Sentences with phrase «representation of a new language»

While we await confirmation, try translating this: «I see the potential of the creative process as a representation of a new language to be simultaneously constructed and discovered, on the basis of pre-existing aesthetic and cultural templates.»

Not exact matches

To make the same service available for all users with just a few simple steps, the Saarbruecken researchers made use of a novelty in the two most recent Android versions: In the newer versions, Android no longer executes the intermediate representation of the program code directly, but translates it into executable machine language on the device first.
In the postmodern world, one must penetrate and criticize the language and representations of science itself; it is the new mythology of our time.
Differentiation: yellow = higher blue = middle purple = lower Resources provide opportunities to: - explore target audience for advertising campaigns - explore existing advertising campaigns - explore the use of persuasive language - explore the use of presentational features - analyse the effectiveness of advertising campaigns - explore the narratives of advertising campaigns - design a new soft drink and develop the advertising production plan - peer and self assess - explore representation - justify own design choices These resources could also be useful as part of an enrichment day / activity.
We use L1 to create a visual representation of the new text in L2 (the new language), and then redirect all efforts to working exclusively in L2.
Thus, again, if the works can't be incorporated or tamed into discourse of gender representation, nor to the terms of the new critical language of gender, racial identity, national identity politics, they also can't be reduced to the purely formal terms of the earlier discourse that had characterized painting from the late 1940s to the 1970s.
GLENN LIGON «Call and Response» Camden Arts Centre, London Oct. 10, 2014 — Jan. 11, 2015 Glenn Ligon's «Call and Response» considers matters of race, representation, assumptions and language through a series of new works.
Later described by art historian Herbert Read as «the most revolutionary event in post-war British art», this experimental period saw Pasmore's work progress towards a new pictorial language and representation of reality.
For her first solo exhibition in New York, Positions brings together a body of work that culminates around a dialectic consideration of language, choreography, and political representation.
With public commissions from New York to Seoul, London to Zurich, and an uninterrupted flow of international museum exhibitions, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation and the means by which images are perceived and understood.
Sandra Doore's work hovers between the representation of sound and action, visualizing her ongoing exploration into the new language of texting through stitched sculptures, installations, drawings and mixed - media.
Just as decay and possibility come together in Lisa Adams» work for Paradise Notwithstanding, the new paintings are completely fluent in both the language of abstraction and of representation.
On moving to New York in 1980, Rosler's interest in language and representation found new subjects, such as the poverty of the Bowery and the visibility of wNew York in 1980, Rosler's interest in language and representation found new subjects, such as the poverty of the Bowery and the visibility of wnew subjects, such as the poverty of the Bowery and the visibility of war.
Never Free to Rest brings together works by six artists who utilize the radical language of abstraction to destabilize black representation and systems of control, conjuring new possibilities of perception, imagination, and liberation.
Latest occupant of The Curve, Eddie Peake, will be launching his new book Eddie Peake: The Forever Loop with an accompanying discussion on his views of sexuality, self - representation and language.
Through numerous exhibitions and public commissions from Seoul to New York, Luxembourg to Zurich, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation, and the means by which images are perceived and understood.
The images challenge the notion of how to make a line or create a new posture for flattened space or abstract composition, swivelling from geometry to gesture, propelling representation and language into abstraction, exploring pictorial edges and boundaries as well as the constitutive or disruptive role of blank space,.
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