Sentences with phrase «retrospective exhibition surveys»

This retrospective exhibition surveys the 40 - plus - year career of Carl Walters (1883 - 1955), a pioneer of modern ceramic art in America, presenting prime examples of his witty and original three - dimensional figures as well as his elegant plates and bowls.

Not exact matches

BOOKSHELF To learn more about Robert Colescott's work consider «Robert Colescott: A Retrospective, 1975 - 1986,» which accompanied his first survey exhibition, along with other catalogs, such as «Robert Colescott, Recent Paintings» (1997) and «Robert Colescott: Troubled Goods - A Ten Year Survey (1997 - 2007).&survey exhibition, along with other catalogs, such as «Robert Colescott, Recent Paintings» (1997) and «Robert Colescott: Troubled Goods - A Ten Year Survey (1997 - 2007).&Survey (1997 - 2007).»

ON THE WEST COAST, the Los Angeles County Museum of Art had something of a banner year with an exhibition of Catherine Opie's «O Project,» portraits that document the love and dignity of people who defy narrow definitions of sexual normalcy; an exhaustive retrospective of Robert Mapplethorpe (in collaboration with the Getty) and a survey of the horror movie polymath Guillermo del Toro.

In recent years, Alice Neel's work has been the subject of a major survey of paintings at the Museum of Fine Arts, Houston (touring to the Whitechapel Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).

The Jewish Museum, New York, organized a retrospective in 1966, and at the Museum of Modern Art, New York hosted a survey exhibition in 1991.

Dine's extensive practice in painting, drawing, sculpting and printmaking has been the subject of more than 300 solo exhibitions around the world, including ten major surveys and retrospectives since 1970.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

This touring exhibition will be a kind of «survey» of my work, but it will be structured around a series of new works that each rebound off some of my work to date, thus attempting to critique the usual static nature of institutionalized surveys or retrospectives, while at the same time allowing some rethinking to take place about conditions and the sound of my own making.

Reflecting the way Jonas works across many different disciplines, the ground - breaking survey exhibition is the first of its kind at Tate, combining a gallery exhibition, a ten - day live programme in the Tanks with performances by Jonas herself, a film retrospective in the Starr Cinema, as well as this special one - day - only live performance of Moving Off Land.

Organized by Malba — Fundación Costantini and curated by Philip Larratt - Smith (Deputy Chief Curator, Malba, Buenos Aires) and Frances Morris (curator of Kusama's retrospective at Tate Modern, London) in collaboration with the artist's studio, the exhibition offers an in - depth survey of the work of the most prominent living Japanese artist through over 100 carefully chosen works from 1950 to 2013, including paintings, works on paper, sculptures, videos, slideshows, and installation works.

Cassel Oliver has also mounted numerous solo exhibitions including a major retrospective on Benjamin Patterson, Born in the State of Flux / us, as well as the surveys Donald Moffett: The Extravagant Vein (2011); Jennie C. Jones: Compilation (2015); Angel Otero: Everything and Nothing (2016) and most recently, Annabeth Rosen: Fired, Broken, Gathered, Heaped (2017).

The eminent German curator Kasper König has had an extraordinary career in Europe, organizing his first show — a survey of Claes Oldenburg's work — at the age of 23, working on Pontus Hultèn's seminal Warhol retrospective at the Moderna Museet at 25, and going on to curate dozens of major exhibitions, found Frankfurt's esteemed Portikus kunsthalle, and hold professorships at the Academy of Fine Arts in Düsseldorf and the Städelschule.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

Nicholas Krushenick: Electric Soup is the latest in a series of exhibitions at the Tang that present in - depth surveys of underappreciated modern and contemporary artists, including Someday is Now: The Art of Corita Kent (2013); Nancy Grossman: Tough Life Diary (2012); Tim Rollins and K.O.S.: A History (2009); Joachim Schmid Photoworks 1982 — 2007 (2007); Richard Pettibone: A Retrospective (2005); and America Starts Here: Kate Ericson and Mel Ziegler (2005); among others.

