Deitch sat down with Artspace's Karen Rosenberg at his Grand Street space to talk about
the resurgence of figurative art, the evolving downtown art scene, and what's next for him and his gallery.
Not exact matches
Published by The Monacelli Press in April 2017, The
Figurative Artist's Handbook, by Robert Zeller, seeks to address the
resurgence of the figure in contemporary
art.
Taking its cue from the
resurgence of figurative sculpture in the late 1980s and early 1990s, and from Sigmund Freud's essay «The Uncanny» (1919), the exhibition brings together mannequin - related
art works, mostly from the 1960s onwards, with objects from disparate cultural contexts that engender a similar sense
of unease in the viewer: medical dolls, anatomical waxworks, religious statues, pagan figurines, ventriloquists» dummies, sex dolls, taxidermy and so on.
The strong
resurgence of abstract and
figurative painting is shown by the vibrant murals
of Lothar Gotz, the vigorous brushstrokes
of Mary Ramsden, and Caroline Walker «s intriguing views
of swimming pools, while participatory
art is thriving in the haunting sound performances
of Sam Belifante and the MUSARC choir.
At the same time, a
resurgence of interest in
figurative painting in our own moment, as evidenced by attention to the work
of artists such as Lynette Yiadom - Boakye and Toyin Ojih Odutola, speaks to the continuing relevance
of Nochlin's perspective for contemporary
art.
George Condo appeared on the international
art scene in the early 1980s with a series
of phony old - master paintings, works that borrowed from canonized techniques to render disfigured portraits, subsuming the apparently contradictory tendencies
of the moment: a
resurgence of figurative painting and a predominant critical discourse on appropriation.