Sentences with phrase «represented in the exhibition»

Companies that are represented in the exhibition area will make short presentations of their projects and technologies.

More than 25 artists are represented in this exhibition.

There may exist differences in emphasis between the generations represented in this exhibition.

«It's important to notice how women are represented in exhibitions and other art infrastructures, and it's absolutely necessary to look at raw numbers in order to grasp the gender imbalance in any situation or context.

Shields» signature format of a color - drenched field inscribed by stitching and sewing is represented in the exhibition by an important early work titled Sandbar 12, from 1969.

She began painting in the 1920s but it was not till the early 1930s that she really got into her stride, a period represented in the exhibition by her sober portrait Martin Jay (1932).

Time Frame takes its departure from Robert Smithson's sculptural refractions of the late 1960s, and the artist is represented in the exhibition by the 16 mm film Swamp (1971), made in collaboration with Nancy Holt, dealing with the limitations of perception.

Among the artists represented in the exhibition are: Polly Apfelbaum, Bob Boyer, Robert Christie, Wally Dion, Mina Forsyth, Roy Kiyooka, Kenneth Lochhead, Jules Olitski, William Perehudoff, Jennifer Steinkamp, and Robert Youds.

Pop art's pioneers — who drew on familiar, often iconic symbols from the mass media and other increasingly commercial aspects of American society — included Roy Lichtenstein, Claes Oldenburg, James Rosenquist, Andy Warhol, and Tom Wesselmann, all of whom are represented in the exhibition.

An important new component was a group of forty - eight oil sketches by artists of the late eighteenth and nineteenth centuries, many of whom were already represented in the exhibition.

Other artists represented in the exhibition include Pieter Bruegel the Elder, Enrico Castellani, Vija Celmins, Robert Gober, Robert Heinecken, and Kara Walker.

Schiele is represented in the exhibition by thirty - eight paintings and forty works on paper.

Jack Tworkov (represented in the exhibition by The Wheel, 1953) spoke in an interview about Rothko, for whom he had great respect and personal compassion: «Rothko, in one conversation, said that it was a very great struggle for him to find himself as a painter and that he risked something in developing this new form that he had.

The exposed strata of sites such as Downpatrick Head echo the layers of the Grand Canyon, a heterogeneous stack of books or even layers of paint on a studio floor all of which are represented in the exhibition.

Pivotal to the artist's oeuvre was his shift in 1960 to the employment of white monochrome surfaces and geometric, grid - based compositions, represented in the exhibition by works including Relief, 1964; 48 Squares, 1965; 2 Richtingen Om en Om (2 Directions On and On), 1967; as well as R70 - 28, 1970 (collection of The Museum of Modern Art, New York).

By way of contrast, the artists represented in this exhibition exploit a purity of means, be that through line, color, or form, to create a complete, innocent, and at times savage, expression in the world.

A Constellation traces connections among twenty - six artists of African descent: eight who emerged in the mid - to late twentieth century, and who are represented in the exhibition by works from the Studio Museum's permanent collection, and eighteen younger artists whose works are being shown at the Studio Museum for the first time.

That great work is represented in the exhibition by Rubens's magnificent oil sketch, borrowed from the Courtauld Gallery.

Hungarian - born, French artist Vera Molnar is represented in the exhibition with three works of computer graphics.

But other influential series such as Rokytnik by Jitka Hanzlová from the Czech Republic or Case History by Boris Mikhailov from Ukraine, both with political connotations, are also represented in the exhibition.

While many British artists have responded to Picasso's influence, those represented in this exhibition have been selected to illustrate both the variety and vitality of these responses over a period of more than seventy years.

The collection's strength is sixteenth - century drawings by the most celebrated artists of the period: Leonardo da Vinci, Fra Bartolommeo, Michelangelo, Raphael, Titian, Tintoretto, and Pontormo, all of whom are represented in the exhibition.

Incentive program schools with students represented in the exhibition are Booker T. Washington High School for the Performing and Visual Arts (BTWHSPVA), Coppell High School, Creekview High School, J. J. Pearce High School, Lake Highlands High School, Lovejoy High School, McKinney Boyd High School, Newman Smith High School, Plano East Senior High School, Plano Senior High School, Plano West Senior High School, and Richardson High School.

The local and internationally based contemporary artists participating are Luay Fadhil, Sherko Abbas, Sakar Sleman, Ali Arkady, Sadik Kwaish Alfraji, and Nadine Hattom, and the two modern artists represented in the exhibition are Jawad Salim, widely considered the most influential artist of the Iraqi modern period, and Shaker Hassan Al Said, who was a pupil and friend of Salim.

The artists represented in the exhibition come from all over the U.S., with rooms devoted to groups such as AfriCOBRA, based in Chicago in the late 1960s, or East Coast Abstraction, which challenged the idea that art had to directly represent Black communities, prompting debate about Black aesthetics.

The other artistic genres that he has cultivated most avidly since then are landscape and cityscape, with special interests in the Sacramento River valley and San Francisco, and these are richly represented in the exhibition too.

Fifteen countries will be represented in the exhibition by more than one hundred artists, with 260 works in photography, video, and other experimental mediums.

The title of the painting (pictured), the only one representing him in the exhibition, is a kind of summation: In Sober Ecstasy.

