Sentences with phrase «reviewing select exhibitions»

Below is our guide — stay tuned for our coverage next week, where we will be reporting live and reviewing select exhibitions on view.

Not exact matches

AU Museum Director and Curator Jack Rasmussen will select curators to review these submissions for potential use in Alper Initiative exhibitions.

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

ReView is a group exhibition that brings back select artworks from De Pont's exhibition history and offers a look at the beginnings of the 25 - year long story of the museum.

Garvey Simon is pleased to announce the exhibition, Select, featuring work by seven artists chosen by director Elizabeth K. Garvey from the gallery's inaugural Artist Review Program.

Since his residency, Thomasson was selected as one of Art Review's «2013 Future Greats», and has had two solo exhibition, Just About Managing, Southard Reid, London, 2012, and The Present Tense, commissioned by Chisenhale Gallery and Create as part of the Chisenhale Gallery Create Residency (2012 - 14).

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

The lecture will be based on a review of selected exhibitions and projects organized by MILK since 2009 and it will be angled towards a discussion on photography as a medium in the exhibition context.

The Clemente's Visual Arts Review Panel which includes independent museum professionals, curators, gallerists and arts educators will select exhibitions for the Abrazo and LES Gallery based on the strength of the art and curatorial concept.

Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19

After reviewing over 400 entries from more than 70 countries, Roger Hiorns was selected as the winner of the 2016 Faena Prize for the Arts by an international jury coordinated by Ximena Caminos, Artistic Director and Chair of Faena Art, that included Carlos Basualdo, Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art; Achim Borchardt - Hume, Director of Exhibitions at Tate Modern; Caroline Bourgeois, curator of the Pinault Collection; Curator XIV Bienal de Cuenca Jesús Fuenmayor; and Victoria Noorthoorn, Director of Museo de Arte Moderno de Buenos Aires.

Judd could determine the length of the review, though his assignments were selected by Kramer who would provide Judd with a list of exhibitions to be reviewed.

From a pool of fifty submissions to the UAG's open call for proposals, the UAG Exhibition Review Board selected Taylor and Perry, who provided separate applications, to mount this two - person exhibition that grapples with complex environmentExhibition Review Board selected Taylor and Perry, who provided separate applications, to mount this two - person exhibition that grapples with complex environmentexhibition that grapples with complex environmental issues.

learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18

Selected press reviews about the exhibition: MDR Kultur, 26 July 2016, radio review, 3:33 min (link to external source) The Leipzig Glocal, 13 July 2016 (link to external source) Leipziger Zeitung, 10 June 2016, No. 32, p. 18 (pdf) kunst: art, issue May / June 2016, p. 20 (pdf)

This year they have selected the Zimbabwean painter Portia Zvavahera whose recent exhibition was reviewed in the electronic pages of ArtThrob.

Additionally, this event includes the launch of To Make a Public: Temporary Art Review 2011 - 2016, a selected anthology of the first five years of the online publication and a catalogue of the related exhibition Document V celebrating the same benchmark, recently published by Institute for Connotative Action Press.

David Carbone reviews the exhibition Life in Death: Still Lifes and Select Masterworks of Chaim Soutine at Paul Kasmin Gallery, New York, on view through June 14, 2014.

To Make a Public: Temporary Art Review 2011 - 2016 is a selected anthology of the first five years of online publication Temporary Art Review and a catalogue of the related exhibition Document V celebrating the same benchmark.

, Sole 24 ore, February 2016 «Una casa volante per polli astronauti», Il Giornale dell» Arte, January 2016 2015 «Artist's Diary: Petrit Halilaj and Alvaro Urbano, ATP DIARY, July 2015 «Alte Meister, Von Neuen Geliebt», Monopol, pp. 38, issue # 06/2015, June 2015 «No More Trauma, but a Long Journey for Homeland: On the Art of Kosovan Artist Petrit Halilaj», by Yunnia Yang, Art Collection + Design, Taiwan, February 2015, pp. 124-129 2014 «Best of 2014» selected by Maurizio Cattelan, ARTFORUM, December 2014 «Petrit Halilaj», by Barbara Casavecchia, ArtReview, January, February 2014 2013 «Le mejor de 2013 — Petrit Halilaj selectedby Danh Vo», Código Magazine, issue # 78, December 2013 «Agenda: Petrit Halilaj at WIELS», Babara Casavecchia, Mousse, issue no. 40, November 2013 «Highlights: Petrit Halilaj», Elena Filipovic, Kaleidoscope, issue 18, Summer 2013 «Kosovo Historienspiel», Birgit Sonna, Art Das Kunstmagazin, June 2013 «Papier erobert den Raum», Susanne Schreiber, Handelsblatt, March 2013 «Kosovo: Première Vénitiene», Beaux Arts Magazine, February 2013 2012 Review of the exhibition «Who does the earth belong to while painting the wind?!»

