Sentences with phrase «represents modern times»

Not exact matches

For Kaplan, modern Zionism, both as an ideology and as a movement, represents the quintessential expression of Judaism in modern times.

Which again amounts to saying that from the time of Man (above all, modern Man) the factor consciousness, which for a long time perhaps represented no more than a secondary and accessory effect in Nature, a simple superstructure of the factor complexity, is finally becoming individualized in the form of an autonomous spiritual principle.

The evangelical - moralist group represents not simply «old - time religion» but innovative, modern forces.

Art Gray, the only Democrat to represent the district in modern times, didn't even get a district office for six months, or re-elected.

In geological terms it might as well be yesterday, but the span of time between then and now represents the entirety of modern...

The region of the Middle East represents a major corridor for hominin migrations during the Pleistocene and has been occupied at different times by both modern humans and Neandertals.

A new study published in the peer - reviewed journal PeerJ introduces modern techniques to better understand the landmark site's history, suggesting that the quarry represents numerous mortality events which brought the dinosaurs to the site over time, rather than a single fatal event.

Classy and elegant, this look can represent your inspiration for many days, helping you look modern and retro at the same time.

It's uncertain whether Kate's decision to largely forgo royal headpieces has to do with representing the monarchy as more modern and in touch (which she often does by wearing affordable fashion and repeating outfits), or about distinguishing herself from Princess Diana, who had a penchant for tiaras (a less likely answer as Kate often channels her late mother - in - law's style)-- or perhaps she just wants each time she breaks out the bling to be extra-special.

Dev Patel (Slumdog Millionaire) as the hotel manager, Sonny and his girlfriend, call centre employee, Sunaina (Tena Desae) do represent a more modern India, but their story arc is rushed through to leave time for the western protagonists to all have their cathartic conclusions.

Although presumably made as a way of doing a modern - day version of such somewhat dubious monster mash - ups as «Frankenstein Meets the Wolf Man» and «Freddy Vs. Jason,» the idea of bringing together the greatest metaphorical movie monsters of their respective time periods — the Alien representing fears of the sexual revolution of the 1970s and the Predator symbolizing the might - makes - right military mindset of the following decade — in a battle for supremacy is one that is not entirely unpromising.

These examples represent only a small handful of the countless ways businesses and institutions can combine the power of modern IT with time - tested game science to enhance their teaching strategies.

Yet at the time the IQ testers represented the apex of modern scientific thinking.

Next we have the word «Modern» displayed using two fonts whose styles were created to represent different time periods.

The two represent the closest link in modern times between Corvettes built for racing and the road, sharing unprecedented levels of engineering and components including chassis architecture, engine technologies and aerodynamic strategies.

The more technologically advanced Dynapro MTs and GT aluminum wheels (with the central tire inflation system installed) better represent how we prefer to roll in these modern times.

The christening of the four new Viking Longships represents the first time in modern history that four cruise ships have been christened at once, with Viking Odin and Viking Idun christened in Amsterdam and Viking Njord and Viking Freya christened via satellite from the Neptun shipyard in Germany.

Her work reveals a deep awareness, both intellectual and sensory, of how the body has been represented over time and across cultures — from antique and Hindu sculpture, to Renaissance drawing and painting, to the work of modern artists such as Henri Matisse, Willem de Kooning, and Pablo Picasso.

At the same time, some artists who were presciently featured in the book, like the Indian painter Bhupen Khakhar (who recently received a stellar Tate Modern show) and the German Pop artist Michael Majerus (whose estate is now represented by Mathew Marks), are only recently getting their posthumous due.

The works are subdivided thematically, with each group representing a specific case - study in unfinishedness — corresponding to specific times (such as the Renaissance, Baroque, and Modern periods), media (prints and sculpture), artists (including Turner, Cézanne, and Picasso), and genres (most importantly portraiture).

This summer, Felix Gonzalez - Torres represents the United States at the 2007 Venice Biennale, only the second time in the modern history of the Venice Biennale that an artist has represented the U.S. posthumously.

Based in Los Angeles, Stark is a world - renowned contemporary artist working in time - based media and other art forms and whose works are represented in the permanent collections of the Museum of Modern Art, New York; the Tate Modern, London; and the Los Angeles County Museum of Art among numerous museum institutions globally.

