Here we find Eugene von Bruenchenhein's copious photographs of his often topless and apparently game wife; the rather creepier ballerina - doll pictures made by Morton Bartlett, after devoting laborious attention to crafting the dolls themselves; the insouciant intensities of Greer Lockton,
revolving around gender reassignment and the refashioning of icons, both cultural (Jackie O.) and subcultural (Candy Darling) through dolls and photographs; and selections from the inscrutable archive of Polaroids taken of actresses on television by the anonymous photographer known as Type 42.
Not exact matches
The Tempest (PG - 13 for nudity, scary images and suggestive content) Academy Award - nominee Julie Taymor's iconoclastic interpretation of the Shakespeare play features Oscar - winner Helen Mirren in the lead role of Prospero, thereby transforming the beloved classic into a
gender - bending tale of female empowerment
revolving around a woman caught up in a volcanic struggle for survival and a quest for vengeance.
Tangerine (R for frontal nudity, drug use, pervasive profanity and graphic, disturbing sexuality)
Gender - bending dramedy, set in Tinseltown,
revolving around a recently - paroled, transsexual prostitute (Kitana Kiki Rodriguez) who spends Christmas Eve searching for the pimp (James Ransone) who broke her heart.
Each artist individually addresses concepts
revolving around feminism with works that either challenge
gender stereotypes or embrace female empowerment, with literal or metaphorical visual language.
Performative strategies today, such as those practiced by Patty Chang,
revolve around issues of the body and related themes, including endurance, sexuality, and
gender difference.
This «play set» even seems to suggest that the cast of characters and their settings could be reorganized, creating new narratives that
revolve around issues of oppression and power, race and
gender, and moral ambiguity.
Rooted in the word
gender, Engender brings together a wide range of practitioners — including Nicole Eisenman, Hernan Bas, Firelei Báez, Emily Mae Smith, Tschabalala Self, and Nathaniel Mary Quinn, among others — who portray a form of self - expression that does not
revolve around the traditional masculine or feminine, and questions the constructed foundations of identity.
Her works
revolve around themes like
gender and the feminine and she is represented by several works in the Louisiana Collection, including the video installation Sip My Ocean.
Each artist addresses concepts
revolving around feminism with works that challenge
gender stereotypes or embrace female empowerment.
They were touching, moving images that
revolved around race,
gender, and violence, the artist's conceptual touchstones.
The show
revolves around the theme of appropriation; with work that explores / deals with desire, race, sexuality, identity and
gender, often via magazine formats and camera-less techniques (such as photograms).
I wonder about the discussions on diversity in recruiting for law schools, articling, hire - backs, etc., and notice that they mainly
revolve around attributes like race,
gender, and class, but don't spend much time on attributes relating to personality.
Eschewing frustrating vagaries, sweeping generalizations, and
gender - based assumptions, Puhn's extremely specific guide focuses on simple, rational solutions that primarily
revolve around maintaining respect for one's partner.
Mothers seem to specifically have a difficult time maintaining adult relationships with their adult children because so much about the
gender norm of being a successful woman
revolves around being a good mother and having successful children.