His mastery of kaleidoscopic inter-cutting techniques — though subdued here — has never found better employment than the chronological quick - step and intersecting flashbacks he uses to
reveal the psychosexual labyrinths of a fateful off / on love affair between Theresa Russell's free - spirited boozehound and Art Garfunkel's collected, monopolising, Malboro - smoking psychoanalyst.
Her series of holographic plates, however, interrupts this new artistic exploration in order to revisit past themes of childhood trauma and
psychosexual obsessions, while also building upon them with the medium's unique ability to incite horror and
reveal the grotesque in the perfunctory.