The fact that the rest of the world got the jump on us and heaped poor
reviews upon the film didn't help either.
Not exact matches
The
film received largely positive
reviews upon its release and posted a strong opening weekend at the domestic box office.
And while the splashy, claret - coated opera of the original Godfather is the
film that kicked it all of, and The Godfather Part III is, well... y ’ know, it is perhaps (and certainly for the purposes of this
review) the second instalment of director Francis Ford Coppola's sprawling Mafia opus
upon which the Godfather trilogy's sepia - hued reputation pivots.
A few years ago at Sundance, director Craig Zobel unleashed his
film Compliance
upon audiences, earning rave
reviews and critical responses from those who felt it went too far.
The eagerly - anticipated release of Warcraft is finally
upon us, with the first
film based on the hugely successful video - game series opening in the UK this coming week [read our
review here].
Payne said it was difficult on every level — writing, financing, editing — and also addressed the lukewarm
reviews it was met with
upon opening late last year, suggesting that its ambitious narrative may have been too much to fit into the framework of a single
film.
Rare are the productions that don't require supporting parts to occupy screen space in some way, shape or form; only two
films come to mind in the past several years (that I've
reviewed, anyway) in which a single actor was called
upon to carry the entire
film.
Life Itself, based
upon the 2012 memoir of the same title written by legendary
film critic Roger Ebert, was also honored today as Best Documentary by the National Board of
Review.
With the anticipated release of director John Carney's (Begin Again, Once) new
film Sing Street finally
upon us this weekend [read our
review here], Flickering Myth's Scott J. Davis sat down with the director and his young cast this week to talk about the
film and everything 80's.
If you're able to look past these shortcomings, the hires b & w image is a noticeable improvement
upon the VHS captures featured on STOMP TOKYO's
review of the
film in terms of clarity and contrast.
What was greeted with relative fanfare
upon release (I myself gave it a four - star
review my sophomore year of high school) now seems fairly bland when placed in comparison with the other
films, neither exciting (as I found Harry Potter and the Prisoner of Azkaban) nor excruciating (as I found Harry Potter and the Goblet of Fire).
With Good Luck Chuck just around the bend, and making such a desperately naked play to position itself as the next Wedding Crashers, I figured it's time to re-post a slightly redacted version of that
film's original
review, originally published in Screen International
upon its theatrical release in 2005.
From now on, when I've given a
film a proper
review elsewhere, I'll use this space to expand
upon certain elements that might not have made their way into the full
review.
Word quickly came through, though, starting with Tom Birchenough's
review of Episode One here, that there were many sterling features, not least excellent
filming in locations focused mostly
upon Lithuania - cinematographer George Steel deserves a gong or two - and a brace of excellent performances alongside the not so good.
With any upcoming release, there is a tension between revelling in the anticipation — downloading the trailers, reading advance
reviews, watching interviews and «making of» promos, or just absorbing the vibe — and trying to avoid any forewarning of the plot to allow a truer experience
upon finally seeing the
film.
Full Exposed Edition DVD
Review: Greatly improving
upon the initial barebones release of the
film, the two - disc special edition of «The Full Monty» isn't going to blow you away, but it does offer quite a bit of background material on the making of the
film.
It's not a perfect
film, and despite my glowing
review upon its release, I honestly haven't given it all that much thought since, but the fact that it's even good at all should be chalked up as a minor miracle.
However,
upon reading your
review and thinking about it, you are completely correct on your points on the realism of the
film.
Despite mixed
reviews upon release, the
film has cemented itself in the world cinema canon, and brought its source material, the brothers's Roadside Picnic, along with it.