Sentences with phrase «reviews current exhibitions»

Max Weintraub reviews current exhibitions by Anne Truitt and Fred Sandback, two of the more under - appreciated artists that emerged in the 1960s.

Maurice Berger reviews our current exhibition «Power to the People: The Black Panthers in Photographs by Stephen Shames», delcaring that the photographs «attest to the movement's accomplishments and ingenuity».

Clark Gallery is pleased to announce The Boston Globe's Cate McQuaid has reviewed our current exhibition of photographs from Richard Barnes» Murmur series and David Moore's recent paintings and works on paper.

Before you book your tour, review our current exhibitions.

Not exact matches

Its informative editorial coverage of current news, government strategies and curriculum criteria, in addition to industry features, in - depth exhibition previews and reviews and relevant products & resources, makes the magazine a vital tool for education professionals to keep in touch with their industry.

Focusing on artifacts and activities based on the Museum's current special exhibition, The Pelican State Goes to War: Louisiana in World War II, discover the key themes that cross Louisiana's geographic and cultural diversity, review important individuals and events, and learn how the war changed the state for decades to come.

Piri Halasz reviews ten current and recent painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).

East City Art Reviews: You, if no one else & The More Things Change at Arlington Arts Center By Wade Carey on March 14, 2018 The current exhibition at Arlington...

In a recent review of Maureen Gallace's current exhibition at 303 Gallery by Barry Schwabsky, the subject of whether painting a landscape is relevant in today's era was brought up.

For a Family Review of the current exhibitions, click here.

At the same time, I appreciate blogs that keep me informed about a wide range of art and art news, such as Hyperallergic; painter Sharon Butler «s blog Two Coats of Paint; and critical writing that does keep current with art exhibitions but in an idiosyncratic way, like painter Bradley's Rubenstein «s reviews on Culture Catch.

In Reviews, current and recent exhibitions by Carsten Nicolai, Min Jungyeon, Rosa Barba, Ragnar Kjartansson, Kendell Geers, Ulrike Heise and Tomie Ohtake, and Book Reviews including What Art Is, Art & Queer Culture and Money, Trains, and Guillotines.

In 2010 he established the magazine AGMA, which presents visual reviews of current and historical exhibitions.

See Dennis Kardon's review of Sarah Walker's current exhibition, Planet X, on artcritical.com Quantum Fields and Cellular Processes: Sarah Walker at Pierogi by Dennis Kardon Sarah Walker: Planet X at Pierogi Gallery Sarah Walker's art is like visual quicksand.

With works in four current exhibitions across the United States, a recent honor with the Asher B. Durand Award at the Brooklyn Museum Artist's Ball, and a fall show on the way, the Brooklyn - based African - American artist has found continued success since she broke out in the art world in 2008, when her rhinestone - on - enamel portraits received glowing reviews during Art Basel Miami Beach.

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

Response to our current exhibitions has been phenomenal with huge visitor figures and a growing list of reviews and responses in print and online.

In her review of the ICA Boston's current exhibition, Art in the Age of the Internet: 1989 to Today, Megan Driscoll (PhD candidate in contemporary and African American art at the University of California Los Angeles) attends to the conflicted responses that the featured artists and exhibition curators alike express toward the ubiquity of computer networks, unpacking exhibition subthemes ranging from «states of surveillance» to «performing the self.»

Specifically, I want to commend the Bowdoin College Museum of Art for its current exhibition, This Is a Portrait If I Say So: Identity in American Art, 1912 to Today, which I've reviewed in tomorrow's Wall Street Journal.

Musee Magazine reviews the professional life of Jill Freedman for her current exhibition Long Stories Short at Steven Kasher Gallery

From our partners at Art Practical, today we bring you a review of Trevor Paglen's current exhibition at Altman Siegel Gallery in San Francisco.

TAM is pleased to share that our current exhibition, The Gildless Age, has been reviewed in the Los Angeles Times.

Preston, Stuart, «Diversity of Today: From Weird to Religious in Current Shows», New York Times, 29 March, section 2, p. 8 Cambell, Larry, «Reviews and Previews», Art News (New York), April, volume 52, no. 2, p. 52 Art Digest (New York), 1 April, volume 27, p. 19 Fitzsimmons, James, «Art», Art & Architecture (Los Angeles), May, volume 70, no. 5, pp.9 - 10 McBride, Henry, «Sculpture Time at the Whitney: and for some drawings and watercolors, too», Art News (New York), May, volume 52, no. 3, pp.42 - 43 & 69 International Watercolor Exhibition: 17th Biennial, catalogue, Brooklyn Museum, New York More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Goyen, William, Joseph Glasco: Exhibition of Paintings, Sculpture, Drawings, catalogue, Catherine Viviano Gallery, New York

In order to gauge public opinion of Virtual Normality — Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this unique review of the exhibition.

