A still from Jack Smith's cult film Flaming Creatures (1963) during the screening on May 7th of the newly
restored film print at the Gladstone Gallery, New York.
Not exact matches
After circulating for years in poor, public - domain
prints, the
film has been reissued by Kino (Blu - ray; $ 29.95; DVD, $ 24.95; not rated) in a high - definition transfer taken from a
print restored by the Academy
Film Archive.
Details Cinemark Theaters and Paramount Studios continue their Reel Classics summer
film series with a screening of a digitally
restored print of the musical - themed compilation That's Entertainment (1974), 2 and... Continue reading →
The only extras are animated menus, scene selection, the original trailer, and a stills gallery - but the
film is presented in a
restored and remastered widescreen
print reviving its original Panavision 2.35:1 aspect ratio, and the DVD includes an excellent collectors booklet.
On July 31 at 11 am EST, indie distributor Matt Grady of Factory 25 launched a crowdfunding campaign on Kickstarter in which fans can have a hand in
restoring the damaged
print and make it possible to replicate and release the
film which ignited the careers of Steve Buscemi, Sam Rockwell, and Stanley Tucci, brought back Jennifer Beals, Seymour Cassel, and included appearances by Will Patton, Jim Jarmusch and Carol Kane.
Fifty years after it first appeared, Mike Nichols»
film (re-released in a
restored 4K digital
print) makes such beguiling viewing largely because of Hoffman's performance as Benjamin, which combines humour, boredom and panic in equal measure.
Walt Disney Studios Home Entertainment promises 1941's «Dumbo» has been
restored to the color settings most likely approved by Walt Disney himself, using
prints held by the Library of Congress (nitrate camera negative) and the
film Academy (dye - transfer Technicolor).
This newly pieced together version of Clive Barker's own adaptation of his book Cabal, created from footage found on a VHS work
print, the «Cabal Cut» of Nightbreed is not quite a «lost masterpiece» but it's interesting to see the painstaking work gone into
restoring the
film to what more closely resembles Barker's vision.
Too Much Johnson (1938)(Fandor, NFBF), the Orson Welles
film (or rather
film project) that was long thought lost (the last
print was reportedly destroyed in a fire in Welles» Spanish home in 1970), was found a few years ago and
restored.
The Criterion Collection's DVD release of The Makioka Sisters uses a beautiful new digitally
restored print of the
film.
Special Award: Brattle Theater, on its 100th anniversary, «for maintaining the tradition of revival
film programming in the Boston area and for its commitment to quality
prints and projection» (the Globe's language, not necessarily the BSFC's) Special Award: The Coolidge Corner Theater Foundation and Friends in Support of the Somerville Theater, «for their efforts to preserve historic theaters as sites for alternative
film programming» (ditto) Best Discovery or Rediscovery: The Great Rock»n' Roll Swindle (Temple), The Dybbuk (Waszynski), Coonskin (Bakshi),
restored Lawrence of Arabia (Lean), Carnival of Souls (Hervey) Best
Film Series: The West Rides Again (Museum of Fine Arts), The Films of Carl Theodor Dreyer (MFA), The Boston Jewish
Film Festival (MFA), The Films of Anna Magnani (MFA), and The Films of John Cassavetes (Harvard
Film Archive)
Continuing Fox's recognition of The Sound of Music «s 50th anniversary, a
restored print of the
film will open the TCM Classic
Film Festival in Los Angeles on March 26.
As artistic director Peter von Bagh writes, the aim is «to make
film screenings shimmer like live performances — through our efforts to guarantee the original format, the best technical care...» (1) And indeed thanks to that care, which includes live accompaniment by great musicians or the use of a large orchestra for new commissioned scores, or again the availability of new and recently
restored prints within the walking space of four close venues, the experience of watching a
film becomes something unique, a concert - like event.
The good news is that the
film looks and sounds great with a remastered soundtrack and
restored print.
The Beatles» 1968 animated
film returns to the big screen in a newly
restored print with newly mixed sound.
Featuring a selection of 35 mm
prints of
films restored by the UCLA Film & Television Archive.
It's simple — increasing lines of resolution on a
restored black and white
print makes the
film look crisp and pristine — maybe even as good as when it first came out.
With the miraculous discover of a 16 mm
print in Argentina, the Murnau Institute has been able to finally
restore the
film to its almost complete form (it is still missing a couple of minutes of footage).
Oscar - winning
film editor and longtime Martin Scorsese collaborator Thelma Schoonmaker, who has been a frequent special guest at Seattle screenings over the past couple of decades, is coming to the Seattle Art Museum to introduce a newly
restored 35 mm
print of The Life and Death of Colonel Blimp, directed by Michael Powell (her late husband) and Emeric Pressburger, and Peeping Tom, Powell's 1960 psychodrama of sex, violence, and the cinema.
It's a spectacular package, with a beautifully
restored print of the
film, two great Chuck Jones «Robin Hood» - themed cartoons, shorts, featurettes, a commentary track, a music - only track and more.
• February 25 - 27, Anthology Film Archives Presents Newly -
Restored Prints of Rudy Burckhardt's «Money» (1968) and «The Climate of New York» (1948)-- Screenings of recently restored prints of the classic Burckhardt films «Money» (1968), in which renowned dance critic Edwin Denby leads a cast of «60s art - and poetry - world stars, and «The Climate of New York» (1948), in which Burckhardt paints a portrait of the city and its inhabitants in luminous black - and - white and saturate
Restored Prints of Rudy Burckhardt's «Money» (1968) and «The Climate of New York» (1948)-- Screenings of recently restored prints of the classic Burckhardt films «Money» (1968), in which renowned dance critic Edwin Denby leads a cast of «60s art - and poetry - world stars, and «The Climate of New York» (1948), in which Burckhardt paints a portrait of the city and its inhabitants in luminous black - and - white and saturated
Prints of Rudy Burckhardt's «Money» (1968) and «The Climate of New York» (1948)-- Screenings of recently
restored prints of the classic Burckhardt films «Money» (1968), in which renowned dance critic Edwin Denby leads a cast of «60s art - and poetry - world stars, and «The Climate of New York» (1948), in which Burckhardt paints a portrait of the city and its inhabitants in luminous black - and - white and saturate
restored prints of the classic Burckhardt films «Money» (1968), in which renowned dance critic Edwin Denby leads a cast of «60s art - and poetry - world stars, and «The Climate of New York» (1948), in which Burckhardt paints a portrait of the city and its inhabitants in luminous black - and - white and saturated
prints of the classic Burckhardt
films «Money» (1968), in which renowned dance critic Edwin Denby leads a cast of «60s art - and poetry - world stars, and «The Climate of New York» (1948), in which Burckhardt paints a portrait of the city and its inhabitants in luminous black - and - white and saturated color.
We present rare and rediscovered
prints of movie classics, new and historic works by the world's great
film directors,
restored silent
films with live musical accompaniment, thematic retrospectives, and innovative works made by today's
film, video, and new media artists working in the areas of animation, documentary, experimental, and fiction
film.
Having recently worked on conserving and
restoring Looking for Langston images from his extensive archive, he exhibited of photographic works at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the
film in its original 16 mm
print at Tate Britain.