The development of the scientific history of the universe, which now threatens
religious creation myths, is just one example.
Not exact matches
This is a group of
religious extremest screaming that their
creation myth should be taught as science.
The common «
creation story» emerging from the fields of astrophysics, biology, and scientific cosmology makes small any
myth of
creation from the various
religious traditions: some ten billion or so years ago the universe began from a big bang exploding the «matter,» which was infinitesimally small and infinitely dense, outward to create the untold number of galaxies of which our tiny planet is but one blip on the screen.
The
creation myths are shown to be incorrect by evolution, big bang, etc. so
religious texts are not evidence.
There is no evidence outside of
religious texts and our modern knowledge shows that the
creation myths of all religions are not correct, so as their foundational texts are incorrect, religions offer nothing to support the idea of a god.
Thirdly, if it did support the biblical view of
creation, it would equally support ANY
religious view of
creation that has the Universe popping into existence at a discrete point in time, including the richly diverse and inconsistent Hindu, Norse and Aboriginal Australian and Native American
creation myths.
While our world wide scholastic ranking keeps sliding
religious zealots are trying to teach the
creation myth in our schools instead of real science.
Whereas the «seven days» of
creation communicates to us a particular truth about correct
religious observance, rather as the Greek
myth of Narcissus warns against the vice of vanity, Genesis 1 - 3 does deal with actual, primordial events.
In it he found the great
myths of the
creation, the fall, the flood, the escape from Egypt, the promised land, the twelve tribes, the exile, the prophets, all full of Semitic poetry and wisdom, and great human stories, followed by the incomparable
religious texts of the New Testament — «He who would save his life must lose it».
Employing grand
religious subjects as familiar narratives for his works, Furnas has developed a suite of six large - scale paintings presented in the downstairs gallery which depict the
Creation myth, while upstairs, a series of contemplative near - abstractions evoke the vast desolation of the final flood.
The work combines scientific history and the
myths and stories relating to
creation that have disseminated through
religious and cultural traditions.