Sentences with phrase «rendering of abstract forms»

Not exact matches

«Regardless of intent, the very process of rendering a geometric form would seem to indicate the workings of a mind no longer tethered solely to the here and now, but capable of a uniquely abstract form of conscious «wandering»,» Edelman says.

Altogether, Grabner's exhibition renders contemporary art and, more significantly, contemporary culture as one that continues to be submerged in abstract, oversized forms that rely more heavily on their physicality than the depths of their intellectual value.

His early paintings balanced a complex but elegant pileup of images and abstract forms that could have been rendered by a large community of talented artists.

Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy of German painting, or even of Albert Oehlen himself — the panel will consider abstract painting in relation to other contemporary manifestations of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations of form, the notion of style).

The arrangement renders the performing bodies and the abstract forms strangely interrelated through a conduit of social control and artistic sublimation.

Reeder also pokes fun at minimalist and conceptual artists with abstract, crumpled forms rendered in aluminum that dot the floor of the gallery — evocative of John Chamberlain or Frank Gehry's sculptures — entitled Bad Ideas.

While the drag - and - drop method of WYSIWYG programs allows a visual perception of accuracy, it is, in fact code — a string of abstract signatures — that renders the final form.

For over 20 years Jian Wang has been serving bountiful helpings of color to audiences in the form of abstracted landscapes rendered in both paint and pastel.

Portraits of You are paintings that render the world metaphorically, in which scale is discontinuous, space is abstract, and form more idealized.

In all of these paintings I am painting toward a metaphoric rendering of man, in which scale is discontinuous, space abstract and forms more idealized.»

From these images, intricate and abstracted drawings are rendered as linear disintegrations of form and then transferred onto a substrate of sewn - together fragments of found paper.

Renderings of the small, oblong forms initially appear in an abstract 1988 etching.

[19] In a series of insidious small abstract paintings from 1994 — 95, words forming threats are rendered as blank widths of contrasting color like Morse code.

Dominating the lower portion of a four - panel, untitled piece (the show's largest, at over 8 feet square) are crude renderings of abstracted flowers and other organic forms, plus collaged paper rectangles with black - and - white polka dots.

Mark Booth's drawings and paintings feature random fragments of ideas or memories surrounded by intuitively rendered abstract forms and shapes.

Rendered unrecognizable, the architectural form evokes an abstracted flower bloom or the cosmic rays of a black sun.

These forms are rendered so abstract, however, that explicit narrative readings of these works are impossible.

In his viscerally rendered charcoal drawings, Milan distills these forms into near - abstract arrangements, highlighting areas of physical struggle, while leaving other passages sketched out or blank.

These large - scale compositions draw attention to the abstract properties of each depicted form, the interlocking positive and negative shapes evoking the technique of collage in areas of sharp delineation, bold color, and softly rendered detail.

This transformation from an object - based system of communication to an increasingly virtual method of transmission is mirrored in abstract painting's move from an embodiment of frontal space, manifested through color, form and canvas shape, towards the illusion of infinite space, rendered with digital - like precision.

When McCartney moved from San Francisco to Minneapolis, she not only embraced the freezing weather, she made it part of her work, shooting frozen waterfalls, snowdrifts and other icy forms in ways that often rendered them abstract.

For all their attention to rendering the truth of objective appearance in meticulous detail, Mark Wethli's paintings of interiors treat form in a highly abstract manner.

During the 1950s, Sterne's notable contribution to Abstract Expressionism came in the form of her use of commercial spray paint to depict motion and light in her abstract renderings of roads, highways, and cityscapes.

As part of this process they subject forms and figures to varying stages of virtual and material transformation, here resulting in theatrical atmospheric smoke being flattened onto carpet and horizon lines being rendered as abstract sculptures.

Torey Thornton creates raw and crudely rendered abstracted forms often painted on paper, found wood and slatted panels, using a mix media of spray and acrylic paint, as well as collaged objects.

Concialdi uses an alphabet of organic forms, half - abstract, half - detectable (heads, penises, fruits), constantly recombined and rendered in rich washes.

In that sense her sculptural forms could also be read as containers of life, rendering an abstract idea graspable.

«It seems to me,» Weston wrote, «that this powerful duality, this combination of the abstract, in the emphasis upon form, and the sense of presence, in the rendering of light and substance, is something only photography can do.»

From the 1930s to the early 1940s, while working for the Federal Arts Project and assisting the revolutionary Mexican muralist David Alfaro Siqueiros, Pollock's style evolved from a dark, turbulent form of regionalism to a more freely rendered abstract expressionism.

In many of Pendleton's related works he renders language — from «Black Lives Matter» to «victims of American democracy,» Malcolm X's oft - repeated descriptor for black people — abstract, Xeroxing and collaging them into new forms.

«It seems to me,» this usually laconic man wrote, «that this powerful duality, this combination of the abstract, in the emphasis upon form, and the sense of presence, in the rendering of light and substance, is something only photography can do.»

In her work there is often a balanced tension between boldly abstracted geometric forms and a soft, dreamy rendering of human flesh.

With no required distinction between the realistic and abstract forms, one untitled painting on display combines clean, curved lines with a representational rendering of the rear end of a horse.