Sentences with phrase «retrospective at a major institution»

Each, however, is reaching a crucial new stage in her or his career: whether that's gaining representation by an influential gallery, landing their first group show at a museum, or finally seeing their career fêted with a retrospective at a major institution.

She has had solo exhibitions and retrospectives at major institutions at Tate St Ives, Hepworth Wakefield and Musée d'Art Moderne de la Ville Paris.

Not exact matches

More recently, her artwork has been exhibited at major institutions and exhibitions worldwide including the Gwangju Biennale, South Korea (2016); a traveling career retrospective at the Solomon R. Guggenheim Museum, New York, NY (2015) and at the Fundação Serralves — Museu de Arte Contemporânea, Porto, Portugal (2014); the Vienna Biennial (2015); Guggenheim Abu Dhabi, UAE (2014); Prospect 3, New Orleans, LA (2014); Sharjah Biennial 11, UAE (2013); WIELS Contemporary Art Centre, Brussels, Belgium (2013); Haus der Kunst, Munich, Germany (2010); the 6th Asia Pacific Triennial of Contemporary Art, Queensland, Australia (2010); and the 29th Bienal de São Paulo, Brazil (2009).

Just the year prior, in the spring of 1957, the Whitney Museum of American Art opened a major retrospective of the artist's work which traveled to a number of American institutions ending at the Baltimore Museum of Art in June of 1958.

Ringgold has a long history of exhibitions at major institutions, including retrospectives at the Studio Museum in Harlem (1984) and the Fine Arts Museum of Long Island (1990).

Even the Guerrilla Girls, lauded in the New York Times for the collective's 30th anniversary, celebrated a retrospective exhibition this spring — not at any major institution, but with a small exhibition, mostly of posters, at the Abrons Art Center in the Lower East Side.

for the collective's 30th anniversary, celebrated a retrospective exhibition this spring — not at any major institution, but with a small exhibition, mostly of posters, at the Abrons Art Center in the Lower East Side.

His work has been the subject of numerous solo exhibitions at major institutions, including comprehensive retrospectives at the Museum of Contemporary Art, Los Angeles, the Whitney Museum of American Art, New York, the Musee d'Art Moderne de la Ville de Paris, and the Dallas Museum of Art, among others.

A major retrospective organized by the gallery of Rochelle Feinstein's work is traveling to four institutions and will be on view at The Bronx Museum.

[61] He had his first one - man show at Kasmin Limited when he was 26 in 1963, and by 1970 the Whitechapel Gallery in London had organised the first of several major retrospectives, which subsequently travelled to three European institutions.

1 RIRKRIT TIRAVANIJA With a traveling retrospective hosted by three major institutions in Europe — the Museum Boijmans Van Beuningen in Rotterdam, Serpentine Gallery in London, and Musée d'Art Moderne de la Ville de Paris — and a key work (made in collaboration with Philippe Parreno) at the Lyon Biennale, Tiravanija had, in a way, his biggest year yet.

He has been the subject of major international exhibitions over the last 40 years, most recently at the Palazzo Cini, Venice (2015) and a retrospective simultaneously presented at three Italian institutions: MADRE — Museo d'Arte Contemporanea Donnaregina, Naples, GAM — Galleria Civica d'Arte Moderna e Contemporanea, Turin, and MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (all 2014).

His work has been the subject of major retrospectives and traveling solo exhibitions at institutions including the Gemeentemuseum Den Haag, The Hague, which traveled to the New Burlington Galleries, London (1954); Kunsthalle Bern, Switzerland (1964); the Royal Academy of the Arts, London, which traveled to the Musée National d'art Moderne, Paris, and the Rotonda della Besana, Milan (1970); the Hermitage Museum, Saint Petersburg, which traveled to the Kharkiv Art Museum, Kharkiv, Ukraine (1973); the San Francisco Museum of Art, which traveled to the Solomon R. Guggenheim Museum, New York, and the Des Moines Art Center, Iowa (1981); the Museum of Modern Art, Kamakura, which traveled to the Fukuyama Museum of Art, and the National Museum of Modern Art, Kyoto, all in Japan (1989); the Musée Maillol, Paris, which traveled to Museu de Arte de São Paulo, Brazil (1997); the Museo Thyssen - Bornemisza, Madrid, which traveled to IVAM - Institut Valencià d'Art Modern, Valencia (1999); Tate Modern, London, which traveled to the Musée d'Art Moderne de la Ville de Paris (2001 - 02); the Metropolitan Museum of Art, New York, which traveled to the Museo d'Arte Moderna di Bologna, Italy (2008); the Museo d'Arte Città di Lugano, Switzerland (2012); and most recently, the BOZAR - Palais des Beaux - Arts, Brussels (2013).

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball event at The Joule Hotel.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball at The Joule Hotel.

2016 and 2017 marked several major museum exhibitions for the gallery's artists, including Tommy Hartung at the Hammer Museum and the Rose Museum, John Houck at Dallas Contemporary and in MoMA's New Photography exhibition, JJ PEET at the Contemporary Austin, Texas, and a major retrospective of Rochelle Feinstein, organized by On Stellar Rays, that is traveling to four institutions.

His work has been exhibited at major institutions throughout the world, including numerous retrospectives and solo shows.

Despite Martin's adamant privacy — she destroyed all of her early works, and actively discouraged the publication of monographs about her art — her work has been exhibited in solo retrospectives at nearly every major institution around the world, including the Tate Modern, LACMA, and the Guggenheim.

Skin And Bones: 20 Years of Drawing, a retrospective of Hancock's drawings since the mid-90s, is currently touring the US and has been shown in major institutions such as Contemporary Art Museum Houston, Akron Art Musem Ohio, and is currently on view at the Studio Museum in Harlem, New York City (through 18 June 2015).

The first major retrospective of the artist's work travelled to several institutions including the Miami Art Museum and High Museum of Art, Atlanta in 2012 and most recently his work was exhibited at Hauser & Wirth, Zurich.

His work is on permanent view at numerous institutions including the Hamburger Kunsthalle; Kunstmuseum Bonn; Staatsgalerie Stuttgart; and Mamco, Musée d'art moderne et contemporain, Geneva, where a major retrospective of his work was mounted in 2010.

Cruz - Diez's 2008 retrospective at the Americas Society in New York was his first major exhibition in a US institution, and the influence of his experimentation with color on contemporary artists became palpable.

He is currently preparing several retrospective exhibitions at major institutions such as Power Station in Shanghai (Spring 2018); Israel Museum in Jerusalem (June 1st — October 31, 2018); National Art Center in Tokyo (2019); and Centre Pompidou (September 2019).