Sentences with phrase «represent diverse points»

Although the six artists in this installation — Walead Beshty, Daniel Gordon, Leslie Hewitt, Carter Mull, Sterling Ruby, and Sara VanDerBeek — represent diverse points of view, working methods, and pictorial modes ranging from abstract to representational, their images all begin in the studio or the darkroom and result from processes involving collection, assembly, and manipulation.

EdSource welcomes commentaries representing diverse points of view.

Not exact matches

But, perhaps most significantly to the point at hand, I have the oppurtunity through my «organized church» to connect with and find resource in a community that is large enough and diverse enough to actually represent the Body of Christ, with all of its critical parts!

Whereas the Federal Advisory Committee Act regards advisory committees to be a «useful and beneficial means of furnishing expert advice, ideas, and diverse opinions to the federal government» and requires advisory committees to be «fairly balanced in terms of points of view represented and like functions to be performed,» and

Dating Factory is run by a very committed but geographically and culturally diverse team, who are a testament of how to run a business effectively from an operational and cost point of view in the connected world we live in and represent.

Her production company LuckyChap said, «The project will share diverse points of view, from writers representing the different cultures and areas within Australia, which many would not readily associate with works of Shakespeare.»

It is too diverse, too much a collection of competing voices to be pinned down precisely, in terms of what it could be said to stand for; however, by generalising wildly, it might be possible to say that it represents a point around which certain attitudes towards abstraction have coalesced: one being, that the attempt to build on the discoveries of Modernism is still worth making; and another, that any such attempt can not be reductive, only expansive, ruling nothing out in terms of form, colour and material.

Representing no single point of view, and in some cases contradictory positions, «Trigger» assembles a diverse group of artists (from rising L.A photographer Paul Mpagi Sepuya to breakout Connecticut star Tschabalala Self) for their shared desire to contest repressive orders and to create new aesthetics — beyond the binary.

Driven to Abstraction is a group show of contemporary artists who together represent a diverse range of entry points into abstraction.

The sheer quantity of bikes and the diverse perceptions of viewing points create a colossal labyrinth - like, visually moving space, which represents the changing social environment in China and around the globe.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).