See page 95 for
our review of the film.
I have read 15
reviews of the film, and not one mentions that Tolkien imbues his pre-Christian masterpiece with Christian concerns.
There are many reports and
reviews of the film online.
According to a New York Times
review of the film, the «audience's attention is directed to Miss Monroe through frequent and liberal posing of her in full and significant views.»
That could be
the review of the film.
These are just some quick initial impressions — Alex Abad - Santos will have Vox's official
review of the film closer to its February 16 release.
The negative
reviews of the film, No Escape, is more proof that people just jump on the internet bandwagon of stupid every.
And, of course,
no review of this film would be complete without mentioning how great the cast is.
Please tell us what you think of the film — or Mark's
review of the film below.
Ranked as the third most useful website on the «Net by Roger Ebert, Screen It provides the most detail content
reviews of films and videos anywhere.
Is every reviewer at Slant unable to give a concise
review of a film without spoiling the ending?
What do you reasonably expect to find in
a review of a film that has been so ruthlessly engineered to target the pleasure - centers of the most fearful and fragile cohort of American maleness?
In speaking about Only Lovers Left Alive — which seems to occur often since posting my NYFF
review of the film.
«At the time, there were
reviews of the film that said they didn't even watch the second half of the movie because they had to go to the toilet to throw up.»
In
his review of the film, Ignatiy Vishnevetsky states that this one - of - a-kind film is carried «by Nichols» measured style and an embarrassment of wonderful performances.»
My only objection to Tapley's
review of the film is this: «nothing feels as promising as it might have previously felt on paper.
Check out my Hack The Movi3s
review of this film to find out all the good bits!
To read more and to see
reviews of her films, click here.
Click through for my sit - down interview with Mark Levinson,
my reviews of the films and the above cool poster is a totally awesome find by Pete at Central Track!!!
As I mentioned above, we are great fans of Hosoda, so it's no surprise that we published
a review of the film from James Maruyama back in 2007:
Now that it's been revealed that Casey Affleck's documentary on Joaquin Phoenix was a hoax, Scott Youngbauer is compelled to revisit
his review of the film.
David: If you've read any of my previous
reviews of films featuring super heroes, you know this is not my genre of choice.
Indeed, having just re-read my 2004
review of that film, I find I could change the names, cut and paste it, and be discussing this film.
This is the DVD release of the film whose Blu - ray incarnation was reviewed by Gino, so I'm going to let him take it away for
the review of the film itself.
If you've read any of my previous
reviews of films featuring super heroes, you know this is not my genre of choice.
It is not clear whether women chose to write
reviews of films with women directors and writers or if editors assigned these films to women writers.
If you would like to read my full
review of the film from Sundance, please click on the link below:
I truly enjoyed this film and if you want to read more of my thoughts on it, feel free to check out
my review of the film below:
In celebration of this weekend's release of Oz the Great and Powerful, consider this an invite to check out Matt's
review of the film, video interviews with stars James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, and Zach Braff, and text interviews with Sam Raimi, Franco and Kunis, Williams and Weisz, and producer Joe Roth.
Men wrote more
reviews of films in all genres than women.
Below are
reviews of the films nominated in the major categories.
Here is
my review of the film from earlier this summer.
And as if the mere fact of getting to see Crowe's latest in advance weren't motivation enough, attendees will also have the opportunity to enter a contest for a trip to San Diego by posting
reviews of the film.
Read our full
review of the film at the end of the link above.
Jennifer Lawrence struggled to tell the difference between wine reviews and
reviews of her films while taking part in a fun political video campaign.
I'd say that's about as good
a review of this film as any from my point of view.
I may have claimed that Lifetime makes better movies than one of the ones I reviewed... Click on the links below to find
my reviews of each film.
Laurel Belgreen tells you in
her review of a film that could be a surprise Valentine's Day pick.
Speaking for nearly
every review of the film, one commentator quoted in a 2008 Entertainment Weekly article called it «The Citizen Kane of bad movies.»
While there is no formal text
review of the film around here, Andrew, Matt & Myself talk about some of this in our latest Row Three Cinecast
You can read Matt Goldberg's written
review of the film on the site right now, but if a spoiler - free video review from a bunch of comic book nerds is your thing then the Collider Heroes crew has got you covered.
Stay tuned for more on «DREDD 3D» as well as more from 2000AD in advance of the movie's September 21 debut, and check out CBR's
review of the film here.
Their comprehensive site posts reviews of virtually every movie released in the United States, as well as
reviews of films from all major film festivals (Cannes, Toronto, AFI, Hollywood, Montreal, Venice, Berlin, Sundance, etc.).
Here are today's movies and links to
my reviews of each film.
(Read FF2 Media
review of the film HERE).
Colin Hanks» wonderful documentary about the rise and fall of Tower Records, All Things Must Pass, was released on disc last week, and so I wrote a full
review of the film for Hammer to Nail.
In
her review of the film for the BFI, my good friend and collaborator Sophie Mayer astutely links Stories We Tell to the feminist classic Daughter Rite (1978) by Michelle Citron, and what I love about this connection is the fact that it perfectly crystallizes how experimental and powerful Polley's examination of female identity — both hers and that of her elusive mother — is.
Two more reviews well worth the read are Roger Ebert's four star
review of the film, and Owen Gleiberman's perfect A.
In
her review of the film from Cannes, Jess faulted the film's «preplanned» plot that's too formulaic «for us to take it fully into our hearts.»
The story behind the music comedy «One Chance» starring James Corden is so in - depth, I'm directly quoting from
my review of the film: