The move to include features from past eras is a promising step for the future of the series, but carving out half of that content as DLC leaves
the remainder as a briefly entertaining pit stop before moving on to business as usual.
Guston
briefly provides biographical information and spends the
remainder of his time speaking of his experiences working on the Mural Project (PWAP) in Los Angeles; his move to New York working under Reginald Marsh
as a non-relief artist; his multiple mural projects in New York (Penn Station Subway, Queensbridge Housing Project, WPA Mural for the World's Fair, etc.); his success in WPA Fine Arts competitions; his move to Woodstock, New York; his time spent teaching at the University of Iowa; his many influences (Renaissance, Modern and Abstract Painters); his personal / professional feelings about the WPA
as well
as his political feelings about it.