Her work was featured in the Museum of Contemporary Art of Georgia, MOCA - GA «Georgia Artists Selecting Georgia Artists» Exhibition 2013 and The Hampton University's International Review, where she won the prestigious Elizabeth Catlett Printmaking Award.

In the article, art critic D. Eric Bookhardt, (Art Papers and Gambit) will review the exhibition and select images for publication.

REVIEWS / PUBLICATIONS 2015 The Soul Selects her own Society, Essay by Stephanie Snyder, published in exhibition catalog for The Soul Selects her own Society: Women Artists from the Miller Meigs Collection.

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

The Review Panel, organized by artcritical.com, now in its eleventh year and its second season in Brooklyn, is a monthly critics» forum in which moderator David Cohen is joined by three other critics for a live discussion, with an audience, of selected current exhibitions of contemporary art in New York City.

The exhibition on display at EFA presents a selection of several dozen of the most striking submissions as selected by two juror's reviews in 2008 and 2009 as well as more recent projects that have been uploaded to the site.

Galleries are selected by a strict criteria including a rigorous, well reviewed exhibition history, involvement with top estates and museum shows, and past participation in major art fairs.

David Richard Gallery Presents «Post-Op: «The Responsive Eye» Fifty Years After», The First In A Series Of Exhibitions Reviewing Seminal MoMA Exhibition Post-Op: «The Responsive Eye» Fifty Years After, the first in a series of presentations commemorating the fiftieth anniversary of the ground - breaking «Op Art» exhibition organized by William C. Seitz at the Museum of Modern Art, focuses on the aesthetic pursuits and choices during the careers of a select group of American artists who were included in The RespoExhibition Post-Op: «The Responsive Eye» Fifty Years After, the first in a series of presentations commemorating the fiftieth anniversary of the ground - breaking «Op Art» exhibition organized by William C. Seitz at the Museum of Modern Art, focuses on the aesthetic pursuits and choices during the careers of a select group of American artists who were included in The Respoexhibition organized by William C. Seitz at the Museum of Modern Art, focuses on the aesthetic pursuits and choices during the careers of a select group of American artists who were included in The Responsive Eye.

Selected Group Exhibitions 2008 Calvert22, London 2007 An Archeology, 176 Gallery, Camden, London 2006 The Triumph of Painting - Part 6, The Saatchi Gallery, London 2005 Dolore curated by Klarita Pandolfi and Harry Pye, Sartorial Contemporary Art, London 2005 404 Arte Contemporanea, Naples 2004 Mothers curated by Harry Pye, The Ragged School 2004 New Blood, Saatchi Gallery, London 2004 Girl on Girl, Transition Gallery, London 2003 New Displays, Saatchi Gallery, London 2002 It's only words, Ausgang curated by Liz Neal, Studio Voltaire, London 2000 RCA Secret, Royal College of Art, London Reviews Erotic Review, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&rReview, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&rreview, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect&rReview, April 2001 Magnus Brooke, «Death to the Fascist Insect».

Selected titles include: Secret Life of Jewelry; Artistar Jewels Exhibition Catalog 2015 - 2017, Wearable Expressions 7th International Wearable Art Exhibition Catalog 2017, Art Jewelry Today, Art Jewelry Today 2, Trend and Colours CIJ International, Watch & Jewelry Review, Showcase 500 art necklaces, ArtBusinessNews.com, British Vogue, British Harper's Bazaar, and Contemporary Art of the Southwest.

The works in this exhibition were selected in a blind - review by Jenny Gibbs, Executive Director of the Elmhurst Art Museum, Carrie Secrist, Director of Carrie Secrist Gallery, and Frank Tumino, Curator of the Elmhurst Artists Guild.

Bibliography — Selected Articles 2014 Review of «breaking A skin, weaving A sense», this is tomorrow — contemporary art magazine Hannah James, «Q&A», Fell, online platform, fell.org.uk 2013 Hannah James: The outline seems indelible, Nom de Strip, Simon Bayliss Reviewed: The outline seems indelible, Lucy Drane, Spike Island Review: The outline seems indelible, a-n — Interface, Mark Leahy 2011 Pots Purr at Rhubaba, The Skinny Arts Review 2010 Central Reservation, Guardian's exhibitions of the week Curtain Show, Frieze, April 2010 Curtain Show, exhibitions of the week, Guardian 2008 Rhys and Hannah Present, Nought to Sixty, ICA Rhys and Hannah Present, Venue 2007 New Contemporaries 2007, Art Monthly, David Barrett New Contemporaries 2007, Time Out London, Sandra Rehme.

Proposals will be reviewed by a peer assessment committee and selected exhibitions will be presented at Karsh - Masson Gallery in 2017.

Potsic's solo exhibition at James Oliver Gallery (Enchanted Forest) was selected for discussion by The Review Panel, presented by ArtCritical at the Pennsylvania Academy of the Fine Arts in 2015.