Join Vanessa Schmid, Senior
Research Curator for European Art on the following dates at noon for a tour of Seeing Nature: Landscape Masterworks.
«The exhibition's ranging view of landscape offers a remarkable opportunity to consider the meaning and role of landscape and art,» said Vanessa Schmid, Senior
Research Curator for European Art.
Following the establishment of its Russia and Eastern Europe Acquisitions Committee (REEAC) in October 2012, Tate has appointed Natalia Sidlina as adjunct
research curator for Russian art and Julia Tatiana Bailey as assistant curator, collections, international art, with the aim to develop Tate's knowledge and expertise of Russian contemporary art.
Mutumba is
research curator for Africa at the Weltkulturen Museum, Frankfurt am Main; her most recent exhibition, A Labour of Love (with Gabi Ngcobo) will open December 2, 2015.
Not exact matches
Searching
For and Finding Value» 9:00 a.m. - 9:45 a.m. Charlie Tian, Founder & Director of
Research, Guru Focus Topic: «What Worked in the Market from 1998 - 2008: Undervalued Predictable Companies» 9:45 a.m. - 10:30 a.m. Robert Miles, Author & Conference Organizer & Host [USA] Topic: «Portrait of a Disciplined Investor: Beating the S&P 500 by 6.8 % Annually
For 25 Years» 11:00 a.m. - 12:00 p.m. Optional Tour depart from Ayres Hotel LAX to Huntington Library 12:00 p.m. - 12:30 p.m. Briefing by the Chief
Curator of Rare Books on the history of the Huntington Library and the Munger
Research Center 12:30 p.m. - 1:00 p.m. Continue to Pasadena 2:00 p.m. - 5:00 p.m. Charlie Munger's Wesco Financial Annual Meeting [The Pasadena Center, 300 East Green Street, Pasadena, CA.]
Bryan Ogg,
curator of
research for the Heritage Society's Naper Settlement museum, called it «180 years overdue.»
Eleven authors contributed to the manuscript that is scheduled to be published in Nature: Dr. Steve Holen, director of
research at the Center for American Paleolithic Research; Dr. Tom Deméré, curator of paleontology and director of PaleoServices at the San Diego Natural History Museum; Dr. Daniel Fisher, professor of paleontology and director and curator of the Museum of Paleontology at the University of Michigan; Dr. Richard Fullagar, professorial research fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontol
research at the Center
for American Paleolithic
Research; Dr. Tom Deméré, curator of paleontology and director of PaleoServices at the San Diego Natural History Museum; Dr. Daniel Fisher, professor of paleontology and director and curator of the Museum of Paleontology at the University of Michigan; Dr. Richard Fullagar, professorial research fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontol
Research; Dr. Tom Deméré,
curator of paleontology and director of PaleoServices at the San Diego Natural History Museum; Dr. Daniel Fisher, professor of paleontology and director and
curator of the Museum of Paleontology at the University of Michigan; Dr. Richard Fullagar, professorial
research fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontol
research fellow at the Centre
for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces,
research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontol
research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center
for American Paleolithic
Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontol
Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontologist at
The museum has separate positions
for researchers and
curators, so
research is not one of McAlister's primary duties.
She is a former postdoctoral
research fellow of the Getty Center
for the History of Art and the Humanities in Los Angeles and was, until recently, senior
curator of archaeology at the Natal Museum in Pietermaritzburg.
«We expected to find similar trends across all primate radiations — that is, that the faces of highly social species would have more complex patterning,» said Santana, who conducted the
research as a postdoctoral fellow with the UCLA Department of Ecology and Evolutionary Biology and UCLA's Institute
for Society and Genetics and who is now an assistant professor at the University of Washington and
curator of mammals at the Burke Museum of Natural History and Culture.
«Clinicians managing patients on the frontline, database
curators ploughing through the latest
research, bioinformaticians developing computational tools and genetics experts interpreting results are all working together towards the common goal of finding answers
for these patients.»
«We think the Tufts - Love Rex is going to be an iconic specimen
for the Burke Museum and the state of Washington and will be a must - see
for dinosaur researchers as well,» said
research lead Gregory P. Wilson, a UW biology professor and Burke Museum
curator, in a statement.
