Georgeâ $ ™ s stiff upper lip quietly crumbles in what must be one of this yearâ $ ™ s most
remarkable film moments.
Not exact matches
Power also brings a
remarkable degree of technical skill to the
film, cutting between his two chronologies at telling
moments and turning the idyllic surroundings into a place where danger and horror seems to rest behind each bend in the trail.
This is a
remarkable, triumphant, and confident picture by Aster, who gives the
film an almost meditative - like sensation, as you feel every space you're in, every emotion, every
moment of grief.
Considered one of the greatest
films of the 21st century so far, Wong Kar - wai's In the Mood for Love is, as its title suggests, also a
remarkable mediation on love and pains one goes through to catch up for missed
moments.
It would be a
remarkable film even without its backstory: Director Valérie Donzelli and her co-writer Jérémie Elkaïm also star, playing fictionalized versions of themselves from the
moment they fall in love to the exhaustion of their years caring for their child.
It is a
remarkable performance that takes place entirely in the
moments of the
film, and the true arrival of Jessica Chastain as a force with which to be reckoned.
For although we have arrived at a
moment in cinema history where — at last — there are more
remarkable cinematic accounts of homosexual love than ever before (Barry Jenkins's Moonlight, Francis Lee's God's Own Country, John Trengove's The Wound), this
film occupies a subtle category of its own.
Although the
remarkable number of recognizable faces to be found within the cast make it worth checking out (Sam Rockwell, Alyssa Milano, Matthew McConaughey, John Rhys - Davies, Kristin Bauer, French Stewart, Brendan Fraser, Leah Remini, Meredith Salinger, Mary Woronov, and Spaulding Gray all make appearances), the predominant reason we've included «Glory Daze» — which is, for the record, explores the hesitation all college graduates experience before entering the real world — is because no matter how many
films he may eventually have to his credit, Matt Damon should never be allowed to escape the fact that, even though it was only for a few fleeting
moments, he once played a character named Edward Pudwacker.
These guys — and, yes, except for one of their wives, it is all men in this
film though there have been many women involved in Syrian citizen journalism as well — deserve a co-directing credit as so many of the
film's
remarkable moments are from their footage.
I think it's a
remarkable artifact, and an often interesting
film, not without gracious or graceful
moments... although the constant parade of cameos can be distracting.
A heist - romance - chase
film with a diverse and truly
remarkable selection of songs, high energy, more than a few comedic
moments (the Mike Myers mask sequence is brilliant) and a recurring Monsters, Inc quote requires a strong lead, and young Mr. Elgort aces the test.