Sentences with phrase «remaining plot of the film»

I won't give too much more, as the remaining plot of the film feels like multiple endings.

Not exact matches

The movie took a lot of liberties with the plot, but it remained one of the more theologically informed supernatural films in the Hollywood canon, owing largely to its reliance on Catholic teaching.

By keeping the films inextricably linked through its core cast (Cruise, Rhames), while preserving its currency with self - contained plots and a constantly changing vision through the varying styles of its directors, the M: I gravy train remains unfettered 20 years after first exploding inside a tunnel.

The film's world - building is more engaging than its plotting, which skews toward the generic as the embattled good guys set out on their last - ditch effort to save what remains of humanity; there's a sense, while watching Blame!

What remains to tell of the plot entails at last restoring the film's displaced dwarves to their treasure - packed Lonely Mountain, which is the rightful dominion of the dwarf warrior, Thorin (Richard Armitage), who comes down with a case of the demagogues.

That screenwriter David Nicholls harbours a fear of alienating ardent period drama / Hardy enthusiasts by reformulating an over-familiar plot is evident, but what is more regrettable is, although there are flashes of Vinterberg's skilled craftsmanship throughout the film, it ultimately remains contained within the tight strictures of the genre and becomes no better or worse than the plethora of recent period dramas; solid and dependable but utterly riskless and tired, begging the question, is the period drama genre well passed its sell by date?

Plot details remain secret, Variety said, but the film will likely include elements of the supernatural.

Jacques Rivette's dazzling 750 - minute Out 1 (1971)-- an eight - part serial in 16 - millimeter still unscreened in this country that remains one of the boldest experiments in film narrative ever attempted — was conceived as a kind of parody of Bazin's ideas in its deft mixture of documentary and fiction, its improvising actors working through a dense plot built around real and imagined conspiracies, and even its extended takes, one of which lasts 45 minutes as it records a theater group's exercise.

The new film — set for release on July 29th, 2016 — will feature Matt Damon returning to the role of Jason Bourne with Paul Greengrass back to direct, though plot details remain under wraps.

But while the plot occasionally veers in strange directions, the emotions of the film remain firmly planted in tragic reality.

Directed by Gordon Douglas and written by Richard Landau, Up Periscope possesses all of the beats and plot twists viewers have come to expect from a film of this sort - with the inclusion of sequence in which the crew has to remain quiet to avoid detection the most apt example of this.

Basically, everything remains on the level of the visceral, and while it does evoke a reaction when the plot is first introduced, after you've seen the first few teenagers die, the film becomes crippled by its own mechanical plotting.

Despite the minimal dialogue and challenging pace, the film's plot is shockingly straightforward and easy to follow, Glazer's focus remaining on the power of image and mood to tell a story.

The trouble concerning Some Velvet Morning — and oh, there is trouble — is that the Neil LaBute film can not be discussed fully without being seen, for a large piece of the plot puzzle needs to remain hidden to audiences going into the theaters.

They remain in the background for the whole of the film, self - reinforced by the flow of Freeland's plotting.

In concluding his saga, Lucas has managed to tie up the majority of the loose ends he has left open (the few remaining are either minor plot points or the obvious bigger - picture threads that must remain exposed for the story of the earlier films) and has also revealed a larger thematic relevance to the myth proper.

Throughout the footage in Amboy, a sense of documentary remains in even the most fantastical scenes (or, as Scholz puts it, «reality fucks with fiction»), and the viewer is left with a document of the film's process as well as the fabulations and drama of its plot.