This major exhibition, the first collaborative undertaking between the Musée d'art moderne de la Ville de Paris and the Musée d'art contemporain de Montréal, provides a critical, retrospective survey of the work of internationally renowned Québec artist David Altmejd.

The exhibition «20 Years: Artist Poster Retrospective» presents an unusual survey of film festival via their posters.

The artist Louise Fishman, primarily known for her large - scale abstract paintings, is the subject of two forthcoming exhibitions: «Louise Fishman: A Retrospective,» a fifty - year survey show at the Neuberger Museum of Art at SUNY Purchase, opening on April 3, 2016, and running through July 31, 2016; and «Paper Louise Tiny Fishman Rock,» an idiosyncratic presentation -LSB-...]

The Whitney's closest supporters are invited to join permanent collection artists in celebrating the new exhibition Frank Stella: A Retrospective, the most comprehensive survey of the artist's work in the United States to date.

For some artists, a solo, survey, or retrospective exhibition at a major museum is cause for celebration.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

The exhibition, currently on view at MoMA (the Museum of Modern Art) in New York City, is the first retrospective of the pioneer filmmaker and artist in New York City; the first complete retrospective of the artist's 50 - year career; the first survey of Conner's work in around 16 years and the first retrospective since his death in 2008.

Her work has been shown at the Serpentine Gallery and MoMA, NY, and in three survey exhibitions at the Tate, including the Duveen Galleries in 2013 and a retrospective at Tate Liverpool in 1991.

Previous exhibitions include: Uncertain States of America, a major survey of forty - five young American artists curated by Hans Ulrich Obrist, Daniel Birnbaum and Gunnar Kvaran (Summer 2006); major retrospective exhibitions of the Brazilian sculptor Tunga (1997) and American artist Dave Muller (2002); and the first museum exhibitions of Kara Walker (1995) and David Shrigley (2001).

He has organized multiple exhibitions with Hilary Lloyd including a large survey exhibition and retrospective catalogue for the museum in Basel.

In his time at the museum, he has curated several major exhibitions, including two Barbara Hepworth retrospectives and 2010's Henry Moore survey.

Concurrent with a focused retrospective of his oeuvre at the Fondation Beyeler, our exhibition showcases a representative survey of his drawings and colored graphic art from the museum's Kupferstichkabinett (Department of Prints and Drawings).

Garcia has curated a wide range of notable exhibitions and projects including Joel Kyack's Superclogger (2010); artist Marcos Ramirez ERRE's retrospective at the Carrillo Gil Museum in Mexico City (with Kevin Power, 2011); a re-staging of Mark di Suvero's Artists Tower of Protest for the Getty's Pacific Standard Time Performance and Public Art Festival (2012); the US museum premier of Egyptian artist Wael Shawky's Cabaret Crusades at the Hammer Museum (2013); and artist Eduardo Sarabia's mid-career survey at the Instituto Cabañas in Guadalajara, Mexico, and the Museum of Contemporary Art of Oaxaca (2014) amongst others.

Her solo exhibitions include Galerie Hans Müller, Cologne, 1970; Paula Cooper Gallery, New York, 1970; Hayden Gallery, MIT, Cambridge, Massachusetts, 1971; Kansas State University, Manhattan, Kansas, 1971; Lynda Benglis: Video Tapes, curated by Robert Pincus - Witten, Everson Museum of Art, Syracuse, New York, 1973; Sparkle Knots, The Clocktower, New York, 1973; Moving Polaroids, The Kitchen, New York, 1975; Lynda Benglis - Keith Sonnier, A Ten Year Retrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, PhiladRetrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadretrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadelphia, 2008.

In 2014, Genzken had a huge retrospective at the Museum of Modern Art in New York, following survey exhibitions in 2009 at Museum Ludwig in Cologne (Germany) and 2010 at Museion Bolzano (Italy).

The artist has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

The first full - scale survey of Benglis's oeuvre since Dual Natures at the High Museum of Art, Atlanta, 1991 (Benglis's last major retrospective), this traveling exhibition highlights works from the 1960s through 2009, including three video works and a selection of ephemera.

