Sentences with phrase «representation of the new culture»

They were a poor reflection of the cultures African captives left behind and equally flawed representation of the new culture created in America.

Not exact matches

We came from campuses across the nation — Utah to New Hampshire — from the whole range of student cultures — Franciscan University of Steubenville to Dickinson College — with international representation — China, and Mozambique!

Released by United Artists in 1980, William Friedkin's notorious thriller about a straight cop (Al Pacino) who goes undercover in New York's hardcore gay leather scene to catch a serial killer remains to this day the most graphic representation of queer culture to come out of Hollywood.

Her background is in screen, media and cultural studies and her research examines the representation of gender, queer and youth identities, digital culture, and new forms of screen media.

In the increasingly digital culture in which we now live, it was particularly important for Royal Wootton Bassett Academy to develop a dynamic and exciting new website that offered a true and current representation of the vibrant learning environment that epitomizes the Academy.

Additionally, she examines representations of Native peoples in popular culture and the ways that Indigenous peoples are using the Internet, social media, and new media to challenge misrepresentations and create new and innovative spaces for art and activism.

Mira Schor is a New York - based artist and writer known for her advocacy for painting in a post-medium culture, for her representations of writing as image, and for her writings on painting and on feminist art history.

The new works to enter the Israel Museum's collection in 2017 deepen the Museum's representation of pivotal artists who have made meaningful contributions to the canon of 20th and 21st - century art, as well as antiquities that extend the narrative of world culture reflected across the Museum's holdings.

Using drawing, installation, and found objects, Pruitt interrogates contemporary visual culture, its representations of race and gender, and the New York art world.

«The New - York Historical Society explores how shoes have transcended their utilitarian purpose to become representations of culture — coveted as objects of desire, designed with artistic consideration, and expressing complicated meanings of femininity, power, and aspiration for women and men alike.

The second in a series of discussions on art practice and visual culture in the Middle East, this event explores the possibilities of thinking beyond geography, towards multiple and new forms of representation.

This piece is a continuation of earlier works in which fish take on different traits and characteristics, a representation of the artist's own adaptation to a new culture.

Four exhibitions in a year is rare exposure for an artist in New York City, yet Yevgeniy Fiks (b. 1972 Moscow) has accomplished just that: The Lenin Museum, a solo exhibition exposing the duplicity of expediency and erasure in the instrumentalization of gay culture in Soviet Russia, currently on view at the James Gallery at the CUNY Graduate Center, and three collaborative projects, which confront issues of representation within historical practices of commemoration and identity formation within the public sphere.

Temple Contemporary at the Tyler School of Art will be opening a new exhibition by visual artist Trenton Doyle Hancock (Tyler, MFA, 2000) of new work examining the representation of race in the material culture of toy dolls.

«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

In her new book, Play with Me: Dolls, Women and Art, journalist Grace Banks brings together profiles and interviews with over 40 artists who are united by their shared use of doll - like - forms to explore and subvert the representation of women in visual culture.

The Wayland Rudd Collection exhibition examines representations of Africans in Soviet culture during this time, taking as its departure point more than 200 images including paintings, movie stills, posters and graphics from the collection of New York - based, Moscow - born artist Yevgeniy Fiks.

Continuing to combine Meso - American iconography, art historical references and pop culture imagery, Enrique Chagoya's new work explores the representation of history and boldly comments on the current global political climate.

With transgressive ideals and expressive sentiments, the work uncover dialogues about gender and representation within the industry and offer an exciting array of names that have uncovered new territories within culture.

Alongside these new paintings, visitors will be invited to participate in a museum - style «learning zone» where numerous resources and materials will be available for visitors to further explore the works that were visited during the workshops and the wider representation of black British artists within the UK's visual arts culture.

Temple Contemporary at the Tyler School of Art will commission visual artist Trenton Doyle Hancock to create new work in an exhibition examining the representation of race in the material culture of toy dolls.

A new generation of artists has incorporated these techniques in their work as not merely representations of a new digital culture, but, more importantly and enduringly, as a means to figure spatial relations in continuous flux.

