Sentences with phrase «review of a solo exhibition»

In a 2004 NYTimes review of a solo exhibition at Mitchell Algus, Ken Johnson described Dennis Kardon «s paintings as «generously painterly, voluptuously creepy narrative pictures of familial conflict, sexual angst and infantile yearning.»

Reviews of her solo exhibitions have appeared in the New York Times, the New Yorker, Artforum, New York, Modern Painters, frieze, and the Los Angeles Times.

Review of the solo exhibition of Andrea Kvas «Atacai» at CO2 on neromagazine.it, Turin, on neromagazine.it, online, November 2014.

Read Christopher Knight's review of her solo exhibition «I Remember Paradise» for the Los Angeles Times

Reviews of solo exhibitions have been published in The Washington Post, Art Papers, Washington City Paper, National Geographic Intelligent Traveler, The Concord Monitor, Urbancode Magazine, DCArtnews, and the Richmond Times Dispatch.

Not exact matches

NEW YORK — Albert Oehlen's solo exhibition at the New Museum was recently reviewed by Roberta Smith of the New York Times.

NEW YORK — Albert Oehlen's solo exhibition at the New Museum was recently reviewed by Andrea Scott of the New Yorker Read More

Catherine Craft, in an exhibition review in The Burlington Magazine described a series of Almquist's paintings included in a solo exhibition in Munich: «Richly, almost hallucinogenically layered and spotted with fragments of yarn, paper towels and in one case two papier - mâché balloons, his Junky Fruit paintings suggested a lurid transformative decay capable of eliciting fevered visions of other worlds....»

The Daily Telegraph's review of Tillmans's critically acclaimed solo exhibition at Tate Modern in London in 2017 described how the work «broadcasts his questing, restless desire to innovate and do things differently.»

Raymond Pettibon: A Pen of All Work, the solo exhibition by «the enigmatic, fantastically erudite artist,» as Peter Schjeldahl wrote in his review in The New Yorker, traveled to the Bonnefantenmuseum Maastricht in The Netherlands following its critically acclaimed debut at the New Museum in New York.

In a recent Rough Cuts video, James Kalm reviews the Stanley Whitney exhibition Left to Right, at Team Gallery (some great pics here) saying of Whitney «His approach to color and rhythm are akin to the spontaneous riffs of great jazz solos».

CHICAGO - Window Dressing, a solo exhibition of artist Diane Simpson at the MCA Chicago, receives a review by Sarah Rose Sharp in Hyperallergic.

First represented by Tony Shafrazi, the New York Dealer who discovered Jean - Michel Basquiat, Kenny Scharf, and Keith Haring in the «80s, Baechler has been the subject of numerous critical essays, solo exhibitions, and reviews.

Art in America May 2010 Exhibition Reviews Nari Ward Lehmann Maupin By Casey Ruble Tackling the multivalent subject of support — with its implication of preexisting threat — «LIVESupport,» Nari Ward's first solo show at Lehmann Maupin, included a roomful of sculptures (all works 2010).

As part of our ongoing partnership with Art Practical, today we bring you a review of Will Rogan's solo exhibition Stay Home, at Altman Siegel, in San Francisco.

The Cobra Museum starts a series of public events in the framework of Michael Tedja's solo exhibition SNAKE see review Wat heeft Mancoba met Tedja te maken < (in Dutch only)

Mark Yashaev's solo exhibition, «Only from suddenness and on», at Tel Aviv Museum of Art is reviewed by Joy Bernard of the Jerusalem Post

Als, winner of this year's Pulitzer Prize for criticism and curator of a recent exhibition of Alice Neel paintings (reviewed for Apollo here), will over the next three years curate three successive solo exhibitions of the work of artists Celia Paul, Lynette Yiadom - Boakye and Peter Doig.

Since his residency, Thomasson was selected as one of Art Review's «2013 Future Greats», and has had two solo exhibition, Just About Managing, Southard Reid, London, 2012, and The Present Tense, commissioned by Chisenhale Gallery and Create as part of the Chisenhale Gallery Create Residency (2012 - 14).

This review of Martine Syms's solo exhibition at Sadie Coles HQ, titled «The Easy Demands» was published on Art Agenda, February 2017

US National Academy members pen open letter defending Dana Schutz Over 70 members and members - elect of the US's National Academy of Art have signed an open letter in support of a solo exhibition of work by artist Dana Schutz at Boston's Institute of Contemporary Art, after activists petitioned the ICA to cancel the show following the controversy over Schutz's painting Open Casket, which was exhibited at this year's Whitney Biennial (read Apollo's review of the Whitney exhibition here).

We are thrilled to bring you a review of Liu Wei's recent solo exhibition at Long March Space, from our partner ArtSpy, a website based in Beijing, P.R.China that is committed to establishing a platform for global artistic information.

Rochford Street Review attended the media preview of Not an animal or a plant, conceptual artist Vernon Ah Kee's solo exhibition that includes more than a decades» work in various mediums, and which opened as part of the Sydney Festival on 7 January.

