Sentences with phrase «remix culture by»

Not exact matches

by Bryant Frazer One of the hallmarks of contemporary remix culture is derivative artistic ventures that seek shortcuts to the id, making a playful, self - aware succotash of genre tropes in lieu of inventing new cosmologies.

All of the above plus a massive batch of physical goods, including: the Moon Grotto 7», a vinyl EP featuring «hidden» music & remixes from SWORD & SWORCERY EP composed by Scientific American — exp. - 3: a limited edition of Mathew Kumar's videogame culture «zine — an exclusive deck of «Monster Mii» trading cards from comic book artist James Kochalka — an embroidered Venus Patrol patch featuring a design by Montreal - based artist Devine Lu Linvega — and many more awesome bonus objects.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Their work remixes Kawaii culture and «reimagines cyber fashion,» so we're expecting something akin to a William Gibson novel as retold by a tween girl's Tumblr.

Four of the highlights of Prospect.3 are the electrifying film, The Living Need Light, And the Dead Need Music by The Propeller Group (Phunam and Tuan Andrew Nguyen from Saigon, Matt Lucero from Los Angeles) with New Yorker Christopher Myers at the UNO St Claude Art Gallery; Silent Parade... or The Soul Rebel's Band vs Robert E Lee, a video by Peruvian - born William Cordova in which a local band serenades — or challenges — a statue of Robert E Lee from a rooftop shown at Dillard University; the exuberant, immersive two - channel video at the CACNO by David Zink Yi, another Peruvian artist, that explores Afro - Cuban music and culture, remixing the visual and the aural; and Kwaku Ananse (2013), a film by Akosua Adoma Owusu, an American of Ghanian descent, presented with the compelling simplicity of a fable in which a young woman returns home to attend her father's funeral, then goes into the wild in search of existential meaning.

Worlds and Views, The Museum of Modern Art, New York, USA Acting Out: The Invented Melodrama in Contemporary Photography, University of Iowa Museum of Art, Iowa City, IA, USA; toured to the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY, USA (organized by UIMA curator Kathleen A. Edwards, catalogue) Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London Africa Remix, Contemporary Art of a Continent, Museum Kunst Palast, Düsseldorf, Germany; toured to Hayward Gallery, London; Centre Georges Pompidou, Paris, France; Mori Art Museum, Tokyo, Japan African Voices, New Museum of World Cultures, Gothenburg, Sweden Translation, Palais de Tokyo, Paris, France

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

By 2008, in his book Remix, Lawrence Lessig speculated on how to reconcile a flourishing online remix culture — where user - generated content on participatory platforms collapsed traditional boundaries between producers, users and consumers — with the values of the copyright system and busiRemix, Lawrence Lessig speculated on how to reconcile a flourishing online remix culture — where user - generated content on participatory platforms collapsed traditional boundaries between producers, users and consumers — with the values of the copyright system and busiremix culture — where user - generated content on participatory platforms collapsed traditional boundaries between producers, users and consumers — with the values of the copyright system and business.

Remixing and recycling elements of culture, Sachs's work demands that his audience question the pervasive messages disseminated so effectively by modern media.

Conceptualists Cory Arcangel and Pierre Bismuth disorient viewers by remixing and reversing emanations from contemporary mass media and pop culture.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA 2006 RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA 2006 Alien Nation, Institute of Contemporary Arts, London, England 2006 William Hogarth, Musée du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain 2006 Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA 2006 MASCARADA / MASQUERADE, DA2 — Domus Artium 2002, Centro de Arte de Salamanca, Spain 2006 DRESSCODE, Historisches und Völkerkundemuseum, St Gallen, Switzerland 2006 Space is the Place, Independent Curators International, New York, USA 2006 Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) 2006 Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA 2006 Africa Remix, Moderna Museet, Stockholm, Sweden 2006 Acting the Part: Photography as Theatre, National Gallery of Canada 2006 Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia 2006 A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA 2006 East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England 2006 Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England 2006 Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA 2006 Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

Worlds and Views, The Museum of Modern Art, New York, USA 2005 Acting Out: The Invented Melodrama in Contemporary Photography, University of Iowa Museum of Art, Iowa City, IA, USA; toured to the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY, USA (organized by UIMA curator Kathleen A. Edwards, catalogue) 2005 Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England 2005 Africa Remix, Contemporary Art of a Continent, Museum Kunst Palast, Düsseldorf, Germany; toured to Hayward Gallery, London; Centre Georges Pompidou, Paris, France; Mori Art Museum, Tokyo, Japan 2005 African Voices, New Museum of World Cultures, Gothenburg, Sweden 2005 Translation, Palais de Tokyo, Paris, France

Painting for an open source age, Abney draws on multiple references which she samples and remixes in order to create a new language inflected by elements of popular culture, from satirical cartoons to graffiti and hip hop, as well as politics, entertainment and the history of art.