Sentences with phrase «represent leading publishers»

Not exact matches

PGW, an Ingram Publisher Services LLC brand, is a leading book sales and distribution company in the United States, representing over 100 independent client publishers.

PGW, an Ingram Publisher Services brand, is a leading book sales and distribution company in the United States, representing over 100 independent client publishers.

Founded in 1977, Andrew Nurnberg Associates represents a distinguished list of authors and is also proud to represent leading UK and US agent and publisher clients for the sale of translation rights via our offices in the UK and overseas.

Hartline Literary Agency represents fiction and non-fiction books to leading mainline and inspirational publishers.

The P.S. Literary Agency (PSLA), established in 2005, represents both fiction and nonfiction works to leading publishers in North America, Europe and throughout the World.

Agents Donald Maass, Jennifer Jackson, Katie Shea Boutillier, Cameron McClure, Michael Curry, Caitlin McDonald, Paul Stevens, and Jennie Goloboy together represent more than 150 novelists and sell more than 100 novels every year to leading publishers in the U.S. and overseas.

Leading textbook publishers Cengage Learning, Pearson, and Wiley, together representing more than 60 percent of the U.S. higher education textbook market, will begin offering textbooks through the Kindle Store beginning this summer.

We'll have at least 20 press outlets represented at the show inc PG, AppSpy, Guardian, Develop plus the local press and a couple of You Tuber Learn about China market + Meet publishers and investors - We have a number of leading publishers from China attending the event as well as the East meets West track dedicated to explaining new markets and opportunities.

Alicia David Contemporary Art also works with artists outside of the stable we represent as well as working work with publishers and distributors of original limited edition prints by leading contemporary artists both in the primary and secondary market.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Hueston Hennigan attorneys represent leading motion picture studios, video game publishers, broadcast and cable television networks, music companies, and industry entrepreneurs in a wide array of federal and state court actions, appeals, and arbitration proceedings.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.