Mark Yashaev's solo exhibition, «Only from suddenness and on», at Tel Aviv Museum of Art is reviewed by Shaul Setter of Haaretz

This review of Ed Fornieles's solo exhibition at London's Chisenhale gallery, entitled «Modern Family» was published in Art Monthly issue 381, November 2014

Review by Johanna Fateman of solo exhibition DICKS OF DEATH at Mary Boone Gallery, NYC, NY, in Artforuof solo exhibition DICKS OF DEATH at Mary Boone Gallery, NYC, NY, in ArtforuOF DEATH at Mary Boone Gallery, NYC, NY, in Artforum.

Her solo museum exhibitions include the 2005 retrospective at the Lehman College Art Gallery / CUNY, Five Rivers, reviewed in The New York Times, as well as Sustenazo, commissioned by the CCA Zamek Ujazdowski, Warsaw / Poland (2010), and later shown at Museum of Memory & Human Rights, Santiago / Chile (2012 - 2013) and Patricia & Phillip Frost Art Museum, Miami (2014).

Review of «Silver Lining,» solo exhibition at June Kelly Gallery by Carl E. Hazlewood, NY Arts Magazine, 2001

Our recent solo exhibition featuring Manny Farber, PAPER PAINTINGS 1967 - 1975, has been reviewed in the March — April 2014 issue of the esteemed art magazine, art ltd..

Review by Tom McGlynn of solo exhibition Green God at Mary Boone Gallery and Callicoon Fine Arts, NYC, NY, in The Brooklyn Rail online.

The gallery has received a number of accolades in Denver for its unique vision including receiving 5280 Magazine's distinction as Top Gallery in 2012, as well as multiple positive reviews for exhibitions in the Denver Post and The Westword including its 2014 Best Emerging Artists Show and the readers» choice award for Best Solo Exhibition.

Howard Halle reviews This rock absorbs nothing so the water splashes around it and lands back on itself, a solo exhibition of works by Emi Winter.

Her solo exhibition was reviewed by Teresa Annas of the Virginian Pilot.

In the New Republic, Josephine Livingstone reviews Celeste Dupuy - Spencer's solo show at New York's Marlborough Contemporary Gallery, commending the exhibition's «assertion that painting can be a kind of journalism, and can serve the same purpose.»

Today from our friends at Glasstire, we bring you a review of Sandra Ono's solo exhibition at Conduit Gallery in Dallas, Texas.

Newman wrote catalogue forewords and reviews and also organized exhibitions before becoming a member of the Uptown Group and having his first solo show at the Betty Parsons Gallery in 1948.

This month marks the opening of the first major Australian solo exhibition of Pierre Huyghe's work at the TarraWarra Museum of Art, so today we revisit this review by Alex Bigman, who assesses the humor and mythology of Huyghe's retrospective at the Los Angeles County Museum of Art.

In the fall of 2015, Quogue Gallery mounted a solo exhibition of works by Arthur Pinajian earned critical praise in a review at Hamptons Art Hub by Charles A. Riley II and was the subject of a feature article in The Southampton Press.

MOCA GA application rules: # At least one solo show in a gallery or museum in Atlanta, or of regional, national, or international renown *, # A minimum of five years of exhibition record, Recognition of quality of work through publication or review.

From our friends at Glasstire, today we bring you Christina Rees» review of Loris Gréaud's current solo exhibition at Dallas Contemporary.

She has been represented since 2004 by Alexandre Gallery, where she is the subject of a solo exhibition currently on view through April 4, and reviewed recently by John Yau.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Robin Rhode's solo exhibition, «Force of Circumstance», at Kamel Mennour is reviewed by Blouin Artinfo

McElheny reviewed the Neue Galerie's 2007 exhibition «Josef Hoffmann: Interiors, 1902 - 1913» for Artforum, and has made focused homages to Hoffmann and Adolf Loos that include an all - white re-creation of Vienna's Adolf Loos - designed «American Bar» and the Hoffmannesque brass and crystal chandelier, pictured above, from his 2012 solo exhibition at the Institute of Contemporary Art in Boston.

The exhibition marks the 50th anniversary of Flanagan's first solo show, held at Rowan Gallery, London, in 1966; Animal, Vegetable, Mineral was the title American writer and curator Gene Baro gave to his review of that show.

Simone Molitor reviews Mikhail Karikis's survey solo exhibition «Love Is the Institution of Revolution» at Casino Luxembourg Forum d'art Contemporain for the Lëtzebuerger Journal....

It replaces an earlier review of Martin's first New York solo exhibition, at ASC Projects / Gallery 304 through September 30, 2013.

In this Shotgun Review, Scott Norton reviews Pierre Huyghe's solo exhibition at the Los Angeles County Museum of Art.

From our partners at Art Practical, today we bring you a review of Diana Thater's current solo exhibition at the San Jose Museum of Art.

On December 4, 2016, Tranen Contemporary Art Center closes the solo exhibition of Danish artist Astrid Myntekær, Mana Stash, an opportunity for visitors to review the work of this promising...