The artists represented in this exhibition wish to restore tactility to painting, to redefine drawing as part of the pictorial and to go beyond Postmodernism to retrieve the fullness of painting as major art, including its tactility, explicitly material surface and capacity for metaphor as well its purpose to fulfil what Henri Bergson defined as its principle function: to be «life enhancing» in its vitality.

The thirteen international artists represented in this exhibition of sculpture, photography, and video are: Gabriele Basilico, Monica Bonvicini, Patrick Faigenbaum, Paul Graham, Lothar Hempel, Noritoshi Hirakawa, Shin Ji - chul, Luisa Lambri, Tony Matelli, Zwelethu Mthethwa, Philippe Parreno, Collier Schorr, and Damian Ortega.

Grooms also staged his signature performance, The Burning Building (1959), there, represented in the exhibition by a slideshow of photos by John Cohen.

The solo exhibition is introduced with a short text describing textually the girl that we are to see visually represented in the exhibition: «She is a romantic girl,» it begins, «in fact, one morning while soaking a biscuit in her cappuccino, she felt touched.»

A number of contemporary artists, including Mark Leckey, Henrik Olesen, and Christopher Williams, will be represented in the exhibition.

(Julie Mehretu's spectacular painting at the High Museum would be one example, of course — but that is less abstraction than a plethora of representations turned into abstract pattern, something that is only minimally represented in this exhibition.)

[43] Morris & Co. was well represented in the exhibition with furniture, fabrics, carpets and embroideries.

The other artists represented in the exhibition are Nina Canell (b. 1979, Sweden), Charlotte Johannesson (b. 1943, Sweden), Jumana Manna (b. 1987, USA), Pasi «Sleeping» Myllymäki (b. 1950, Finland), and Mika Taanila (b. 1965, Finland).

Artists represented in the exhibition include, among others: Tony Berlant, Richard Derwingson, Dominic DiMare, Don and Era Farnsworth, John Fraser, Stephen Galloway, Sam Gilliam, Lynn Hershman, Guy Laramée, Sol Lewitt, Pam Longobardi, Robert McCauley, Robin McCauley, Jim Melchert, Judy Pfaff, Otavio Roth, Buzz Spector, Monika Steiner, Catherine Wagner, Cybele Young, and a collaboration between Heather Patterson and Elaine Coombs.

The four artists whose work will be represented in the exhibition all demonstrate both and affinity and an appreciation for Maine's rocky coastline in their work; however, they also share a singularly modern artistic viewpoint on Maine as subject matter.

Jefferson, Lobdell and Strong (who studied with Jefferson and Lobdell), are each represented in the exhibition by five or six significant pieces, plus smaller representational works.

She has received numerous awards for her artistic work, including a grant from the Pollock - Krasner Foundation (1989/1990) and the Lingen Art Prize (Kunstverein Lingen, Germany; 1996) and has been represented in exhibitions at Franklin Furnace in New York, the Contemporary Art Center in Moscow, Kunst Haus in Dresden, the Museum für Neue Kunst in Freiburg, the Neuer Berliner Kunstverein, and many other institutions and commercial galleries internationally.

The above artists» contributions will be among 140 + significant contemporary works on display, which also includes Eric Avery, Robert Blanchon, Judy Chicago, and Karen Finley — Midwestern natives who've been represented in the exhibition since its inception.

His technique of soaking myriad materials (from canvas to bread rolls) in kaolin, as well as using naturally white or off - white materials (from raw canvas to fake fur) is well represented in the exhibition.

Why, do you think, the artists represented in this exhibition choose to work with the medium of photography?

Painters represented in this exhibition include European Sovereign Painters Prize winner Susan Gunn, John Moores Prize winner Nicholas Middleton, Artslant prize winner Alison Pilkington, Terry Greene, Wyss Foundation prize winner Harvey Taylor, Birtle Prize winner Simon Burton, Venice Biennale exhibitor Marguerite Horner, Griffen Prize nominee Matthew Krishanu and East London Painting Prize winner Nathan Eastwood.

The artists represented in the exhibition, Andrea Bowers, Blane De St. Croix, Margarita Cabrera, Zhi Lin, Hung Liu, and Tony de los Reyes each employ different styles and references and span different historic periods, geographic locations, cultural influences, and gender perspectives, but are seamlessly bound together by the common threads of memory, history, identity, and humanity.

The varied scope of her work will be represented in the exhibition, including sculpture, paintings, prints, and films.

Sam Gilliam (American, b. 1938) An American color field painter, Gilliam is represented in the exhibition by Eiler Blues (1978), a wall - size oil painting with embedded objects on stitched and unstretched awning canvas.

De Barros (São Paulo, Brazil, 1923 - 1998) concentrated on photography within two periods of time, each resulting in the production of the two bodies of work represented in this exhibition: the Fotoformas (1949 - 51) and the Sobras (1996 - 1998).

Claes Oldenburg (American, b. Sweden 1929) Claes Oldenburg is represented in the exhibition by the screenprint Architect's Handkerchief (1997), which visualizes a proposed sculpture for the city of MÃ 1/4 nster, Germany.

Yang Fudong is represented in this exhibition with a large - scale film installation of his work Seven Intellectuals in a Bamboo Forest from 2003.