Sentences with phrase «remarkable new film»

Next year, the studio presented a remarkable new film, from another phenomenal talent.

Now I'm left with the problem of describing this remarkable new film without divulging what it was that shocked me.

Not exact matches

A new documentary film will be released this August on Williams, telling the remarkable story of one of F1's oldest and most successful teams — which is celebrating its 40th anniversary this year.

Fellini: I'm a Born Liar is a documentary on Federico Fellini's life and work by filmmaker Damian Pettigrew, who combines vintage interview footage of Fellini, new conversations with those who worked with him (including actors Donald Sutherland and Terence Stamp), and excerpts from Fellini's films (some of them previously unseen outtakes) to create an insightful portrait of a remarkable creative mind.

The film reps a new career high for director Dee Rees, whose remarkable 2011 debut feature Pariah is a semi-autobiographical deep dive into a black girl's struggles with coming out.

Many of those in Terrence Malick's exquisite and also exasperating new film — his fifth in a career spanning four decades — are remarkable for their grandeur: billowing volcanoes, churning geysers, hissing fumaroles, spiral nebulas seen through the eye of the Hubble space telescope.

This 6 - year - old does show a remarkable rapport with the film's two leads, and he has some fine scenes with Mr. Cruise once Jerry tries to start a new career with Dorothy by his side.

In this lively, illuminating and unexpectedly moving documentary, directors Noah Baumbach and Jake Paltrow engage in a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the field.

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

Agnes Varda, the queen of the French new wave, directs the film, putting herself front and center with JR, a French muralist / photographer, as they travel across the French countryside, developing a beautiful friendship as they meet various locals, photographing them and putting their faces up in the most remarkable places along the way.

The following short excerpt from this supplement is particularly remarkable for being in color (much of the footage is in black and white, like the film itself), which lends an entirely new perspective on some classic images.

Among the special features new to our Blu - ray edition of Ingmar Bergman's Wild Strawberries is a remarkable sixteen minutes of silent 16 mm footage filmed by Bergman himself on set.

When the closing credits roll on the gorgeous, horrifying, almost indescribable new film from «Sexy Beast» and «Birth» director Jonathan Glazer, you suspect you've seen something remarkable, but you're not quite sure: you're still processing, unpacking and puzzling over it.

One of the many remarkable things about Jeff Nichols» terrific new film «Midnight Special» is how assured its storytelling is.

The scholarly coverage and detailed analysis of select sequences from films, television and new media art, plus extensive commentary on scholarly film criticism and theory, together packed into its 216 primary pages is quite remarkable.

The film takes a remarkable turn when José Antonio's ex tries to commit suicide and then moves in with the new couple.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The film noir put out inky tendrils in many existent genres, forever altering even the Western (Anthony Mann, perhaps the most gifted director associated with the new vision, the new mode, also began his remarkable series of James Stewart Westerns in this era: Winchester» 73, The Naked Spur, etc.); and certainly its temperamental affinities to the science - fiction film, a prime manifestation of the McCarthy era, are worth a nod.

Gurira and Isaach De Bankole play a young Nigerian couple in New York trying to conceive a baby, and while notices for the film (beyond Bradford Young «s cinematography) have been muted, Gurira's turn in particular has won her enormous praise, with Variety calling it a «remarkable performance.»

In any event, the movie looks better than most of Warner's newest films do, displaying remarkable detail and clarity without shortcomings or glaring signs of age.

Our own Mike D'Angelo reviewed the film when it opened in New York last month and called it «something remarkable,» a moving portrait of two women «without a trace of winking or archness.»

Here's Ryan on Lady Bird: A24 continues their remarkable streak of films that played at the New York Film Festival and focus on young people with Greta Gerwig's solo directorial debut Lady Bird.

From that material, Brett Morgen (Kurt Cobain: Montage of Heck) has created a vibrant film experience, giving new life to the experiences of this remarkable woman and the wild in which she found a home.

Which is remarkable given that most of it was filmed in New Mexico.

The new film about rapper Tupac Shakur isn't quite worthy of its subject's remarkable life.

Luca Guadagnino's new film, which adapts André Aciman's 2007 novel about a precocious 17 - year - old who falls in lust and love with his father's 24 - year - old graduate student, is remarkable for how it turns literature into pure cinema, all emotion and image and heady sensation.

