Sentences with phrase «resin on canvas»

Untitled Blue Monochrome (IKB 44), 1955, dry pigment in synthetic resin on canvas, mounted on panel, 41 × 136 × 3 cm.

signed and dated «Julian Schnabel 2000» on the overlap oil, wax, decal and resin on canvas 96 x 120 in.

HELENE APPEL Puddle (3) 2011 acrylic, oil and resin on canvas 100 3/8 x 49 1/4 inches 255 x 125 cm Courtesy the artist and The Approach, London

Elephant dung, oil, acrylic and polyester resin on canvas.

Both works (natural pigments and acrylic resin on canvas) by Salustiano at Kavachnina of Miami, Fla..

Glenn Ligon Untitled (Stranger in the Village # 17) 2000 acrylic, oilstick, coal dust and resin on canvas 78 1/4 x 132 1/4 inches (198.8 x 335.9 cm)

Image: © Anselm Kiefer, Il Mistero Delle Cattedrali, 2010 - 2011, oil, acrylic, terracotta, salt, lead and resin on canvas (330 x 1710 cm).

Sadamasa Motonaga, 1962, oil paint and synthetic resin on canvas - Hyogo Prefectural Museum of Art (Yamamura Collection)- Copyright Estate of Sadamasa Motonaga — Photo courtesy of Dallas Museum of Art

Oil and resin on canvas, 90 x 84 inches.

Perhaps the most spectacular work consigned by the foundation is Lot 18, «Atomic Crest,» by Morris Louis, a 105 1/2 - by -78-inch acrylic resin on canvas, dated 54.

Tags: anderson contemporary, Dominique Ramirez, Ian Sullivan, Josh Fayer, Michael Barkagan., mixed media, murals, painting, portraits, resin on canvas, ronni anderson, Victoria De Lesseps Posted in Exhibition, NYC Comments Off on Anderson Contemporary presents Hooligans

Working with resin on canvas, Josh Fayer manifests the connection between consciousness and space with his abstract interpretations of nature.

Untitled (Pierre) # 2, 2014, UV — Direct print, epoxy resin on canvas above Flatscreen video 2 minutes, 148 x 96 x 30 cm, 58 1/4 x 37 3/4 x 11 3/4 ins

Heinz Mack Weiße Vibration, 1958 - 59 synthetic resin on canvas 49 1/4 x 38 5/8 inches (125 x 98 cm) 50 1/2 x 40 inches (128,3 x 101,6 cm) frame SW 08197 Private Collection

Yves Klein (1928 - 1962) IKB 64 signed, stamped with the artist's monogram and dated «Yves 57» (on the overlap) dry pigment and synthetic resin on canvas laid down on panel 21 7/8 x 30 1/2 in.

Ron Agam, Endless Universe, 2010 Ink and resin on canvas mounted on panel 36 x 36 inches May 5 — June 6, 2011 Bertrand Delacroix Gallery is proud to present an exhibition of paintings by Ron Agam.

(He often pours resin on a canvas and then paints images over it, or douses fabrics with lacquer before sketching patterns on top of them.)

She expresses her compassion in playful compositions of acrylic paint, mixed media and resin on canvas, balancing organic shapes, while often masterfully incorporating delicate ink drawings.

Walter Darby Bannard, The Model # 2, 1960, alkyd resin on canvas, 66 3/4 x 62 3/4 inches (courtesy of Berry Campbell Gallery)

Not exact matches

He then used paint pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel medium.

«Afronirvana,» 2002 (oil, acrylic, polyester resin, aluminum foil, glitter, map pins, and elephant dung on canvas) by Chris Ofili Courtesy the artist, David Zwirner, New York / London, and Victoria Miro, London.

Here, with titles including «Afronirvana» (2002) and «Triple Beam Dreamer» (2001 - 02), Ofili's multifaceted approach is at its finest, layering acrylic paint, glitter, resin, foil and leaves on horizontal and vertical canvases.

He combines these skins with other materials - silicone, spray paint, and resin among them - on canvas but also sometimes applies them to furniture and frames.

Dispersion paint, resin, and pigment on canvas, 103 1/8 × 79 1/8 inches.

Oil, resin, and enamel on canvas.

