Not the fault of the actors but when you have the excellent Danny Huston (30 Days of Night) playing an evil German officer then there is the potential to create a proper villain, a mad genius with grand plans for world domination during a
time of great sorrow for the
rest of the world, and instead his General Ludendorff is resorted to cracking open gas tablets that give him Hulk - like strength for no real reason and never really pays off
in any way;
in one scene he locks a group of people
in a room with a deadly nerve gas and then decides to snort on his magic
capsule before cackling and running off - camera like Jack Nicholson's Joker.
In spite of its «modern» aspects (extended families, separated and remarried parents, step - fathers and half - siblings, the father's progressive politics, the mother's struggles), it's a
time capsule of an America that is no more: white suburbs, established rites of passage, unquestioned gender and ethnic identities, a national territory unchallenged by the
rest of the world, no real vanishing point.