These moments are rooted deeply within social realist cinema, and the
everyday interactions of these men and the women in their lives
reveal far more than any of the other, more grandiose statements the film attempts to make.
Whereas the forms of his wooden panel paintings feature the careful precision and hard - edges of geometric abstraction, the imperfections and «accidental noise» innate in Biltereyst's cardboard relief prints appear exploratory and rapidly configured, expressing not only the raw energy of creative problem - solving usually
revealed in artists» preparatory sketches, but also an interest in graphic elements battered by
everyday use, exposure and
interaction.