Momento Mori 2014 Collage on canvas, acrylic, acrylic on air - dried clay, resin, assemblage on acrylic enhanced plaster ARG # STM2014 - 030

ANGEL OTERO Galatea (after Raphael), 2011 oil paint skins collaged on resin coated canvas 96 x 86 x 3 inches 243.8 x 218.4 x 7.6 cm LM15640

Grey and Green Painting Artist: Antoni Tapies 1923 - 2012 Date: 1957 Classification: painting Medium: Oil paint, epoxy resin and marble dust on canvas Dimensions: support: 1140 x 1613 mm Presented by the Friends of the Tate Gallery 1962 © Foundation Antoni Tapies, Barcelona / ADAGP, Paris and DACS, London 2018

Blue, gold, ivory resin and oil on canvas painting with mixed media including monofilament and metal.

Consisting of resin and paint on multiple layers of unprimed canvas, it evinces a new materiality on Hubbard's part (c.f. Natalie Frank) but remains true to his pleasingly sleek style, which does much to sex up the whole category of abstraction.

Executed with layers of paint, glitter, resin, pointillist dots and collaged images of genitalia cut from porn magazines, an elephant dung breast protrudes from large - scale canvas which is perched on two elephant dung balls embellished with map pins that spell out «virgin» and «mary.»

Dry pigment and synthetic resin on paper, mounted on canvas.

Yves Klein (1928 - 1962) Anthropométrie sans titre, (ANT 49) signed and dated «Yves Klein 1960» (lower right) dry pigment and synthetic resin on paper laid down on canvas 42 7/8 x 25 5/8 in.

Heinz Mack Das Klavierkonzert, 1962 polyester resin on untreated canvas 55 1/8 x 78 3/4 inches (140 x 200 cm) 55 1/2 x 79 inches (141 x 200,7 cm) frame SW 09133 Private Collection

Acrylic paint, oil pastel, charcoal, graphite, resin, ink, paper and aluminium foil on canvas.

This is exceptionally notable in Anne Wildey's Ocean 5129 (oil on linen, 2013), Peter Hoffer's Landscape with Foliage III (oil, acrylic, and resin on panel, 2013), and Sara McCulloch's Summer Fields from Car (oil on canvas, 2008).

left: Work / Life, 2013, epoxy resin on inkjetprint on canvas above monitor, 15 minute HD Video, right: Newer Balance, 2013, epoxy resin on inkjetprint on canvas above monitor, 15 minute HD Video

And when we're ready, the canvas goes on the floor with a thick layer of specific resin, and very slowly I let the paint just fall.

To that end he has painted on canvas, fabric, stretched plastic; used resins, lacquer, minerals of all kinds; appropriated images high and low; mixed abstraction and representation; and conjured up Benday dots and metal engraving, among other reproductive techniques.

Acrylic, oil, polyester resin, paper collage, glitter, map pins and elephant dung on canvas, with two elephant dung supports

Lot 40, «RE 1,» by Yves Klein (1928 - 1962) is a 78 3/4 - by -65-inch deep blue pigment, synthetic resin and sponges on canvas that was executed in 1958 and has a very ambitious estimate of $ 4,000,000 to $ 5,000,000.

Mendes Wood DM from São Paulo showed a large mixed - media work on canvas and iron plate with resin objects by Paulo Nimer Pjota called Rammed earth façade part.

Acrylic, oil, resin, and pigment on canvas, 78 3/4 x 98 7/16 inches (200 x 250 cm).

Yves Klein, «Hiroshima», ca. 1961, dry pigment in synthetic resin on paper on canvas, 138.7 x 279.7 cm.

A few years later he would use Mylar (a form of polyester resin used to make heat - resistant plastic film) and laminating film, in layers fused on to stretched canvas to create his Mirage works.

Red, yellow and gold resin and oil on canvas painting, created with sculptural hand tinted and cast epoxy poured resin on stretched canvas, from American artist Erin Pa...

Peter Zimmermann showed a multi-hued resin pour on canvas at Galeria Filomena Soares» booth just down the way from Tom Burr's glassy polished and printed stainless steel cubes — respectively grip eight, grip nine, and grip ten — at Bortolami Gallery.

Our artists work across a range different contemporary art mediums, including resin and bronze sculpture, oil and acrylic works on canvas and board and mixed media.

San Diego, CA — At the 2011 Collectors» Selection Dinner on Wednesday, May 11, MCASD's International Collectors and Contemporary Collectors voted to purchase new works for the Museum's collection: two examples of Ai Weiwei's famous Marble Chair (2010); an exuberant draped canvas by Sam Gilliam, Dance Me, Dance You 2 # 1 (2009); and a rare polished resin sphere by Helen Pashgian, Untitled (1968/69).

The 17 new paintings are mixed media (acrylic and oil paint, gouache, marble dust, pencil, spray paint and synthetic resin) on wood or canvas.