Students and teachers are able to
revisit past work and discuss and expand upon it.
He revisited another past work in 1999 with Ogre Battle 64: Personal of Lordly Caliber, creating 29 rich symphonic tracks in a curious reversal of roles of the Ogre Trio.
Not exact matches
In fact, the same thing occurs every time I
revisit the places that I have
worked over the
past 40 - plus years,» he notes.
But I do like taking a look back over the
past year and
revisiting my outfits, sharing with you what
worked or didn't
work for me.
This intentional return to the
past, in the sense of both
revisiting the city of the
past and the style of his own previous
work, turned out great, as Frenzy has the quality of engulfing you that characterizes only the best movies of this kind.
This
past fall the Brazilian - born, New York — based artist Karin Schneider baked a related conceptual gambit into the black, Ad Reinhardt — esque paintings that she showed at Dominique Lévy gallery, stating that collectors who acquired her
work have to be willing to let another artist
revisit them at some point in the future and add to it.
During the
past decade, the art world has repeatedly
revisited the early
work of two of Humphrey's contemporaries, Frank Stella and Jo Baer.
Looking back at an a career spanning 40 years the exhibition at Bartha Contemporary features a series of paintings
revisiting some of the central themes that have determined the artist
work over the
past decade.
It also allowed him to
revisit and excavate the
past, pushing his own painterly vocabulary to create
works that are fresh and liberated.
Past displays have
revisited the Whitechapel Gallery's legendary 1956 exhibition This is Tomorrow, the first UK exhibition of Mark Rothko and Stephen Willats» pioneering
work in community engagement.
The canvas is one of a series of canvas
works done by Coupland over the
past five years, many of which are a conscious
revisiting of the
work of Roy Lichtenstein that focuses on his late 1960s and early 1970s
work.
The upcoming exhibition at Tinney Contemporary Gallery will feature new
works by Lyle Carbajal that
revisit themes painted in his
past work.
With the nine oil paintings and three
works on paper that comprise the exhibition, Miller continues to explore the narrative potential of the animal world by
revisiting many of the themes that she has surveyed in her
work for the
past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.
Five additional
works are on view in the Melvin Blake and Frank Purnell Gallery (20th - Century Art: Places): Big Wind in Georgia (about 1933) by Hale Woodruff; Shotguns (1983 — 86) by John Biggers; Environment (1947) and Still - Life:
Past Revisited (1973), both by Eldzier Cortor; and Greene Street (1940) by Beauford Delaney.
Early and late
works are displayed alongside one another, reflecting Jonas's practice of
revisiting her own
past, as can be seen in Juniper Tree an installation created in 1994 that evolved from performances staged in 1976 and 1978.
In some cases, Bloom
revisits previous installations and adds new elements, resisting the delineation between
past and present in her
work.
With earlier
works such as Summer and TOKYO 4 -3-4-506, the artist
revisits pivotal places from her
past — a school she attended, or her family's home.
Revisiting past collaborations in this new
work, he explored the agency of those who participate in a
work's production and the nature of collaboration itself.
With the participatory, parade - like mapping project, «Twine,» the
working men and women will
revisit all former WPA homes in chronological order, accompanied by drummers and anyone else eager to
revisit the
past and purposely walk into the present.
Presented in the square crop format that has dominated his
work in recent series, and taken over the
past decade, the images in America by Car are among Friedlander's finest, full of virtuoso freshness and clarity, while also
revisiting themes from older bodies of
work.
Past displays have
revisited the Whitechapel Gallery's legendary 1956 Pop art exhibition This is Tomorrow, the first UK exhibition of Mark Rothko and Stephen Willats» pioneering
work in community engagement.
BELIEVE features sixteen artists including, Jeneen Frei Njootli who has been hailed throughout Canada for her
work which uses materials from history to reclaim her
past; Barbara Kruger, who is creating a site - responsive, large scale text installation for MOCA that will force viewers to
revisit what they believe they know and Awol Erizku, whose art is dedicated to the often - missing representation of people of colour.
Following an enormously successful earlier Picasso exhibition at the Prado in Madrid, and a current show in Paris, London's National Gallery
revisits the artist's relationship with the
past by confronting 60 of his
works with paintings in the gallery's collection.
The exhibition, Follow the Heart: The Art of Sean Scully 1964 - 2014,
revisits the British / American artist's career over the
past 50 years in over 100
works including some of his most iconic and important pieces, such as Night and Day (279 x 812 cm), some of his great 1980s paintings, which overturned the orthodoxies of minimalism, and many of the famous Wall of Light paintings.
Thanks to this retrospective at the Menil Collection, I can
revisit Serra and his
work today from a different perspective, editing out the noise of the
past and focusing on the
work of the present.
Anna Ostoya's (b. Poland, 1978) draws upon the histories and strategies of 20th Century avant - garde movements from Constructivism to Dada, Futurism to Abstract Expressionism, in a bid to activate and
revisit works and ideas from the
past and imbue them with new meaning.
Using photography not only to restage their own (and others») performances but to
revisit the bodily experience of
past events, these artists have reconsidered the document itself as an object embedded in time, closely attending to its material specificity in their
works.
Their
work often
revisit materials from the
past, such as a score, a piece of music, a film, a photograph or a performance, wondering about and excavating unrepresented or illegible moments of utopia in history.
Over the
past 23 years, NWEI has evolved into an organization that lives its values by providing a flexible, family - friendly
work environment, encouraging staff to recharge with annual personal retreats, offering a sabbatical for long - term employees, and
revisiting our practices and policies regularly to ensure that we continue to evolve and grow.
The underlying figures must be
revisited if pleural plaques claims are excluded in the future, but also there must be an additional substantial enhancement to reflect the
work done in the
past in thousands of pleural plaques claims adjudged «uncompensatable» by their lordships.