It represents well an artist of undeniable importance, whose output shows itself more dramatically uneven as time passes, but whose best works, like his best writings, emanated from the core of a defining moment in modern American art.

Group exhibitions include: Future Perfect, Rubicon - Projects Brussels; Changing States: Contemporary Art and Francis Bacon's Studio, BOZAR, Belgium; Time Out of Mind: Works from the IMMA Collection, Irish Museum of Modern Art; In Other Words, Lewis Glucksman Gallery, Cork; this little bag of dreams, Catherine Clark Gallery, San Francisco; and Without - Boundaries, Wäinö Attonen, Museum of Art, Finland Her work is represented in the collections of IMMA, The OPW, Limerick City Gallery, Swansea City Council, The London Institute, and Hiscox Collection, London.

Once Upon a Time focuses on how fantastic stories and modern fairytales are represented in video art today.

The individual painting or sculpture was deemed insufficient to represent the fragmented experience that characterizes the modern world; thus artists showed how a work of art could take the form of a walk (Richard Long), a 20 - foot - long book (Ed Ruscha), or a series of postcards outlining the precise time that the artist got up each day (On Kawara).

This new placing of the character plays in a humorous way with the two distant times represented, the historical, mythical and sometimes biblical imagery of the past, coming up against the ordinary materialistic and consumerist attitude of modern times.

At first sight, their encounter may represent two opposed ways of seeing the body in modern times.

But at the same time, these cityscapes can be seen to represent human isolation and a modern anxiety; and perhaps a loss of personal identity, swallowed by Picabia's Modernist machine.

Amy Elkins (BFA 2007 Photography) Photographer and curator; represented by Yancey Richardson Gallery, NYC; co-founder Women in Photography; known for her archiving of prisoners on death row in Texas; winner of the 2014 Aperture Portfolio Prize; artist - in - residence, Villa Waldberta, Munich (2012) and Light Work, Syracuse, NY (2011); included in the permanent collections of North Carolina Museum of Art and Light Work, Syracuse, NY; exhibited at Kunsthalle Wien in Vienna., the Carnegie Art Museum in Oxnard, CA, the Minneapolis Institute of Arts, Minneapolis; solo and group exhibitions at the International Modern Photography Festival, South Gyeongsang Province, South Korea;» Cast,» Philadelphia Photo Arts Center, Philadelphia; «Gazed Upon» (curator), Ampersand Gallery, Portland, OR; «Deconstructing the Female Gaze» (curator), PPOW Gallery, NYC; photos and features include «Prison Photography,» included in The Telegraph's Stella Magazine, Real Simple, The Huffington Post, American Photo, Harper's, Newsweek and The New York Times.

Matthew Pillsbury (MFA 2004 Photography, Video and Related Media) Photographer; represented by Bonni Benrubi Gallery, NYC, Jackson Fine Art, Atlanta, and Douglas Udell Gallery, Vancouver; monograph Matthew Pillsbury: City Stages Photographs from 2002 to 2013 published by Aperture (2013); featured in New York Times Photographs published by Aperture and The New York Times; included in permanent collections of the Sir Elton John Photography Collection, Atlanta, The Museum of Modern Art, Whitney Museum of American Art, Guggenheim Museum, Brooklyn Art Museum, all NYC, Museum of Fine Art, Boston, San Francisco Museum of Modern Art, San Francisco, Minneapolis Institute of Arts, Minneapolis, Musée du Louvre, Paris, and the Tate Modern, London, among others; awarded gold and silver medals in Society of Publication Designers» 47th Annual Design Competition (2012); awarded the Prix HSBC pour la Photographie (2007); Photo District News magazine's Top 30 Photographers (2005); featured in The New York Times Magazine «A Country in Bloom» (2014), Photograph Magazine «Nate and Me» (2014), and The New York Times «The Blur of Life» (2013); recipient of a 2014 Guggenheim fellowship.

Based on city maps, architectural renderings, building plans and aerial perspectives, they represent the hectic urban development of the modern times, moving in a way so accelerated that it is hard to catch its rhythm.

And in modern times, the recreational vehicle actually represents, in my mind, the greatest manifestation of the tiny home movement.»

This represents brick - and - mortar locations adapting to modern methods of shopping to keep up with the times.

To me it represents the highest quality and includes modern classics that will stand the test of time.»

LC + CL: We identify our Southern style being represented by designs that withstand the test of time using subtle textures, punchy colors, and modern scale.