Not exact matches
Skilled, long - ranged kills will also slow time and
reverse angle to focus on your spectacular
shot.
Stripping vintage lengths of 16 - and 35 - mm film of their emulsion and dissolving the murky material into clear acrylic paint which he then airbrushes onto canvas, Zilm collapses entire films — close - ups, slow pans, fast tracking
shots, high
angles, medium
angles,
reverses, zooms, aerial
shots, encoded soundtracks — into mysterious black - and - white paintings that appear to be film stills in their own right.
Zilm's dynamic mark making often performs the setup and movement of the cinematic
shot; close - up, pan, medium
shot, tracking
shot,
reverse angle, zoom - out.