Temple Contemporary hosts an opening reception for its new exhibition, Moundverse Infants, featuring newly commissioned work by visual artist Trenton Doyle Hancock examining the representation of race in the material culture of toy dolls.

2014 Instagram as an Artistic Medium, Art Basel, Salon: Digital Talk, Miami, US Life - Representation, Visibility Online and the Self, Foam, Keizersgracht, Amsterdam, NL E-Performance «Real Self», Post Digital Cultures Symposium, Lausanne, CH NeoImpressionism Workshop, Swiss Institute Contemporary Arts, New York, US 89 + Marathon of the Americas, Fundación JUMEX, Mexico City, MX

Seeking a remedy to this mode of representation, we may move down to the second floor and find the display on 1980s drag culture and New York house music, or Sherrie Levine's critical watercolour homages to modern art masterpieces, reminding us again of Léger, and (especially via the impassioned chauvinist Kazimir Malevich) the restrictions on women in early modern art.

«Physical Evidence,» Lehman College Art Gallery, Bronx, NY, April 12 — May 28, 1994 «Duchamp's Leg,» Walker Art Center, Minneapolis, MN; traveled to the Center for the Fine Arts, Miami, FL; brochure «The Magic Magic Book,» Whitney Museum of American Art, New York, NY, 1994; catalogue «New Paintings,» Max Protetch Gallery, New York, NY, 1994 «Black Male: Representations of Masculinity in Contemporary Art,» Whitney Museum of American Art, New York, NY, 1994; traveled to the UCLA Hammer Museum, Los Angeles, CA; catalogue «Transformers: The Art of Multiphrenia,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY; traveled to Decker Galleries, Maryland Institute College of Art, Baltimore, MD; Herbert F Johnson Museum of Art, Cornell University, Ithaca, NY; Nexus Contemporary Art Center, Atlanta, GA; Art Gallery of Windsor, Windsor, Ontario, Canada; Illingworth Kerr Art Gallery, Alberta College of Art and Design, Calgary, Alberta, Canada; catalogue «Dark o'Clock,» Museu de Arte Moderna de Sâo Paulo, Sâo Paulo, Brazil, 1994; traveled to Plug In, Inc, Video Pool, Ace Art, Winnipeg, Manitoba, Canada; catalogue «Stories,» Max Protetch Gallery, New York, NY, 1994 «Equal Rights and Justice, High Museum of Art,» Atlanta, GA, 1994; traveled to the National Museum of African American History and Culture, Smithsonian Institution, Washington, DC; catalogue «Drama,» Max Protetch Gallery, New York, NY 1994 «Oliver Herring, Byron Kim, Glenn Ligon,» Galerie Gilles Peyroulet, Paris, France, 1994 «The Label Show: Contemporary Art and the Museum,» Museum of Fine Arts, Boston, MA, 1994; brochure «Don't Look Now,» Thread Waxing Space, New York, NY, 1994; catalogue

«This body of work will counter stereotypical myths of Papua New Guinea with honest representations of the people, their culture and identity.

EXHIBITION: Fresh from her residency at the Studio Museum in Harlem (2015 - 16) and her new gallery representation with Casey Kaplan in New York, Jordan Casteel is presenting group of recent, large scale paintings at the Harvey B. Gantt Center for African American Arts + Cultunew gallery representation with Casey Kaplan in New York, Jordan Casteel is presenting group of recent, large scale paintings at the Harvey B. Gantt Center for African American Arts + CultuNew York, Jordan Casteel is presenting group of recent, large scale paintings at the Harvey B. Gantt Center for African American Arts + Culture.

Here, images from contemporary pop culture and of Hollywood stars are taken out their usual structures of representation and put into a new, perverse context intended to disturb customary modes of perception.

Picking up from her now iconic Kitchen Series, the new work of artist Carrie Mae Weems expands on questions of image appropriation and on - screen representation of black female culture.

For Moundverse Infants, Temple Contemporary has commissioned visual artist Trenton Doyle Hancock to create new work examining the representation of race in the material culture of toy dolls.

Temple Contemporary at the Tyler School of Art commissions visual artist Trenton Doyle Hancock to create new work in an exhibition examining the representation of race in the material culture of toy dolls.