Instead of being
a representation of a moment in time, you could argue that it's more like a digital VFX effect.
Not exact matches
Current communications director Paul Rivera is staying on, but he's likely moving into a more limited chief
of staff - type role, although there are two people with that title at the
moment in Sampson's camp: Michelle Trotman, whose name appeared
in a recent
Times story on the leader's
representation of a shady Queens real estate broker, Edul Ahmad; and Michael Cohen, who I'm told runs things
in the senator's Brooklyn district.
But
in the final evaluation, The Young Lions is a painful delicacy; offering so much potential, a few passing
moments of attainable pleasure, and ultimately, a great opportunity to experience a fine
representation of this
time in Hollywood and a pivotal
moment for these three immortal icons.
In these moments, art becomes personal home video, replete with nostalgia for moments in time that can only be glimpsed by representation; of course, these representations mask what happens off screen — mainly, the sustaining intensities of the artists involve
In these
moments, art becomes personal home video, replete with nostalgia for
moments in time that can only be glimpsed by representation; of course, these representations mask what happens off screen — mainly, the sustaining intensities of the artists involve
in time that can only be glimpsed by
representation;
of course, these
representations mask what happens off screen — mainly, the sustaining intensities
of the artists involved.
The graphics, which I initially thought were pre-rendered, are very impressive and although an over-reliance on quick -
time events and a scripted Testudo
moment rather marred the appearance
of the combat, it's rather gratifying to see a game explore a period
of history which for odd reasons considering its rather abundant wars, hasn't had nearly as much
representation in gaming as it deserves.
For this exhibition, Fernandez will present 3:37 p.m. (2001), a wall installation composed
of hundreds
of acrylic cubes
in seven colors
of the light spectrum, a reductive
representation of a rainbow captured at a specific
moment in time, 3:37 p.m. Fernández's work is characterized by an interest
in perception and the psychology
of looking, so she encourages the viewer to conjure up his or her own personal associations with the landscape, which
in turn become part
of the meaning behind the work.
If these most recent works are, as Hume himself stresses, a form
of history painting —
representations of a series
of «pregnant
moments» connected to one
of the great historical dramas
of our
time — Hume short - circuits this notion by rendering their historical scenes all but invisible, thus apparently declaring his disinterest
in any narrative whatsoever.
The resulting photographs - effectively colour samples - are then mixed
in paint by machine or by hand and reapplied to the wall, resulting
in an exaggerated
representation of the varied and nuanced perception
of the colour white at that specific
moment in time.
The shows inherently provide limited space and
time to give a proper cogent
representation of their two - decade spans, as if the eras they represent operate
in a captive
moment instead
of the runaway historical tradition
of racism.
The resulting photographs — effectively colour samples — are then mixed
in paint by machine or by hand and reapplied to the wall, resulting
in an exaggerated
representation of the varied and nuanced perception
of the colour white at that specific
moment in time.