Sentences with phrase «render images in gallery»

Surprisingly, the phone takes a couple of seconds to render images in gallery.

Not exact matches

Rewind to the debut of the first Android 3.0 Honeycomb tablets — those early models running Android 3.0 all suffered from a bug that caused digital images to render improperly in Google's Gallery app, the default program for viewing pictures.

The problem lies entirely with Amazon's Gallery app software, since that same photo renders well on the Kindle Fire in a free image viewer that I downloaded, exhibiting better color and saturation, and reasonably sharp detail.

In particular, I noticed that the Google Gallery performed better on the new tablet than on previous Ice Cream Sandwich - based Samsung efforts: The Gallery was more responsive, with little lag when rendering high - resolution images.

Images aren't rendered sharply and with good detail in the Android Gallery, and text appears to be insufficiently antialiased.

As with other Android 3.0 builds I've seen, this model suffers from the same image rendering issue - which causes images to look blurry — I've observed in the Gallery app on Android 3.0 tablets.

Exhibiting at the gallery for the first time, DeLucia's work centers on images of domestic objects rendered in monumental scale through sculpture and relief.

I had not seen so many Picabias in one place since the 1980s in a show at Mary Boone Gallery in Soho, and was enchanted by the swirling, sure handed images of horses and women rendered in an earthy palette.

Dancers and female painters figure in her second New York gallery show, evoked in images culled from old photographs and rendered in simplified shapes that sometimes merge in a surface brushiness or are outlined in the manner of cartoons.

In the new work, «Contrapposto Studies, I through VII» (the New York gallery lowercases the title), Mr. Nauman is seen from the front and side walking backward or forward in contrapposto, rendered in both positive and negative imageIn the new work, «Contrapposto Studies, I through VII» (the New York gallery lowercases the title), Mr. Nauman is seen from the front and side walking backward or forward in contrapposto, rendered in both positive and negative imagein contrapposto, rendered in both positive and negative imagein both positive and negative images.

2011Out of Focus Photography, Saatchi Gallery, London, UK (catalogue) Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render: New Construction in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greein Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens GreeIn, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

In a new site - specific work, Nicole Cohen creates a video overlay of an animation of 18th century Dutch master Jan van Huysum's, Fruit Piece (1722), on an image of a gallery window with a view of the Hudson River that brings to life the changing and rebirth of seasons rendered in the Dutch masterpiecIn a new site - specific work, Nicole Cohen creates a video overlay of an animation of 18th century Dutch master Jan van Huysum's, Fruit Piece (1722), on an image of a gallery window with a view of the Hudson River that brings to life the changing and rebirth of seasons rendered in the Dutch masterpiecin the Dutch masterpiece.

Related works also reveal Banner's consideration of film and text, including site - specific work, Ha - ha, 2014, which spans the huge windows of the gallery giving an unreal sense of the landscape beyond; Tête à Tête, 2014, a film in which two mechanically operated windsocks become the main protagonists in a bonnet drama, set in the grounds around Longside Gallery; and Mirror, Banner's 2007 film in which actress Samantha Morton reads, for the first time, the artist's nude portrait of her, rendered in word notgallery giving an unreal sense of the landscape beyond; Tête à Tête, 2014, a film in which two mechanically operated windsocks become the main protagonists in a bonnet drama, set in the grounds around Longside Gallery; and Mirror, Banner's 2007 film in which actress Samantha Morton reads, for the first time, the artist's nude portrait of her, rendered in word notGallery; and Mirror, Banner's 2007 film in which actress Samantha Morton reads, for the first time, the artist's nude portrait of her, rendered in word not image.

His current show, Analogue Future at DCKT Contemporary on the Lower East Side, is his second solo in New York; the first was at Freight + Volume in 2010, but the images available on the gallery's website — loosely rendered paintings of cartoonish monsters, including Christmas trees sprouting human legs — could be, if not for the thickness of the impasto, the work of a different painter.

In the exhibition, Campbell uses 10 works rendered across multiple formats to depict a day at a recent political rally (the pink hats in one of the gallery's preview images offer a clue to which rallyIn the exhibition, Campbell uses 10 works rendered across multiple formats to depict a day at a recent political rally (the pink hats in one of the gallery's preview images offer a clue to which rallyin one of the gallery's preview images offer a clue to which rally).

Hanging alongside the Piero della Francesca works in the oval gallery at the Frick is a computer - generated image with all eight panels arranged in a virtual rendering of the Sant» Agostino altarpiece.

There's is one render available in the gallery down below, along with a number of real life images of the Xwatch.

The phone renders that you can see in the gallery down below are the only available images of this handset, aside from images that were shared by TENAA a while back.

In both the render above and a few of the images in the gallery below, you can see that Google didn't stray too far from the original Pixel and Pixel XL design, short of adding front - facing a speakeIn both the render above and a few of the images in the gallery below, you can see that Google didn't stray too far from the original Pixel and Pixel XL design, short of adding front - facing a speakein the gallery below, you can see that Google didn't stray too far from the original Pixel and Pixel XL design, short of adding front - facing a speaker.