As the lead researcher
for the National Science Foundation (NSF) supported «Privacy Tools
for Sharing
Research Data,» Vadhan and his team at Harvard are developing a new computer system that acts as a trusted
curator — and identity protector — of sensitive, valuable, data.
Holden conducted the study with paleontologist Dr. John M. Harris, Chief
Curator of the Page Museum at the La Brea Tar Pits, and Robert M. Timm, from Kansas University, who manages a dermestid beetle colony
for research specimen preparation.
Research Focus: Since 2008, I have been working as a Scientific Curator for the IEDB project, a globally - utilized bioinformatics research tool to aid development of vaccines, immunotherapeutics, and diag
Research Focus: Since 2008, I have been working as a Scientific
Curator for the IEDB project, a globally - utilized bioinformatics
research tool to aid development of vaccines, immunotherapeutics, and diag
research tool to aid development of vaccines, immunotherapeutics, and diagnostics.
As
Curator of Transportation History, Moore was responsible
for researching the history of automobiles and aviation of Cleveland...
Searching
For and Finding Value» 9:00 a.m. - 9:45 a.m. Charlie Tian, Founder & Director of
Research, Guru Focus Topic: «What Worked in the Market from 1998 - 2008: Undervalued Predictable Companies» 9:45 a.m. - 10:30 a.m. Robert Miles, Author & Conference Organizer & Host [USA] Topic: «Portrait of a Disciplined Investor: Beating the S&P 500 by 6.8 % Annually
For 25 Years» 11:00 a.m. - 12:00 p.m. Optional Tour depart from Ayres Hotel LAX to Huntington Library 12:00 p.m. - 12:30 p.m. Briefing by the Chief
Curator of Rare Books on the history of the Huntington Library and the Munger
Research Center 12:30 p.m. - 1:00 p.m. Continue to Pasadena 2:00 p.m. - 5:00 p.m. Charlie Munger's Wesco Financial Annual Meeting [The Pasadena Center, 300 East Green Street, Pasadena, CA.]
We preserve extensive natural history collections of approximately 3.5 million objects used
for research by a staff of 12
curators as well as visiting scientists from around the world.
Content
researched and posted by Nancy Nelson - Duac,
Curator of the good Stuff
for the Family Travel Files with images courtesy McDonald Observatory, Kit Peak Observatory, and Bryce Canyon National Park.
Content
researched and posted by Nancy Nelson - Duac,
Curator of the Good Stuff
for the Family Travel Files.
Content
researched and posted by Nancy Nelson - Duac,
Curator of the good Stff
for the Family Travel Files.
As I explained the
research - based purpose of my visit (yet again), and went on to clarify that I didn't have any shows in mind, I realized (yet again) just how complicit
curators often are these days in legitimizing mediocre work being aggressively pushed
for the sake of financial gain.
Complementing his career as a
curator, writer, painter and teacher, he serves on the Art Advisory Council of the International Foundation
for Art
Research (IFAR).
It is open by appointment to individuals, scholars, and
curators for tours, study, and
research.
Anfam is Senior Consulting
Curator of the Clyfford Still Museum, Director of its
Research Center, and Commissioning Editor - at - Large
for Art, Phaidon Press.
Curated by Margaret Miller, Director, USF Institute
for Research in Art, and Megan Voeller, Associate
Curator of Education, USF Contemporary Art Museum; organized by USF Contemporary Art Museum.
Ruya Foundation's chairman Tamara Chalabi writes about her
research trip in Baghdad with
curator Jonathan Watkins,
for the
for the Pavilion of Iraq at the 55th Venice Biennale: With Jonathan Watkins, Director of Ikon in Birmingham and
curator of the pavilion, we travelled as a team to Iraq
for the first time in December 2012,...
Celebrating its 20th Anniversary this year, CCS Bard pioneered graduate education programs
for curators and has evolved into one of the world's leading centers
for contemporary art
research.
APPOINTMENT Kevin Young a poet and professor of English and creative writing and a
curator of rare books and archives at Emory University, is named director of the Schomburg Center
for Research in Black Culture.
He was recipient of the Estancias Tabacalera
research fellowship
for Latin - American
curators 2016, Madrid, Spain, and was part of the 7th Gwangju Biennale International
Curator Course, in Gwangju, South Korea.
Yinka Shonibare MBE will be curated by Martina Droth, Deputy Director of
Research and
Curator of Sculpture, Yale Center
for British Art.
