Sentences with phrase «responsibility as a museum»

We believe it is our responsibility as a museum to champion art and creativity as well as to create a space for community dialogue and understanding.

One of our most important responsibilities as museum leaders is to protect cultural heritage and promote international education.

Not exact matches

Indeed, the bill is so poorly worded, some of them said, that it could be interpreted as abolishing basic property rights where museums are concerned and mandating the deaccession of such substantial portions of» their collections that they would be forced to abdicate their fiduciary responsibility — and thus be in violation of other laws.

Virtually all of the curators voiced resentment over the fact that, as they see it, the government is trying to dictate a sweeping, generalized policy in a situation that calls for a case - by - case approach — one that respects the diversity of the various tribes as well as the responsibilities of individual museums.

Upper West Side resident Cary Goodman, who launched in January a City Council race on a primarily single - issue platform against the AMNH expansion, told those present at a City Hall hearing on the Parks Department's preliminary budget Tuesday that Mitchell Silver is abdicating his responsibilities as outlined by the City Charter unless he rejects the museum's «toxic» proposal.

Working as a museum curator is a demanding job with many different responsibilities — and, like most jobs, some of those duties are better than others.

During the planning period, the kids were excited to be given this responsibility as well as a chance to pick the activity they have been dying to play (here comes Wax Museum!).

In addition to his responsibilities as Chief Executive Officer of Activision Blizzard, Mr. Kotick is also a member of the Board of Directors for The Coca - Cola Company, a member of the Board of Trustees for The Center for Early Education and he is Chairman of the Committee of Trustees at the Los Angeles County Museum of Art, where he serves as Vice Chairman of the Board of Directors.

The Board of Trustees, together with Salpeter, simultaneously announced it has put in place a new structure for the museum's senior leadership that expands the roles and responsibilities of its founding management team: Deputy Director and Chief Curator Alex Gartenfeld is being named Artistic Director, leading institutional vision, strategy, and programming as the museum's chief executive officer; and Associate Director Tommy Ralph Pace is being promoted to Deputy Director, overseeing operations, institutional advancement, and external affairs.

In addition to fulfilling its foundational responsibilities such as collecting, preserving, researching and disclosing the collection, the museum plays an important role in the contemporary arts scene.

During her 10 - year tenure in New York as a museum educator, Moore held several positions of increasing responsibility at the Met and the Brooklyn Museum, overseeing numerous large - scale educational programs and partnermuseum educator, Moore held several positions of increasing responsibility at the Met and the Brooklyn Museum, overseeing numerous large - scale educational programs and partnerMuseum, overseeing numerous large - scale educational programs and partnerships.

We see the responsibility of the gallery as threefold: to work for the long - term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.

#globalization #museums #access #representation #decolonization #history A recent conference at the Stedelijk Museum in Amsterdam, «Collecting Geographies — Global Programming and Museums of Modern Art,» invited participants to question the responsibilities accrued to arts institutions when they present works of global cultural production as a response to market interest.

As the senior member of the staff management and policy - making team, Stanley has responsibility for museum - wide activities and initiatives, acting as liaison with Museum staff, departments, trustees, the community, and external partieAs the senior member of the staff management and policy - making team, Stanley has responsibility for museum - wide activities and initiatives, acting as liaison with Museum staff, departments, trustees, the community, and external pamuseum - wide activities and initiatives, acting as liaison with Museum staff, departments, trustees, the community, and external partieas liaison with Museum staff, departments, trustees, the community, and external paMuseum staff, departments, trustees, the community, and external parties.

As much as «14 Rooms» benefits from the legendarily boundless enthusiasm of its two directors, who claim that the show speaks about the responsibilities of the museum of the future — and as much as I support a strong showing of performance at an event like Art Basel — the project is riddled with problemAs much as «14 Rooms» benefits from the legendarily boundless enthusiasm of its two directors, who claim that the show speaks about the responsibilities of the museum of the future — and as much as I support a strong showing of performance at an event like Art Basel — the project is riddled with problemas «14 Rooms» benefits from the legendarily boundless enthusiasm of its two directors, who claim that the show speaks about the responsibilities of the museum of the future — and as much as I support a strong showing of performance at an event like Art Basel — the project is riddled with problemas much as I support a strong showing of performance at an event like Art Basel — the project is riddled with problemas I support a strong showing of performance at an event like Art Basel — the project is riddled with problems.

