As I watched the film, I was constantly
reminded of another action film I saw recently: The Fugitive.
This is where Ron Howard's history of action films, such as Willow or In the Heart of the Sea comes into play, especially during a kick - ass train heist, which
reminded me of action films such as Raiders of the Lost Ark or Skyfall.
Not exact matches
This
film reminds us that we are called upon to love those who are hurting even when they threaten to hurt themselves or others, and we are asked to offer support to the beleaguered parents who often become isolated from others through the
actions of their children.
But overall if you LOVE fast paced
action games that
remind you
of the
film expendables, get this game.
All the copycat quirks do is pull the audience out
of the
action and
remind them that we have all seen this sort
of film done a lot better before.
It's a
film to
remind you
of a comment from the late Roger Ebert: the XXX
films were more Theatre
of the Absurd than
Action Movie.
The questions
of racism,
of vengeance and
of actions you condemn and condone are uncomfortable to consider but doing so
reminds you that whilst this is a
film, it's also partly based on reality and very much located in the mind - set and the lives
of a large percentage
of Americans living today.
The picture's told through its
actions and its images and, in that way,
reminds of a Beat Takeshi
film,
of all things, what with its focus on criminality and its enthralling slowness.
The screenplay, by the suddenly - ubiquitous Simon Kinberg (also the scribe behind the upcoming X-Men 3, Fantastic Four, and Mr. and Mrs. Smith — let me go on record first saying that this
film does not bode well), is a foul compost
of flaccid catchphrases and boggle - eyed declarations, squeezed like old cheese between
action sequences so poorly conceptualized and executed that not only is it impossible to ever tell for a moment what the hell's going on, but the
film also actually
reminded me in its over-processed way
of outtakes from Tron.
Essentially a superhero
film that is a spoof
of a superhero
film, Here we have is a winning combination
of tongue in cheek humour and gory yet slapstick
action that
reminded me somewhat
of Kick Ass.
The shop - worn idea
of man being man's own worst enemy is played with and cannily discarded as Dawn
of the Dead settles into an excellent
action film and a consistently entertaining B - movie that
reminds a great deal
of what worked about Tremors.
Some viewers might also be
reminded of The Legend
of Zorro (its story also written by Elliott and Rossio), though Verbinski's
film goes far more over the top in the
action department, and far less in terms
of humorous panache.
Seeing this
film at Ebertfest on the same day I caught a screening
of Andrew Davis» «The Fugitive,» I was
reminded why I like the Liam Neeson
action films, especially those directed by Jaume Collet - Serra (who did this, «Unknown, «Non-Stop,» and «Run All Night»).
Narrating the
film (within an inch
of its life) is Pastor Matt (Ted McGinley), who's inspired by an encounter with a street preacher (Delroy Lindo) to give a sermon
reminding his parishioners that faith isn't enough; it must be translated into
action.
«The Raid 2»: Does for
action and martial arts movies what «Singin» in the Rain» did for musicals,
reminding you
of everything you love about the genre while (literally) kicking things up a notch and raising the bar for other
films to follow.
The game uses a
film - noir narrative style with visuals that may
remind you
of one
of the two Sin City live -
action movies.
This game
reminds me very much
of The Expendables, a movie starring Silvester Stallone, Bruce Willis, Arnold Schwarzenegger, and all other major
action film stars.
I am
reminded of some
of those old black & white surrealist
films but can't quite recall a specific one, and
action painting, abstract expressionism, neo Dada, are all in here too, as are art - historical / art critical ideas
of constructivism, all overness, and Leo Steinberg's «flatbed picture plane», in other words modernism, post modernism, and I want to say post-post modernism (Metamodernism even).