's a wow - factor as soon as you enter the first gallery, and those wows, as they say, just keep coming.

Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.

Formerly L&M Arts, the Upper East Side Mnuchin Gallery staged several solo exhibitions with the notoriously illusive and selective David Hammons before deciding to present this relatively small yet powerful retrospective — the first of its kind since MoMA PS1 mounted «Rousing the Rubble» in 1990.

For such a relatively small town, St. Moritz is chock - a-block with major - league galleries.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?

200 %: When you started to work at the Serpentine, you felt slightly embarrassed that the gallery had a relatively small exhibition space?

Given that the gallery portion of the ground floor space is relatively small, each artist displays only a handful of works, showing whats truly representative of their own unique takes on art making.

Indeed, one gallery was peppered with the relatively small folded three - dimensional paint and steel pieces of Rana Begum and the shiny metal mirror and wood wall sculptures of Monir Shahroudy Farmanfarmian.

At Pace Gallery on 57th Street, the delicate Calder sculptures are generously spaced, including one relatively small one that is given a wall to itself.

It has been well worth the wait, however, to have the opportunity to view Quaytman's work at the Miguel Abreu Gallery, a small space on the Lower East Side in an area that has been relatively recently colonized by art galleries.

Here the work is installed in a relatively small windowless gallery space, it could equally occupy an entire corridor wing of the Museum, and as a work in the IMMA Collection, it will be interesting to see how future «users» configure the elements.

Towards the mid 1960s, with the expansion of the National Gallery of Art, a more active contemporary arts program at the Corcoran, and the loudly touted development of the Hirshhorn Museum, the WGMA, small and relatively modest, lost its unique foothold in the Washington art community.

Extending their space by placing a video in the narrow stairs outside a relatively small room, the London - based gallery presents the first of Amalia Ulman's lenticular prints outside, with another two hung side - by - side inside.

Elderfield: At that point, the National Gallery had a rule that they could not do retrospectives of living artists, so in response, Sylvester, Serota, and Prather organized it as a relatively small — only 80 paintings — but highly selective exhibit.

Rail: I noticed that in your current exhibition, Landscapes, at Paul Kasmin Gallery, there's one new size, relatively small, 20 × 24 inches, compared to your two classics, 48 × 60 inches and 30 × 40 inches.

Critic Roberta Smith of The New York Times writes in a review (April 3) that the relatively small painting «Man With Mask» (1987) by Gallery artist Carmen Cicero at the June Kelly Gallery «is in many ways a perfect painting that some museum should add to its Cicero holdings.»

«Twenty - five years ago, the gallery opened in a relatively small space at 43 Greene Street in SoHo in New York, with the intention to show challenging art without compromise.