Sentences with phrase «resulting paint strokes»

Artists now process information rather than material or even constructed experiences; viewed through this theoretic lens, even if an artist paints color - field paintings in 2014, the resulting paint strokes are the consequence of reprocessed information.

Not exact matches

The results, displayed on an accompanying smartphone app, look like curved, whimsical Asian ink wash painting brush strokes.

The broad brush that painted the electoral college map red in 2016 left sweeping strokes through Suffolk County, and it became apparent almost immediately after the results began trickling in.

The resulting brush strokes have a characteristic scratchy look that lacks the smooth appearance that paint commonly has •

Imagine looking at a painting, of being moved by elements of its brush work or some other features within the strokes, of having feelings stir within you as a result of having looked upon it.

In 2002 - 08, he turned his attention to the cherry tree in his yard, painting it throughout the seasons with thick strokes of paint, resulting in a celebration of life.

Due to an injury, Zeng had to paint with his left hand, resulting in unruly strokes which contribute to a sense of the wild, destructive, yet arrestingly beautiful state of nature.

Although her work results from deep observations of the history of painting — from Velasquez, Rembrandt, Caravaggio and Cezanne among others — her personal vision transcends classical notions of genre and narrative as she invites viewers into a delicious domain of confident brush strokes with a new aesthetic.

These masses or formations avoided hard outlines and were the result of an accumulation of rather long strokes, which served as a basic structural element akin to the dot in a Seurat painting.

In his works, Lan successfully transmits traditional Chinese calligraphy's freehand strokes into the structure and expression of modern painting, resulting in an abstract language that marries the traditional and contemporary, simultaneously capturing the Chinese mind but appealing to the Western thought as well.

The sweeping strokes and rapid brushwork of both impastoed and diluted paint are the result of considerable thought, and include numerous figural references to a variety of imagery including bridges, tunnels and coal - mining equipment, as well as calligraphy.

The result, is an exciting body of new paintings that incorporate his familiar fields of geometric repetition with energetic, fluid, rhythmic patterns of drips, splashes and strokes.

From one side of each painting to the other, they vibrate softly, like the after - image that results from the stroking of a harp string.

Creating his richly textured surface by painting layer upon layer of richly pigmented oil paint, carefully sculpting and applying each brush stroke, Still would often scrape away the surface only to rebuild it again, resulting in a surface both densely layered with colour or often transcendent, conveying deep, mystical space.

The resulting brush strokes have a characteristic scratchy look that lacks the smooth appearance that paint commonly has •