While we await confirmation, try translating this: «I see the potential of the creative process as
a representation of a new language to be simultaneously constructed and discovered, on the basis of pre-existing aesthetic and cultural templates.»
Not exact matches
To make the same service available for all users with just a few simple steps, the Saarbruecken researchers made use
of a novelty in the two most recent Android versions: In the
newer versions, Android no longer executes the intermediate
representation of the program code directly, but translates it into executable machine
language on the device first.
In the postmodern world, one must penetrate and criticize the
language and
representations of science itself; it is the
new mythology
of our time.
Differentiation: yellow = higher blue = middle purple = lower Resources provide opportunities to: - explore target audience for advertising campaigns - explore existing advertising campaigns - explore the use
of persuasive
language - explore the use
of presentational features - analyse the effectiveness
of advertising campaigns - explore the narratives
of advertising campaigns - design a
new soft drink and develop the advertising production plan - peer and self assess - explore
representation - justify own design choices These resources could also be useful as part
of an enrichment day / activity.
We use L1 to create a visual
representation of the
new text in L2 (the
new language), and then redirect all efforts to working exclusively in L2.
Thus, again, if the works can't be incorporated or tamed into discourse
of gender
representation, nor to the terms
of the
new critical
language of gender, racial identity, national identity politics, they also can't be reduced to the purely formal terms
of the earlier discourse that had characterized painting from the late 1940s to the 1970s.
GLENN LIGON «Call and Response» Camden Arts Centre, London Oct. 10, 2014 — Jan. 11, 2015 Glenn Ligon's «Call and Response» considers matters
of race,
representation, assumptions and
language through a series
of new works.
Later described by art historian Herbert Read as «the most revolutionary event in post-war British art», this experimental period saw Pasmore's work progress towards a
new pictorial
language and
representation of reality.
For her first solo exhibition in
New York, Positions brings together a body
of work that culminates around a dialectic consideration
of language, choreography, and political
representation.
With public commissions from
New York to Seoul, London to Zurich, and an uninterrupted flow
of international museum exhibitions, Opie's distinctive formal
language is instantly recognisable and reflects his artistic preoccupation with the idea
of representation and the means by which images are perceived and understood.
Sandra Doore's work hovers between the
representation of sound and action, visualizing her ongoing exploration into the
new language of texting through stitched sculptures, installations, drawings and mixed - media.
Just as decay and possibility come together in Lisa Adams» work for Paradise Notwithstanding, the
new paintings are completely fluent in both the
language of abstraction and
of representation.
On moving to
New York in 1980, Rosler's interest in language and representation found new subjects, such as the poverty of the Bowery and the visibility of w
New York in 1980, Rosler's interest in
language and
representation found
new subjects, such as the poverty of the Bowery and the visibility of w
new subjects, such as the poverty
of the Bowery and the visibility
of war.
Never Free to Rest brings together works by six artists who utilize the radical
language of abstraction to destabilize black
representation and systems
of control, conjuring
new possibilities
of perception, imagination, and liberation.
Latest occupant
of The Curve, Eddie Peake, will be launching his
new book Eddie Peake: The Forever Loop with an accompanying discussion on his views
of sexuality, self -
representation and
language.
Through numerous exhibitions and public commissions from Seoul to
New York, Luxembourg to Zurich, Opie's distinctive formal
language is instantly recognisable and reflects his artistic preoccupation with the idea
of representation, and the means by which images are perceived and understood.
The images challenge the notion
of how to make a line or create a
new posture for flattened space or abstract composition, swivelling from geometry to gesture, propelling
representation and
language into abstraction, exploring pictorial edges and boundaries as well as the constitutive or disruptive role
of blank space,.