From our friends at Glasstire, today we bring you Christina Rees» review of Loris Gréaud's current solo exhibition at Dallas Contemporary.

Fiber Artist - in - Residence Mark Newport's current solo exhibition Stitches is at Simone DeSousa Gallery and has been reviewed by Detroit Art Review.

Check the Art Review for our current Exhibition Picks.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

~ CHOICE, current reviews for academic libraries, February 2001: «The book is unique; it can be used as a reference for artists» biographies, for exhibition documentation, or as the history of a specific artistic movement.

Roberta Smith reviews Matthew Ronay's current exhibition at Andrea Rosen Gallery 2, now on view through August 22.

Congratulations to Mark Moore Gallery artist Andrew Schoultz for his outstanding review for his current New York gallery exhibition at Morgan Lehman Gallery in New American Paintings.

Pratt Institute hosts portfolio reviews and thesis exhibitions of current and graduating student work throughout the year, including the end - of - year Pratt Shows highlighting the best of the graduating class.

The LA Times, LA Weekly and ArtInfo all published glowing reviews of Johnson's current exhibition at Mark Moore Gallery this week.

Ken Johnson reviews Mika Rottenberg's current exhibition at Andrea Rosen Gallery, now on view through June 14

Review of our current exhibition by Matthew Turner in Photomonitor CLICK HERE

In Reviews, current and recent exhibitions including Laure Prouvost at Whitechapel Gallery; Julia Wachtel at Vilma Gold; Wiliam E. Jones at Modern Institute, Glasgow; Zilia Sánchez at Artists Space, New York; Kaz Oshiro at Honor Fraser, Los Angeles; Chris Burden at Magazin 3, Stockholm; Franz West at MUMOK, Vienna, and The Insides Are on the Outside at Casa de Vidro, Sau Paulo, and Books including Bas Jan Ader: Death is Elsewhere, Cornelia Parker and Spam: A Shadow History of the Internet.

From our partners at Art Practical, today we bring you a review of Diana Thater's current solo exhibition at the San Jose Museum of Art.

As such, it's not really all that appropriate to write a proper review of his current solo exhibition, «When Wishes Are Horses, Beggars Will Ride,» at Interstate Projects in Brooklyn.

«HIGHLY RECOMMENDED» ~ CHOICE, current reviews for academic libraries, February 2001: «The book is unique; it can be used as a reference for artists» biographies, for exhibition documentation, or as the history of a specific artistic movement.General readers; undergraduates through faculty.»

Carmen C. Bambach, the curator of the Metropolitan Museum of Art's current Michelangelo show, as well as one in 2003 on Leonardo, said in her 2012 review of the National Gallery exhibition that «much of the original painting surface may be by Boltraffio, but with passages done by Leonardo himself.»

At a panel last month on the Whitney Biennial — an installment in the series of monthly reviews of New York art shows organized by Artcritical editor David Cohen and held at the National Academy Museum on Fifth Avenue — the critic Joe Wolin framed the current installment of the always - controversial exhibition with notable economy.

Loring Knoblauch reviewed Marianna Rothen's current exhibition «Shadows in Paradise,» and claimed that her new images introduce the friction of a richer spectrum of emotions.

Rukhl Schaechter reviews SKG's current exhibition Day by Day: 1968, composed of 366 press photographs from that year.

MAD Antequera, Malaga Curated by Fernando Francés This exhibition brings together a selection of sixteen large format works from fifteen Andalusian creators, proposing a review of the current figurative art in different formats and styles.

Read the full review of our current exhibitions Olle Schmidt» Tales from Nowhere» and Niklas Eneblom» Meangirl Girlfight» @omkonst www.omkomst.com.

The Creek was among twenty - four works in Hartrath's solo exhibition at the Carson Pirie Scott and Company department store in May 1917, according to a review in the Fine Arts Journal in which the painting was reproduced with its current title.

David Nolan Gallery's current exhibition, Peter Saul: «New Paintings,» will be the focus of the upcoming Review Panel at the National Academy Museum on Friday, April 24, along with three other current shows in NYC.

Along with the museum's current holdings of art works, a wealth of archival materials relating to Glackens will be housed in the Research Collection and Study Center: seventy - seven of his sketchbooks; more than one thousand photographs spanning his life, institutional records, correspondence, exhibition reviews, and unpublished research.

Claudio Zecchi reviews Davide Zucco, «Deep Time,» his current solo exhibition at NURTUREart in Brooklyn.

The Review Panel, organized by artcritical.com, now in its eleventh year and its second season in Brooklyn, is a monthly critics» forum in which moderator David Cohen is joined by three other critics for a live discussion, with an audience, of selected current exhibitions of contemporary art in New York City.