A multi-platform presentation of performance projects that engage archive as medium, «Performance Archiving Performance» offers the opportunity to reassess the role of archives and the museum's responsibility for their evolving forms.

As part of her responsibilities, Myers will organize special exhibitions, conduct original research on the Museum's collection for scholarly publication, research Nazi - era provenance of artworks, oversee permanent gallery installations and recommend new works of art for acquisition.

Her areas of expertise include Indigenous arts and methodologies, contemporary Canadian art, museum and curatorial studies as well as theories of decolonization, anti-colonialism, and settler responsibility.

She has lectured and published widely on late 19th and 20th - century American art and culture, as well as on issues of curatorial responsibility and current museum practice.

While Open Casket will not be part of Eating Atom Bombs, the work provides an opportunity to contemplate questions about what art can and should say, as well as the responsibility of art museums in these conversations.

They see the responsibility of the gallery as three fold; to work for the long term development of each artists career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.

The [Koons] exhibition's historical position as the last to fill the Breuer building is a travesty, an abdication of the museum's responsibility to balance aesthetic discernment with the forces of the marketplace.

After working as a research assistant at the newly founded Kunsthalle Museum Fridericianum in Kassel, he joined the team of documenta 9 in 1991, where his responsibilities included heading the catalogue department.

A 20 - year veteran of the High Museum, Brenneman joined the staff in 1995 as the Frances B. Bunzl Curator of European Art and assumed more and more responsibility during his tenure.

With my departure from the Museum of Contemporary Art, the death of Mike Kelley, and my increased responsibilities as a co-director of the foundation he began in 2007, I have been forced to think about both the changed landscape of the arts in Los Angeles and internationally.

SM: I was thinking about my responsibility to the Whitney Museum as a choreographer; what is it they were inviting in?

This discussion will ask whether curatorial practice can have meaningful social or political impact, as well as what the responsibility of the curator and the museum should be to address and / or ameliorate injustice.

His responsibilities include representing the Center at the Partnership on Artificial Intelligence to Benefit People and Society, speaking and publishing on AI ethics as well as various other topics in ethics and technology, and coordinating the Center's partnership with The Tech Museum of Innovation in San Jose.

1993 - 1994: Worked as the library assistant at the Chapel Hill Museum and Library, Chapel Hill with the following job responsibilities

2000 - 2003: Worked as the Security Guard for the Deep Purple Art Gallery and Museum, California with the following responsibilities

Library & Information Science Manager — Duties & Responsibilities Assist with operational management of the University of Pittsburgh archive department and associated collections Oversee reference services for patrons interested in use of library materials and services Develop a rapport with patrons and orient them to library collections, policies, and procedures Maintain detailed records regarding volumes, patron use, purchasing, employee schedules, and budgets Train and orient volunteers and junior staff members in policies, procedures, services, and collection materials Proficient in industry software including PubMed, CINHAL, MedlinePlus, Ovid, and EBSCOHost Monitor library ensuring an environment conducive to study and concentration Assist in the creation of a University of Pittsburgh LibGuide for the United Electrical Workers Collection Utilize Archivist Toolkit to create finding aids for the Paul LeBlanc Papers, the Garden Club of Allegheny County Collection, the Stanley J. Rainka Papers, and the Pittsburgh Chamber Music Society Papers Trained in early childhood language and literacy development theory and practice Design and implement engaging educational activities for preschool students Serve as liaison between school and families regarding student development and progress Assist with the planning and implementation of daily Children's Museum activities Foster an atmosphere of fun, enthusiasm, and dedication to education Provide administrative services including phones, faxing, filing, and data entry as needed Represent company with poise, integrity, and positivity