The scheme provides
curators with a framework
for research, including studio visits and discussion with the committee members of the Collections Fund.
The scheme provides
curators with a framework
for research, including studio visits and discussion with the members of the Collections Fund Committee.
Maurice Berger is
Research Professor and Chief
Curator at the Center
for Art, Design and Visual Culture, University of Maryland, Baltimore County, and
Curator of the National Jewish Archive of Broadcasting at The Jewish Museum in New York.
On the other hand, the Blanton, which in 2010 divvied up the responsibilities
for works on paper to various
curators «according to their specific expertise and
research areas,» has reconsidered, reinstating the position of Senior
Curator of Prints, Drawings and European Paintings in 2012 with the appointment of Francesca Consagra.
The curatorial team, led by Whitney
curator Barbara Haskell, includes Barbara Buhler Lynes,
curator of the Georgia O'Keeffe Museum and the Emily Fisher Landau Director of the Georgia O'Keeffe Museum
Research Center; Bruce Robertson, professor of the history of art and architecture at the University of California, Santa Barbara; Elizabeth Hutton Turner, professor and vice provost
for the arts at the University of Virginia and guest
curator at the Phillips Collection; and Sasha Nicholas, Whitney curatorial assistant.
Postwar Prints and Multiples is conceived as a dynamic platform
for new
research as students, faculty, and outside
curators examine and assess the works on view through a series of gallery talks.
Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving
research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice
for Domestic Workers (Leeds) supported by
curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.
As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct
for - and not -
for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate
Curator — Exit Art, and Lauren Rosati, Assistant
Curator — Exit Art, as part of the curatorial
research conducted
for the 2010 exhibition, Alternative Histories.
The evening will include a discussion about collecting and exhibiting this remarkable lineage of black artists with collector Pamela Joyner, artist Shinique Smith and exhibition co-curators Christopher Bedford, Dorothy Wagner Wallis Director of the Baltimore Museum of Art, and Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art at Stony Brook University and senior
curator for research and programming at the Baltimore Museum of Art.
There she founded the first graduate level curatorial studies program in Latin America; RIM, a residency program
for curators and critics; and el instituto, an organization dedicated to culture, politics, activism and
research, generating exhibitions and events such as Spatial Practices in Revolution and Talk Show.
Paul Moorhouse is the 20th Century
Curator at the National Portrait Gallery in London, where he is responsible
for acquisitions, displays, and
research relating to the collection within the period from 1914 to 1990.
Carrying the accolades of a Masters of Contemporary Art (with honors) from Sotheby's, recognized by the Robert Rauschenberg Foundation with an Emerging
Curator Fellowship in 2015, and recently awarded a
Curator - In - Residence Fellowship with the Curatorial Program
for Research in Mexico City, Nicole Bray comes to the industry with a wealth of knowledge and the quick wits and intelligence to know how to use it.
She was a
curator and manager of the Polish - Norwegian production and
research based project and exhibition, Rooted Design
for Routed Living.
Independent
Curators International (ICI) produces exhibitions, events, publications, research and training opportunities for curators and diverse audiences around th
Curators International (ICI) produces exhibitions, events, publications,
research and training opportunities
for curators and diverse audiences around th
curators and diverse audiences around the world.
Open Plan: Michael Heizer is organized by Deputy Director
for International Initiatives and Senior
Curator Donna De Salvo and Melva Bucksbaum Associate Director
for Conservation and
Research Carol Mancusi - Ungaro.
Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist
Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute
for Social
Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore
Supporting Members and above are invited to join MAD's Windgate
Research and Collections
Curator Elissa Auther
for a private tour of Surface / Depth: The...
For «Form in Translation: Sculptors Making Prints and Drawings,» assistant
curator Eric Lutz of the St. Louis Art Museum (along with
research assistant Ann - Maree Walker) has again brought together works that show the strengths of the museum's permanent collection while giving insight into a vital mode of artmaking that deserves more exposure.
Mussai lectures internationally on curatorial practice, photography, and cultural politics, and has been a regular guest
curator and non-resident fellow at the Hutchins Center
for African and African American
Research at Harvard University since 2009, where she also serves on the Exhibitions and Acquisitions Committee of the newly established Cooper Gallery.