Sentences with phrase «represented by modernism»

She is represented by Modernism Gallery in San Francisco.

Not exact matches

At its heart modernism represents the desire to be well thought of by the movers and shakers of the world.

Dennis Gassner's production design represents the pic's rather old - fashioned good - versus - evil stance by contrasting oaky Olde English veneer with glassier,»60s - leaning modernism; Jany Temime's costume design is largely pragmatic, though an ivory Tom Ford tuxedo gives Craig what should be his most enduring Bond look across the four films, give or take a certain pair of snug swimming trunks.

It is too diverse, too much a collection of competing voices to be pinned down precisely, in terms of what it could be said to stand for; however, by generalising wildly, it might be possible to say that it represents a point around which certain attitudes towards abstraction have coalesced: one being, that the attempt to build on the discoveries of Modernism is still worth making; and another, that any such attempt can not be reductive, only expansive, ruling nothing out in terms of form, colour and material.

Ramos is represented by a number of influential galleries, such as the Louis K. Meisel since 1971, San Francisco's Modernism and Galerie Ernst Hilger in Austria.

They represent some aspects of influence by European Impressionism, but then the Modern forms of Marsden Hartley form a distinct break, and that break away — of American Modernism asserting itself — was largely what Gertrude Vanderbilt Whitney and Juliana Force were attracted to.

Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of artists such as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in international, contemporary art representing around 60 artists and a number of renowned estates; SUPPAN FINE ARTS from Vienna, focusing on international and modern as well as representatives of art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and international artists with a core focus on minimalism and abstraction; among others.

After the generally primitivistic / irrationalist aspect of pre-World War I Modernism, which for many Modernists precluded any attachment to merely political solutions, and the neoclassicism of the 1920s, as represented most famously by T. S. Eliot and Igor Stravinsky — which rejected popular solutions to modern problems — the rise of Fascism, the Great Depression, and the march to war helped to radicalise a generation.

The exhibition also presents works in the Ateneum collection by artists who represent the realist and classicist modernism of the 1920s and 1930s, such as Ragnar Ekelund, Greta Hällfors - Sipilä, Olli Miettinen, Yrjö Ollila, Martti Ranttila, Juho Salminen and Ilmari Vuori.

The later period of «contemporary» Modernism is also represented by Helen Frankenthaler's Quattrocento, 1984, which is ever so respectful of the debt owed to Arthur B. Carles and Rivers.

In the early twentieth century, artists like William Henry Johnson and Elizabeth Catlett embraced modernism by representing personal experiences or scenes of daily life in vibrant colors and dynamic compositions.

Mid-twentieth century modernism is represented by the assemblages of Louise Nevelson (1899 - 1988) and Cesar Baldaccini (1921 - 98); the heroic statues of Yevgeny Vuchetich (1908 - 74); and the emotive holocaust sculptures of Wiktor Tolkin (1922 - 2013) and Nandor Glid (1924 - 97).

Other modern and contemporary styles represented include: the Ash Can school of American Realism, Mexican Modernism, Outsider Art (in French Art Brut), as well as works by African American artists.

After WWII Charchoune was represented by a dealer who favoured consistent, decorative abstractions, and his work became less distinct from a mass of rather diluted Ecole de Paris modernism.

Edited by curators Marilyn S. Kushner and Kimberly Orcutt, along with Casey Nelson Blake, The Armory Show at 100: Modernism and Revolution (D Giles Limited, $ 79.95 hardcover) will feature thirty - one essays from a range of prominent scholars across diverse fields, shedding new light on the artists represented, the public reception of the works, and how the media responded to this legendary exhibition.

By bringing together historical works the gallery has exhibited and placed in private and public collections alike since opening its doors in 1970, this show presents an important selection of significant examples from the 20th and 21st Century movements in modernism, ranging from Abstract Expressionism, Pop, and Bay Area Figurative and is represented by paintings, drawings and sculpturBy bringing together historical works the gallery has exhibited and placed in private and public collections alike since opening its doors in 1970, this show presents an important selection of significant examples from the 20th and 21st Century movements in modernism, ranging from Abstract Expressionism, Pop, and Bay Area Figurative and is represented by paintings, drawings and sculpturby paintings, drawings and sculpture.

They can be slotted into two primary positions: Neo-Conceptualism, which grew from Minimalism and Conceptualism to embrace techniques of photography and appropriation; and Neo-Expressionism, which exhumed the traditional notions of painting that had been stamped out by Modernism — only to represent them as a corpse.