His major museum exhibitions include a ten - year survey at the Whitney Museum of American Art, New York in 1975; «Richard Tuttle: Perceived Obstacles» (Stiftung Schleswig - Holsteinische Landesmuseen, Schloss Gottorf, Schleswig, Germany, toured to two other venues, 2000 - 2001); and a two - year traveling retrospective, «The Art of Richard Tuttle» (San Francisco Museum of Modern Art, San Francisco, touring to the Whitney Museum of American Art, New York; Museum of Contemporary Art, Chicago; and three other venues, 2005 - 2007).

Tuttle has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

Retrospectives look back over the work of a single artist; other common types are individual expositions or «solo shows», group expositions (collective exhibitions or «group shows»), or expositions on a specific theme or topic («survey shows»).

Art galleries in Chelsea, Uptown, Downtown and Brooklyn are hosting solo shows, group exhibitions and retrospective surveys.

After ten museum survey exhibitions in the past seven years, this one was never meant to be a retrospective.

As for the DMA, it's in the middle of its first major Islamic art exhibition and in recent memory has hosted a surprising Edward Hopper drawing survey, an equally revelatory Jean Paul Gaultier retrospective, and The Mourners: Medieval Masterworks from the Court of Burgundy.

Reflecting the way Jonas works across many different disciplines, this groundbreaking survey is the first of its kind at Tate, combining a gallery exhibition, a ten day live programme in the Tanks with performances by Jonas herself, and a film retrospective in the Starr Cinema.

In 2016, Innes was the subject of a major retrospective survey exhibition and accompanying monograph, I'll Close My Eyes, at the De Pont Museum in Tilburg Netherlands.

Robert Rauschenberg, co-organised with The Museum of Modern Art (MoMA) in New York and in close dialogue with the Robert Rauschenberg Foundation, is the first posthumous retrospective and the first comprehensive survey of Rauschenberg's protean work since the encyclopedic Guggenheim Museum exhibition in 1997.

As an encyclopedic museum, there are always a variety of exhibitions, but the current offerings are especially rich: The James Turrell retrospective on view through April 6 beats out last year's Guggenheim show for breadth of offerings and the survey «Calder and Abstraction» boasts exhibition design by Frank Gehry that includes curved walls that cast those mobiles and stabiles in a whole new light.

Bruce Conner, It's All True, 3 July — 2 October, MoMA, New York In 2016, MoMA unveils Bruce Conner's first monographic museum exhibition in New York, the first large survey of his work in 16 years, and the first complete retrospective of his 50 - year career.

Robert Rauschenberg, organized in collaboration with The Museum of Modern Art and in close dialogue with the Robert Rauschenberg Foundation, will be the first posthumous retrospective and the first comprehensive survey of Rauschenberg's protean work since the encyclopedic Guggenheim Museum exhibition in 1997

From fresh surveys of movements such as De Stijl and Surrealism, to retrospectives of legends of Modern Art, to pioneers of photography and relevant figures in Contemporary Art, all of these exhibitions are definitely worth the trip.

Her career has been recognized by survey exhibitions at the ICA in London, ICA in Philadelphia, Museu Serralves in Porto, Castello di Rivoli in Turin, Moderna Museet in Stockholm, and by a major retrospective exhibition at Tate Britain.

In 2014, the Qatar Museum Authority presented a two - venue retrospective survey of Serra's work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East - West / West - East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet desert, Qatar.

Tate Modern, London organized a survey exhibition of Judd's work in 2004, and the Museum of Modern Art plans to mount a sweeping retrospective of his work.

This posthumous retrospective is a comprehensive survey of Rauschenberg's protean work since the encyclopedic Guggenheim Museum exhibition in 1997.

Exhibitions range from historical surveys and in - depth retrospectives of major twentieth - century and contemporary artists to group shows introducing young or relatively unknown artists to a larger public.

BRUCE CONNER: IT»S ALL TRUE is the artist's first monographic museum exhibition in New York, the first large survey of his work in 16 years, and the first complete retrospective.