As a nice extra, Dawson's blog keeps collectors and armchair travelers up to date on his most recent finds while supplying
reviews of exhibitions of ethnographic art in the Americas and beyond.
In a New York
Times review of the exhibition art critic Roberta Smith said Traylor's works are at once modern and archaic, ranking among the greatest of the 20th century.
The book also features new scholarship by Diedrich Diederichsen and Bob Nickas, an illustrated timeline for both cities and compelling archival material — from documentary photographs from the period and reproductions of Cologne's historic Spex Magazine to
reviews of exhibitions from the period.
Chicago Artist Writers (Sofia Leiby and Jason Lazarus) in collaboration with artist Brandon Alvendia present an art writing workshop that instigates a collectively authored
review of an exhibition on view in the immediate surroundings of the 845 W. Washington building.
The University of Arizona or IBM Corporation and several others included the works of Newman in their permanent collections and several
important reviews of her exhibitions were published in Artforum and The New York Times.
Like most humble begins in the digital age, The Art Markets cultural association started as a blog about contemporary art, filled
with reviews of exhibitions Melano had come across through her travels.
In order to gauge public opinion of Virtual Normality — Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this
unique review of the exhibition.
Apart from a few gallery announcements and an
undated review of an exhibition inthe Arthur N. Christie Papers, Archives ofAmerican Art, Smithsonian Institution, Washington, D.C., little published material exists from which to reconstruct Christie «slife and career.
The Telegraph's
review of the exhibition states, «The Caged Bird's Song is a sumptuous monumental tapestry in which Ofili's painterly skills have been almost miraculously translated into thread to present a lush, limpid scene in which the arcadian landscapes of classical mythology are given a contemporary, tropical twist.»
Read
our review of her exhibition here.
This essay by Mark Strand was originally written for The New York Review of Books as
a review of the exhibition of Edward Hopper's drawings at the Whitney Museum of American Art in 2013.
In
his review of the exhibition in The New York Times, Holland Cotter writes, «the grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.»
Read more: The New York Times
review of the exhibition and excerpts from the publication in The New Yorker and The Brooklyn Rail.