Sentences with phrase «research visits to the museum»

After several research visits to the Museum, students found that they were particularly interested in Still's life as a student and teacher and decided to focus on researching this aspect of his life.

Not exact matches

The 40 young scientists will visit Washington, D.C., March 6 — 12 to tour the White House and other national landmarks, present their research to judges and the public in a poster session at the headquarters of the National Geographic Society and attend a black - tie awards gala at the National Building Museum.

These include intensive graduate training, postdoctoral research, and research assistantships for undergraduate students, as well as community outreach, including student group visits to our lab, collaborations with museums, schools, and local organizations, media contacts, and public lectures.

Back on my public engagement soapbox: I was intrigued to see an announcement that a company, JPK Instruments, donated an atomic force microscope (AFM) to the German Museum of Masterpieces of Science and Technology for a display where the public can visit and observe nano research in action.

A typical school visit accommodates 12 - 15 students, has three hours duration and includes, among others, a visit to the Alexander Fleming Museum, short presentations and / or videos describing issues of modern Biological Research and demonstration of laboratories and experimental researchResearch and demonstration of laboratories and experimental researchresearch models.

Details of the history of the Vasa, continuing research into its preservation, and how to visit are available on the Vasa Museum website.

Research recently undertaken by the Wellcome Trust showed that likelihood of visiting a science museum or centre is related to social class.

The great thing about being a geologist is that you often get to travel around the world to do fieldwork or visit a museum or attend a research

Learning from scientific research Learning outside the Classroom (LOtC) is a government supported process that provides a quality mark for all of those providing learning experiences outside the classroom, including visits to museums, woodlands, natural spaces, and libraries.

Instead of asking students to develop another fantasy project, or something for which they can't see the point, Design Ventura offers a context in which students can research and inform their work online or in person if they visit the museum.

Colin Peck presents the results of his researches into the genre / The Ballot 2LS, part six — Our Publisher continues his review of this landmark Vintage car by describing the example once owned by Ian Connell and now in George Wingard's collection in Eugene, Oregon / Auto - biography: Brian Sewell — In the latest instalment of his series interviewing personalities from the old - car world, Matthew Bell visits art critic Brian Sewell / The 1926 - 27 Grand Prix Talbot - Darracqs, part one — In the first of a three - part series recounting the long careers of these famous racing cars, Simon Moore describes their origins and works competition histories / Back on the Road — Michael Ware visits the Black Country Living Museum in Dudley, West Midlands, to inspect a rare and recently restored 1914 Briton 10/12

Involve reading - age kids by giving them a research task: learning about the route or your vacation spot by doing some online sleuthing or taking charge of choosing a museum to visit.

Outdoor research becomes the crucial part of assignment to collect the data from ground realities like Visit to museum for studying anecdotes.

I've done research to know where to eat and ways to save on museum visits (pssst book online before you go or buy a Museum museum visits (pssst book online before you go or buy a Museum Museum Pass).

A contribution to the Santa Barbara Museum of Natural History will provide support for creating and maintaining exhibitions that families love to visit, outstanding education programs for children and adults, and important scientific research in the fields of vertebrate zoology, invertebrate zoology, and anthropology.

Also, plenty of museums host excellent offbeat children's activities, so be sure to do some quick online research before you visit to check out the current offerings.

Visit the museum's Research Library to learn more about Norman Lewis.

The Art Fund is working with the National Museum Directors» Council (NMDC) and research consultants Britain Thinks to understand why so few museum goers donate when visiting museums — and discover what will motivate them to give in fMuseum Directors» Council (NMDC) and research consultants Britain Thinks to understand why so few museum goers donate when visiting museums — and discover what will motivate them to give in fmuseum goers donate when visiting museums — and discover what will motivate them to give in future.

These guidelines include information for those who wish to either visit the Museum's public galleries with a class, view objects in the new Collection Teaching Gallery, as well as conduct research in the new Archives and Special Collections area.

During our research visits to the archives at the Clyfford Still Museum, the American master came back to life for me.

Mr. Stout is also active in various roles with charitable institutions and non-profit organizations, including the following: President of The Robert Mapplethorpe Foundation (Mandated to fund AIDS and HIV - related medical research, to support photography programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility at Beth Israel Medical Center, New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of Goresearch, to support photography programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility at Beth Israel Medical Center, New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of GoResearch at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of Governors.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Visiting Artist, University of California, Davis 2005 Visiting Artist, California College of the Arts, 2005 Visiting Artist, Mills College, 2005 Nominated for the SECA Award, San Francisco Museum of Modern Art 2004 Visiting Artist, University of California, Berkeley, 2003 Jay DeFeo Prize, Mills College, 2002 Graduate Research Grant, Mills College, 2002 Visiting Artist, California College of Arts and Crafts, 2002 Visiting Artist, California College of Arts and Crafts, 2001 Trefethen Fellowship for Merit, Mills College, 2001 San Francisco Foundation's Murphy and Cadogan Fellowship, 2001 Nominated to the Dedalus Foundation Masters of Fine Arts Fellowship, 2001

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.

Over the past two years the Imperial War Museum and Wolverhampton Art Gallery have partnered in research and collect a body of work focusing on the Arab / Israeli conflict, which has included a visit to Palestine in April 2013.

Intending to generate new collaborations with artists, curators, museums, and cultural centers in the area, this award will cover curatorial residencies, studio visits, and / or archival research.

In 2012 she moved herself and the entire contents of her apartment - slash - studio to the third - floor of the Whitney Museum of American Art in New York for the duration of the Whitney Biennial; she spent the three - month period conducting research, holding studio visits and playing music while the museum was open to the pMuseum of American Art in New York for the duration of the Whitney Biennial; she spent the three - month period conducting research, holding studio visits and playing music while the museum was open to the pmuseum was open to the public.

My admiration led to me writing a catalogue essay for an exhibition he did with Peter Doig at the Santa Monica Museum of Contemporary Art, and that led to visiting his studio over several months to research a feature about the creation of his - now famous - painting installation The Upper Room.

Today, the Prado is one of the most visited museums in the world and, through its dynamic exhibition, publishing, conservation and research programs, continues to influence art - historical research and contemporary museum practice.

To access the Florida Museum's Cerros Research Online Catalogue, visit www.flmnh.ufl.edu/latinarch/cerros/gallery.

I visited Richard Diebenkorn: Beginnings, 1942 — 1955 at the Crocker Art Museum during a research trip to Sacramento last October.

Author: Jeremy Phillips is a visiting professorial fellow at the University of London's Queen Mary Intellectual Property Research Institute, the editor of the Oxford Journal of Intellectual Law & Practice and the European Trade Mark Reports, is a consultant to the intellectual property team at Olswang in London and also contributes to The 1709 Blog; Birgit Clark practices at Boult Wade Tennant in London and is a member of the editorial board of the JIPLP; Matthew Fisher is a senior lecturer and co-director of the Institute of Brand and Innovation Law at University College London; Mark Schweizer is a substitute judge at Bezirksgericht Horgen in Switzerland; Neil J. Wilkof is a partner at Herzog Fox & Neeman in Tel Aviv, Israel; Annsley Merelle Ward is a trainee solicitor with Collyer Bristow in London and a copyright and design right consultant at Victoria and Albert Museum.

For example, visiting artists from the Contemporary Museum worked with students to research Moore Square's history, then helped them create photographs and drawings to tell the area's story, says Cathy Bradley, Moore Square's principal.