Her deep continued connection to nature inspires an imagination that seeks to
reveal abstract forms in every - day objects.
Paint lines left on transparent plastic film through a process of scratching away (as might be the case when creating the block for a woodcut print)
reveal an abstract form and an obsession with materiality and process that eludes a clear concept — which is also a weakness of this body of work.
Not exact matches
It's the difference between writing «We further showed that X is dependent on Y» and writing «Paramagnetic bipolar tolography
revealed that X was dependent on Y.» This section should
form the bulk of the
abstract, so cram as many key words as possible in there, as the five or so key words that journals allow you to specify as such will soon get used up.
Acheiving a surface that resembles flaking plaster walls, with rich pure pigment color, Gross crops and reverses quotidian images to
reveal abstract shapes and
forms that are at once familiar and foreign.
The
abstract image
revealed no concrete
forms, but I felt the impact of the intense tone almost as if the work was vibrating in front of me.
For example, included are the exhibition are two preparatory drawings and their related painting, Blue, Black and Grey of 1960, which
reveal her sensitivity to
abstract forms in the natural world and her debt to Dow, five decades after studying his methods.
She uses a varied range of gestural marks to create expansive and
abstract forms that
reveal internal and external body systems.
Dripping and cartoon - like in their expression her works
reveal a strong association with landscape and the human
form beyond the layers of
abstract tangled
forms.
From a distance this piece is an
abstract composition of grays and blacks against a white background, but closer inspection
reveals multiple series of images (some depicting the same subjects as in the upstairs gallery) each printed in the
form of a postage stamp from an undeclared country.
In
Form for the
abstract body (after Schlemmer) one can compare one's own body to these full - scale designs, shapes that only
reveal the wall itself, but whose edges very gently glow around a surface that subtly reflects the viewer.
These
abstract pieces continued to
reveal the presence of human
forms within them for the entirety of the painter's career.
Highlights from this include his piece Spiderman (2015), in which the artist takes on the persona of a trans woman for a raunchy, politicized standup routine, and his signature large - scale
abstract compositions, which he
forms by layering paper and paint before sanding them down to
reveal previously - obscured layers of color.
A departure from earlier work in the early 2000s in which Simmons depicted dense
abstract environments, Jump Start
reveals an investigation into the use of negative space as a more expansive field for carefully positioned
abstract forms.
In this exhibition, the thin blue line is co-opted, deconstructed, and repurposed, collapsing its perceived meaning into both
abstract and literal
forms, which
reveal the line's fiction and self - invention.
Her signature
abstract shapes refer to things in the real world — vessels, bowls, tools, and other objects — each
revealing the mark of the human hand while also summoning natural
forms and forces.
The Sam Feinstein retrospective at the Cape Cod Museum of Art will
reveal the seventy - year trajectory of Feinstein's development from realism through expressionism, cubist - expressionism, Hofmann - influenced abstraction to Feinstein's own unique language of color -
forms — luminous and life - enhancing — in his monumental, mature
abstract paintings.
October 25 - 16 Trunk Show: Virginia Raku Clay 11 a.m. — 4 p.m. Inspired by many contemporary artists such as Chagall, Matisse, Picasso, and Klimt as well as African, Asian, and Islamic art
forms, Tanya Tyree incises her raku - fired clay sculptures, vessels, decorative objects, wall art, and jewelry with
abstract drawings that
reveal their own mystery, sweet spirit, and mood.
The artist prized dance as much as
abstract art as an expressive and creative
form,
revealing his faith in the promise of utopian new worlds.
By
abstracting natural
forms into a single material — marble, wood, silver, or steel — she
reveals things that are often hidden below the surface or beyond sight, merging rational order with notions of beauty and the transcendental.
Though the works appear
abstract at first glance, upon closer inspection they
reveal an interest in representational imagery, with geometric
forms giving way to human - like figures.
By 1939 he was painting in an
abstract style which, in its biomorphic
forms,
revealed his interest in Surrealism as well as Constructivism.
Kevin Larkin is
revealing his latest series, «Palimpsest,» paintings of
abstract forms with retouched elements that maintain the visibility of the original
form.
The
abstract works began to
reveal the presence of human
forms within them, and his two artistic approaches merged in 1945's Pink Angels, one of his first significant contributions to
abstract expressionism.
«It is about transcending, stripping, reconstructing or mimicking the formal world and attempting to bypass our spatio - temporal limitations to
reveal and elucidate the underlying and overlying
abstract qualities or principles which govern these
forms or our relationship to them» — Christin Paige Minnotte
She employs bold colors to make
revealing and emotional statements in
abstract form.
Artist Statement «While listening to Siddhartha in audiobook
form, the cover image of the river and of the title character - bold, simple and
abstract - slowly
revealed itself to me...
The resulting
forms are at once minimal and dense, familiar and
abstract, and what initially may have seemed simplistic and traditional instead
reveals a complex and strategic approach to painting.
He attended the Scarborough School and by his teens possessed well -
formed views about
abstract art, writing in a psychology paper, «The greater the work of art, the more
abstract and impersonal it is; the more it embodies universal experience, and the fewer specific personality traits it
reveals.»
The result is a series of luminescent images, often at the intersection of natural and
abstract, in which
forms interact and landscapes
reveal their elemental essence.
Constructed with painstaking attention to detail, the
abstracted forms overlay and interweave,
forming shadows and deepening space to
reveal a slinking, enigmatic figure.
Due to relation between the colors, which name the expo, «Preto e Branco»
reveals a symbiosis of different languages coming from the peculiarities of each particular creative world — the
abstract forms and the tendency to use the lines of 2501 as well as the realistic traces and the strong presence of religious figures of Ozmo.