The narrative is well structured and the transition from personal
revenge story into something much larger is neatly done.
Not exact matches
Based on Ariel Dorfman's play, who also co-wrote the screen play, Death and the Maiden is an engaging, multi-textured
story about
revenge, passion, and how abuse of power is seductive, especially if put
into the wrong hands.
It's merely the tool to launch us
into a
story about a madman (Javier Bardem) hell bent on getting
revenge on MI6, and specifically M.
This is a fantastically spun tale which starts out as a bleak expose about death for cash, which forms
into a
story of friendship, but delves back down
into revenge, reemerges for justice and redemption, and then turns
into a cat and mouse thriller for a while until unraveling
into a blood - thirsty mess of explosions and bullets before finding its ending.
This is a great super hero movie with no special plot, just another
revenge story, the title of which shouldn't trick people
into thinking that Kick Ass ends up being important.
The international Now You See Me 2 trailer dives deeper
into the sequel's
story, wherein multiple people are out for
revenge against the Horsemen.
At the same time Marty discovers his best friend has publicly solicited for psychopaths to contact him to help inspire his
story, the dognapping scam hits a snag when Billy steals the dog of local psychopath Charlie (Harrelson) who quickly exacts his
revenge and sends the writing and dognapping trio
into the desert where they figure out how to deal with Charlie's rampage and, if they have time, a decent ending for Marty's
story.
And this year, the #metoo and #timesup movements could push the Academy to lean
into women with
revenge drama «Three Billboards Outside Ebbing, Missouri» and Frances McDormand, relationship drama «Lady Bird» with writer - director Greta Gerwig and actresses Soairse Ronan and Laurie Metcalf, Dee Rees» World War II family saga «Mudbound» with cinematographer Rachel Morrison and actress / songster Mary J. Blige, or true sports
story «I, Tonya» starring Margot Robbie and Allison Janney.
When I got through playing Oogie's
Revenge, I must say that I was really disappointed that the game, with such an engaging
story, did not manage to put more
into the gameplay.
Based on the novel The Hunter by Richard Stark (a pen name for Donald Westlake), Point Blank shuffles the lean, straight - forward
story of a gunman named Walker (Lee Marvin), who is double crossed by his partner in crime and returns (seemingly from the dead) for
revenge,
into a surreal, abstracted crime drama.
From there it turns
into a combination Robin Hood
story,
revenge tale, and confidence game with three players constantly shifting alliances (and sometimes identities).
Ruby's
story is in fact the centre of The Hills Have Eyes, supplanting Bobby's and Doug's
revenge melodrama (one that takes a turn to the delightfully wicked in the use of grandma's corpse as bait) and ascendancy
into animalism.
The final product of A Vigilante may have left me feeling indifferent, but I commend the places Daggar - Nickson took the typically predictable
story to deliver a fresh take on the
revenge thriller that leans more
into the emotional aftermath of the everyday violence that thousands of women suffer through on a daily basis, while also letting Wilde be a complete badass.
I have to admit right now, I've never read the graphic novels and so going
into the screening of this action movie I knew absolutely nothing about the
story of these four men and the lovely, mysterious Aisha, other than they were being played by actors I enjoy seeing on screen and that they were on a mission of
revenge.
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It's at that point where the
story begins: almost every film in this genre, even the more plausible ones, feature a hero who immediately slips
into revenge mode.
The irony is that McDonagh isn't interested in anything as cut - and - dry as a David - versus - Goliath
story or a feminist
revenge yarn; the empowering version of this movie is the one the writer - director only appears to be making, before veering off
into thornier, more ethically complicated dramatic territory.
Perhaps the weakest element of
Into the Sun proves to be the
story itself, with a very standard tale of feuding gangs and the typical
revenge subplot you've come to expect from a Seagal vehicle.
The
story concerns Melvin, the hopelessly nerdy mop boy at the Tromaville Health Club who falls
into a vat of toxic waste after a prank gone wrong and proceeds to transform, Incredible Hulk style,
into the «Toxic Avenger», upholder of truth, justice, and... well, taking out righteously violent
revenge on your most hated enemies.
Despite people finding fault in the lack of bloody kills, I personally enjoyed the quieter end to the
story, as it turns this one - dimensional
revenge thriller
into a deeper character piece.
The «Sicario» I saw was a «talented but naïve FBI agent falls under tutelage of high - ranking officer of questionable intent»
story that awkwardly morphs
into a
revenge thriller.
Director and her cast talk teasing a semi-naked Colin Farrell and turning a vintage Clint Eastwood movie
into a female - gaze
revenge story
Although the
story begins as a
revenge campaign by Kyoko, it evolves
into more of a journey of self - discovery as she grows and changes.
I preferred the
revenge story in this manga as opposed to Komomo Confiserie which has an extremely similar plot because The Young Master's Revenge never seems to cross the line into meanness
revenge story in this manga as opposed to Komomo Confiserie which has an extremely similar plot because The Young Master's
Revenge never seems to cross the line into meanness
Revenge never seems to cross the line
into meanness at all.
It began as a simple
revenge thriller, picking up with Fortesque and Wei Ling, then grew
into a more complex
story of redemption, unfinished business, the danger of immortality.
The protagonist of our
story is forced
into a journey of
revenge after her Village gets destroyed.
A new
story trailer has been released for the upcoming shooter - RPG Deus Ex: Human Revolution, as you find out that Adam Jenssen is getting embroiled in complex subplots, not the least of which is the very reason he was turned
into an augmented human, in the «Hour of
Revenge» trailer.
When we shipped Mafia III last fall, we were humbled by the community's response — so many of you really dug
into Lincoln's
revenge story against the Marcano crime family.
With last year's Junkenstein's
Revenge, our first co-op brawl, we dipped our toes
into making a playable «
story mission» in Overwatch, and it's been exciting to wade a little deeper
into that water with this event.
Though its PS2 and PSP iterations never made it stateside, one can jump
into Shinobido 2:
Revenge of Zen and enjoy the gameplay and
story without a problem.
By taking players
into the futuristic dystopian wasteland of Rengkok, developer Reikon Games sets out to tell a
revenge story as old as time.
Conviction is the
revenge story of a stealth expert who turns
into a desperate predator looking to kill everyone in his way between him and his target.
The
story basically turns
into a generic
revenge plot set during a time when tensions were strained between black and white people, and with this being very much reflected in the
story and gameplay.
The new God of War is certainly the most
story - driven of the series yet, with Sony Santa Monica successfully reinventing what was essentially a shouty man's thirst for
revenge into a melancholic adventure with fatherhood at the heart of all things.
After jumping
into the Animus 2.0 we are introduced to Ezio Audituerre in 15th century Italy who gets tangled in a
revenge story thick with conspiracies.
The
story takes a macabre and surrealistic turn as the heroine takes matters
into her own hands, resulting in a cannibalistic
revenge.