Sentences with phrase «resuscitate arts»

State Superintendent Delaine Eastin is calling on Californians to resuscitate arts education, which in recent years has been strangled by tight fiscal constraints in many of the state's schools.
This alternative to standard artistic distribution channels distanced from the gallery / museum system appealed to fellow artists, including those associated with Fluxus and Japanese Gutai, who were searching for new ways of resuscitating art by integrating it with everyday activities.

Not exact matches

Less effective as a portrait of Allende than it is as a commentary on the documentary medium itself - art as a means of resuscitating history.
The sprawling franchise has resuscitated careers (Downey), has minted new stars (Tom Hiddleston), and increasingly attracts an impressive range of A-list talent, from art - house favorites (Benedict Cumberbatch and Tilda Swinton in Doctor Strange) to Hollywood icons (Anthony Hopkins and Robert Redford) to at least three handsome guys named Chris (Hemsworth, Evans, and Pratt).
She was counted among a short list of artists credited for resuscitating painting when much of the art world proclaimed painting to be dead.
If his abstractions are «about» anything, they are about resuscitating a pragmatic concept of holistic experience and modifying that naturalistic idea to meet the needs of a dedicated contemporary art practice in which emotion and contingency interact with larger structures of personality, and philosophical problems interact with real production.
Exhibitions such as Paint Things (January 27 — April 21, 2013) at deCordova Sculpture Park and Museum and Phantom Limb: Approaches to Painting Today (May 5 — October 21, 2012) at Museum of Contemporary Art Chicago have brought together artists working through resuscitated painting traditions to rebrand process, materiality, and form in ways that are not easily labeled.
Datumsoria: The Return of the Real is an outcome of «Art & Tech @,» a program initiated at Chronus Art Center and conceived by ZHANG Ga, which aims, through resuscitating the valuable legacy of experiments in art and technology from the mid-20th century, to come to terms with the challenges of a technologically constructed timespace: a new reality that has altogether changed the rules of the game in work and play, in politics and economics, and in artistic imagination and cultural sensibiliArt & Tech @,» a program initiated at Chronus Art Center and conceived by ZHANG Ga, which aims, through resuscitating the valuable legacy of experiments in art and technology from the mid-20th century, to come to terms with the challenges of a technologically constructed timespace: a new reality that has altogether changed the rules of the game in work and play, in politics and economics, and in artistic imagination and cultural sensibiliArt Center and conceived by ZHANG Ga, which aims, through resuscitating the valuable legacy of experiments in art and technology from the mid-20th century, to come to terms with the challenges of a technologically constructed timespace: a new reality that has altogether changed the rules of the game in work and play, in politics and economics, and in artistic imagination and cultural sensibiliart and technology from the mid-20th century, to come to terms with the challenges of a technologically constructed timespace: a new reality that has altogether changed the rules of the game in work and play, in politics and economics, and in artistic imagination and cultural sensibility.
Here it seems proper to resuscitate both Andy Warhol's famous observation that «being good in business is the most fascinating kind of art,» and to paraphrase an aphorism often attributed to the actual Picasso: mediocre artists borrow, great artists steal.
Working with unconventional materials and techniques, Uklański resuscitates artistic vernaculars from a number of various historical movements, adopting the idioms or «dialects» of Art Informel, Color Field Painting, Abstract Expressionism and Fiber Art, among others.
But it also follows that curators are effectively barred from employing the critical ballasting that was rife in the 2014 Whitney Biennial, for example: resuscitating the careers of under - sung artists or setting up art - historical lineages by including respected elders.
From a foundation of Pop Art, Ms. Thomas resuscitates and extends movements like Photo Realism, New Image Painting and Pattern and Decoration.
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