Oldroyd, in his film debut, shows a remarkable confidence: There's no background music and little dialogue; instead, we hear the wind whipping through the fields like an angry banshee, and the click of Katherine's teeth as she clamps her mouth shut, presumably in order to make a sound in the endless silence of her new home.

A sensation at the Cannes, Toronto and New York film festivals (it opens Oct. 6), the movie is set at the Magic Castle motel near Orlando, a sun - kissed lavender flophouse where Halley (Bria Vinaite), a ne'er - do - well sexpot with exploding rose tattoos and hair dyed the color of fiberglass, lives with her 6 - year - old daughter, Moonee (the remarkable Brooklynn Kimberly Prince).

X-Men: Days of Future Past may not be able to wipe clean the sins of the series, but thanks to its helmer and the sheer audacity of its apparent convolution, it may just be the rare new superhero film that's actually remarkable.

After being filmed in 2005 and languishing in a post-production nightmare for six years, writer / director Kenneth Lonergan's remarkable New York drama Margaret was finally and unceremoniously dumped into just 14 theaters late last year, in a shorter cut than intended.

Though politics is always crooked, there are some genuinely good things in Our Brand Is Crisis, the new film from David Gordon Green, a director who, with films as varied as Pineapple Express and Joe, has demonstrated a remarkable ability to shift between absurdist comedy and gritty drama with nary a beat missed.

There is also a new interview with Jeffrey Wright, an extremely smart and knowledgeable man, who has plenty to say about the film and his controversial and entirely remarkable role in it.

And though the spectre of the recent suicides of real - life hockey enforcers Wade Belak, Rick Rypien, and Derek Boogaard (and a remarkable, honourable NEW YORK TIMES article by John Branch about the culture of enforcers in hockey) hangs over Goon like a cloud of disquiet, the film itself is less a celebration of Doug's actions than one of finding a niche in a life and living the hell out of it.

New Zealand director Niki Caro debuted on the world cinema stage with the remarkable Whale Rider (2002), a film with comparable understanding of its female protagonist and a similar flirtation with magical realism.

Written and directed by Paul Feig, who worked with McCarthy on «Bridesmaids» and «The Heat,» the new film is also remarkable for the way it doesn't build anyone up by taking someone else down.

Joshua Marsten, who directed the remarkable Maria Full of Grace in 2004, is back with a new film, this one set in present day Albania.

For T. J. Wilcox: In the Air, the New York - based artist has created a remarkable new panoramic film installation, which fills most of the second floor of the Whitney Museum of American ANew York - based artist has created a remarkable new panoramic film installation, which fills most of the second floor of the Whitney Museum of American Anew panoramic film installation, which fills most of the second floor of the Whitney Museum of American Art.

Collaborating with Eshkol's students as well as a newer generation of dancers, Lockhart staged and filmed performances of Eshkol's choreography in a minimal, gallery - like setting punctuated only by Eshkol's remarkable wall carpets, rotated from dance to dance like elements in a stage set.

Freilicher's performances in Burckhardt's films are some of the few pieces of direct evidence that attest to her remarkable presence in the circles of friendship and acquaintance that have been given the entirely too - formal name of the New York School.

For the past several years, the New York based film and video artist has transitioned into new forms of expression with her painting, and result is remarkabNew York based film and video artist has transitioned into new forms of expression with her painting, and result is remarkabnew forms of expression with her painting, and result is remarkable.

It includes her films A Whole New World, The Lion and The Unicorn and Please, Sir... - a remarkable split - screen reworking of The Prince and the Pauper tale.

From 2011 to 2017 New York - based filmmaker Ephraim Asili completed The Diaspora Suite, a remarkable cycle of five films regarding his own relationship with the greater African diaspora.

In the film, which premiered to great acclaim in New York in September, the pages of a 1914 edition of Cassel's Cyclopedia of Mechanics, marked by the artist with charcoal, chalk and pencil, are flipped at twelve pages per second to create a characteristic and remarkable animation.

Chris Bedfords new 37 minutes film tells the story of the E.F. Schumacher Societys remarkable work that includes founding of the nations first CSA, economic development based on Community Land Trusts, and the creation of the nations most successful...

Still, the film is a remarkable achievement: Abrams and his collaborators have made a movie that feels resoundingly fresh and new by paying tribute to a style and story that is decades old.